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By Recorded Sound Archives, June 13, 2016 8:15 am

While digitizing recordings by Sergei Rachmaninoff at the Recorded Sound Archives, we found some interesting facts about Rachmaninoff that you may not of known. Such as did you know….

1. Rachmaninoff was twice offered the position of conductor at the Boston Symphony Orchestra. He refused both times.

2. Aside from being a magnificent composer, Rachmaninoff was also a man of strong moral character. In 1912, Rachmaninoff resigned from his position as vice-president of the Russian Musical Society in protest to a musician being dismissed from his duties because he was Jewish.

3. Rachmaninoff’s last piano recital included Chopin’s Sonata no. 2, which includes a famous funeral march. Rachmaninoff died 40 days after performing the funeral march. Rachmaninoff’s composition All Night Vigil was sung at his funeral.

Want to learn more about Sergei Rachmaninoff and his music?

Click here to listen to over 40 recordings that have been digitized and learn more about the life of Sergei Rachmaninoff.

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By Recorded Sound Archives, March 18, 2016 4:36 pm

PURIM, which, in English, means [drawing] LOTS, is about the book of Esther which is also known in Hebrew as Megillah (the Scroll).  It is a book in the third section of Ketuvim (Writings) of the Jewish Tanakh (Hebrew Bible).  It relates to the story of a Hebrew girl in Persia, born as Hadassah but known as Esther (niece of Mordechai), who becomes Queen of Persia and thwarts the genocide of her people by the wicked Haman, a high official in the court of King Achashverosh.

Haman sought to annihilate all the Jews, Mordechai’s people, throughout King Achashverosh’s’ entire kingdom.  For Haman plotted against the Jews to destroy them, and he cast a “pur”, which is a LOT, to shatter and destroy them. For this reason, they call these days “Purim,” after the pur.

The story forms the core of the Jewish festival of Purim, during which it is read aloud twice: once in the evening and again the following morning. A Purim party often takes place during this time where children dress up in costumes usually relevant to the story of Purim. It’s a fun time for everyone including adults!

Here at the Recorded Sound Archives, we have put together a collection of over 20 recordings for you to enjoy with family and friends this Purim.

Enjoy!

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By Recorded Sound Archives, March 11, 2016 3:27 pm

Did you know the Recorded Sound Archives at FAU Libraries has over 49,000 albums along with over 150,000 songs in its databases, which is growing everyday with the help of volunteers? With so many recordings to choose from, we have given Research Station users the ability to request items be digitized.

Below you’ll find a list of recordings that were recently added in March from requests made by Research Station Users.

Recently Added Music*

Memoire liturgique juive d’Alsace – Shabath by Michel Heymann

The 19th Annual Israeli Chassidic Festival ’87 by Various Artists

Shema Kolenu by Sawel Kwartin and Mordechai Hershma

1990 Chassidic Song Festival by Various Artists

Rare Cantorial Music by Sawel Kwartin

Original Kwartin Compositions by Sawel Kwartin

Cantorial Gems – Volume 2 by Cantor Sawel Kwartin and Gershon Sirota

 Rachel by Arik Lavi

El Al Songs of Israel – Volume 2 by Various Artists

Yom Kippur Chants, Volume 3 by Sawel Kwartin

Cantor Zawel Kwartin Sings his Best Cantorial Works by Sawel Kwartin

Cantor Lubin Sings by S. Lubin

Tefilo Zacho by Sawel Kwartin

Golden Voices of Israel by Sawel Kwartin

Cantorial by Sawel Kwartin

Hateh Elokai Oznecho by Israel Schorr

Sarah Come Back To The Range by Les Benson and His Monticello Mounties

Komiz Alef by Pinchas Jassinowsky

Numskull Jack & Happy Family by Paul Leyssac

See a recording that hasn’t been digitized?

As a research station user you can request it using the Music on Demand forms on the website.

*Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

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By Recorded Sound Archives, February 12, 2016 4:11 pm

This past week marks Thomas Edison’s 169th birthday!

Thomas Edison invented the phonograph, the very first device for recording and playing back sound, in 1877. Early machines were sold to entrepreneurs who made a living out of traveling around the country giving “phonograph concerts” and demonstrating the device for a fee at fairs.

Here at the Recorded Sound Archives, we have a collection of over 70 Edison Records which can be listened to online.

To listen or learn more about Edison Records, click here.

Some songs may only be available as snippets due to US Copyright laws.

These items are noted in the player with the words (Research Station) and only allow for 45 seconds snippets to be played to give you a sense of what that recording originally sounded like. Full access is available through the RSA’s Research Station access is limited to educators, students and serious researchers.

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By Recorded Sound Archives, January 25, 2016 3:51 pm

The Recorded Sound Archives has digitized a collection of cantorial music by Cantor Shloimele Rothstein , one of over 260 Cantorial voices to choose from in the RSA’s Cantorial Collection.

Born in Bessarabia on May 1, 1891 in the town of Falesty. He was the first Cantor to sing on KDKA radio in Pittsburgh in 1926 and was contracted by Columbia Grafonola to produce phonograph recordings along with being Cantor at Synagogue B’nai Israel in Brooklyn, NY.

Shloimele’s only teacher was Jerome Hayes of whom he learned several operas with. As a result, he was offered the leading tenor role in “La Juive” by an Opera Co., but refused the offer to give his attention to the Synagogue, Phonograph and Concert work. He passed away on October 19, 1966, at the age of 75.

He is also known as Shlomo Rothstein, Sol Rothstein & Solomon Rothstein.

To listen the voice and recordings of Shloimele Rothstein, click here.

To discover other cantorial voices, please visit the Recorded Sound Archives Cantorial Voices collection.

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By Recorded Sound Archives, December 4, 2015 3:47 pm

The Recorded Sound Archives loves sharing the gift of music during the holiday season, especially Chanukah music. This year the Recorded Sound Archives has put together a wonderful collection called Songs of Chanukah that will entertain and delight the entire family with over 50 albums to choose from such as the Children’s Village Choir singing Hanukkah is Here to Kenny Ellis with Hanukkah Swings. The songs in this collection express the essence of the holiday with children’s songs that teach about the holiday,  traditional songs and a new twist on old favorites.

Please accept this gift of music for you and your family from the Recorded Sound Archives along with our best wishes for a Happy Chanukah!

Click here to view this collection.

Click here to view past blog posts on Chanukah.

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By Recorded Sound Archives, September 28, 2015 3:33 pm

Did you know the Recorded Sound Archives at FAU Libraries has over 49,000 albums along with over 150,000 songs in its databases, which is growing everyday with the help of volunteers? With so many recordings to choose from, we have given Research Station users the ability to request items be digitized.

See a recording that hasn’t been digitized?

As a research station user you can request it using the Music on Demand forms on the website.

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access.

Below you’ll find a list of recordings that were recently added in September by Collection from requests made by Research Station Users.

Judaic Collection

Prayers from Jerusalem by Naftali Herstik

Zemirot – Turkish-Sephardic Synagogue Hymns  by Los Pasharos Sefaradis

Oriental Song Festival 1973 by Various Artists

A Song of the Heights by Andrew Edison & Norman Summers

Tanchumim by Various Artists

A World of Jewish Music by Allan Michelson

Blue Star Camp – 1984 by Ted Grey

30 Golden Moments of Music by The Epstein Brothers

Lamenatseach Shir Mizmor – Oriental Song Festival 1974 – Volume 2 by Various Artists

Tsur Mi’Shelo Achalnu – Famous Traditional Sephardic Hymns by Renanim Choir

Achva by Various Artists

Ismach Moshe by Sawel Kwartin

Al Taschlicheinu by Sawel Kwartin

Erev Shel Shoshanim by Various Artists

Gems of the Synagogue by Josef Rosenblatt

My Mother’s Sabbath Candles (Sung in Yiddish) by The Malavsky Family

Vintage Collection

The Bells of St. Mary’s by Charlie Spivak and his Orchestra

Featured Collection

Hit of the Week Collection

High Holy Days Collection

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By Recorded Sound Archives, September 14, 2015 2:25 pm

In years past, the Recorded Sound Archives Judaic collection or the Judaica Sound Archives as most know it has highlighted the music of Leibele Waldman, Gershon Sirota and Moishe Oysher for the High Holy Days along with some of today’s finest cantors.

This year the Recorded Sound Archives has created a High Holy Days collection for you to  share and enjoy with your family. Included in this collection is a mixture of cantors, and other musicians such as Shimon and Ilana Gewirtz, Ramon Tasat and Cindy Paley.

Click here to view this collection.

Click here to view past blog posts on the High Holy Days.

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By RSA Guest Blogger, August 24, 2015 6:53 pm

Theodore Bikel on stage as Tevye in Fiddler on the Roof.

With his grey beard, clear voice, and room filling performance, Theodore Bikel had so much in common with Tevye the Milkman. He was the fiddler on the roof, a versatile man.

Theodore Bikel, actor, activist and folk singer, passed away at the age of 91 last month on July 21, 2015 in Los Angeles. He played Tevye in Fiddler on the Roof onstage in thousands of performances, created the role of Baron von Trapp in the original Broadway production of The Sound of Music, recorded as a singer and guitarist for many albums in different languages, and was involved in civil rights causes.

Bikel was born into a Jewish family in Vienna, and named after Zionist Theodore Herzl. They fled to Palestine in 1938. and according to his mother in his autobiography, he sang before he could talk. Theodore started acting at a young age and performed in the Habimah Theatre in Tel Aviv in 1943. Bikel moved to London in 1945 and next to the United States in 1954, where he started his acting career on Broadway.

Bikel released thirteen albums between 1955 to 1965. The most popular recordings were: Theodore Bikel Sings Jewish Folk Songs (1958), Songs of a Russian Gypsy (1958), Theodore Bikel Sings More Jewish Folk Songs (1959), A Harvest of Israel Folk Songs (1961), and Theodore Bikel Sings Yiddish Theatre and Folk Songs (1965). With this repertoire, he paved the way for a renewed interest in Yiddish folk songs, and ultimately for the klezmer revival in the late seventies.

Along with folk singer Pete Seeger, Bikel became one of the founders of the Newport Folk Festival in 1959. This festival is known for the performances of Joan Baez and Bob Dylan in 1963 and played a crucial role in the American folk music revival of the sixties.

Just recently, a documentary film was released about the intertwining of Theodore Bikel’s life with writer Sholom Aleichem, the great storyteller of Jewish life in Eastern Europe: Theodore Bikel: In the Shoes of Sholom Aleichem. In March this year, Record Sound Archives’ Alethea Perez wrote a blog about this portrait. click here to read more.

Listed below are some of his popular tunes.

 Dona Dona

Di Mame Iz Gegangen

Az Der Rebbe Zingt

Dodi Li

 Click here for more Theodore Bikel recordings.

Due to copyright concerns only snippets can be heard on the RSA public website. Full versions are available to users of the RSA Research Station.

If you enjoyed this guest blog post you may enjoy Gone but not forgotten – the Barry Sisters.

RSA Guest Blogger, Niels Falch, is a PhD candidate at the University of Groningen in the Netherlands and is currently writing a dissertation on the influence of Jewish music in American popular songs.

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By Recorded Sound Archives, March 19, 2015 11:58 pm

Introduced in 1930 and discontinued in 1932, these records were made from a flexible synthetic resin (Durium) coated on brown paper.

What are sound recordings made of?

Initially sound was recorded on wax cylinders. By the end of the 1920s, however, recordings were made of a heavy, fragile shellac compound.

Producers began looking for better options and started experimenting with materials that were lighter, flexible and less fragile.

One of these experiments, Hit of the Week records, were actually made of resin coated brown paper! This lightweight, flexible, “unbreakable” composition was unique and provided a 78 rpm recording with sound equal to or better than ordinary shellac.

Beginning in February 1930 a new recording featuring a current “hit” song was released each week. They were sold at newsstands, likemagazines, with past issues being available by mail order. They were recorded on one side only and sold for 15 to 20 cents per recording. The unrecorded side was often printed with advertising or the performer’s portrait. They had a tendency to curl up over time and came in flimsy rice paper sleeves.

The unrecorded paper side of Hit of the Week recordings were sometimes printed with advertising a performer’s portrait, in this case Morton Downey.

These recordings were a big hit with the public in the early days of the Great Depression and provided easy, cheap entertainment to the masses. However, as the depression wore on sales slumped. the last Hit of the Week issue was released in June 1932.

The Recorded Sound Archives at FAU Libraries is pleased to share 39 of these original recordings with our website users. Due to US Copyright laws only 45-second snippets are available on our public website.  Full recordings are available to RSA Research Station users.

Click here to see and hear the Hit of the Week collection.