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By Recorded Sound Archives, April 28, 2011 8:55 am

When I learned that Marlene Englander (Jack Saul’s daughter) and her husband Jon would be visiting us on Feb. 28, 2011 I couldn’t have been more excited. Marlene had been very helpful to the Recorded Sound Archives in negotiating the details of the delivery of two large truckloads of audio recordings from her mother’s home in Cleveland to FAU Libraries.

As a matter of fact, it was this enormous gift of recordings from the Saul family that inspired FAU Libraries to create the Recorded Sound Archives (RSA). Over the past six years the Judaica Sound Archives has been gaining in prominence and size. So you can imagine the excitement when we started unpacking the Saul Collection and found hundreds of gems that were new the JSA collection. Since Jack Saul had a wonderful collection of early Victor recordings we were able to put together collections of music by such Jewish entertainment super-stars as Al Jolson, Jascha Heifetz, Efrem Zimbalist and Alma Gluck.

FAU Libraries’ large collection of Jazz recordings did not fit within the parameters of the JSA and had been sitting dormant on the shelves at Wimberly Library. This new addition of more than 50,000 non-Jewish 78rpm recordings of classical, popular and folk music as well as historic speeches were also inappropriate for the JSA. Luckily, we were in a position to apply what we had learned processing Jewish recordings to these other music treasures. Creating a more comprehensive Recorded Sound Archives just seemed like the logical thing to do.

We gave Marlene and Jon a tour of the new RSA’s three separate areas: Judaica, Jazz and Vintage 78’s.

Alethea Perez (RSA Operations Coordinator) and Marlene Englander (Jack Saul’s daughter)

“How much of this came from my father?” she asked looking down a long aisle of records. “Just about all of them,” I replied. I was especially pleased to be able to show Marlene the recognition “gold record” that had been placed on our Sound Angels wall and to present  her with a similar plaque to take home to her mother.

Not long ago I received the following email from Marlene.  I am proud to share it with you.

“What a pleasure it was to … see the fabulous things you are doing with both the Recorded Sound Archives in general and the Jack Saul collection in particular. Our family is so pleased with the dedication and devotion of your staff and volunteers in working to provide access to this unique resource.  [We] were pleased to see familiar faces – you, Ben, Alethea, Dean William Miller and Associate Dean Rita Pellen – and to meet a volunteer who was so excited to have found a signed 78 recording from the collection while we there!

Upon returning home, I couldn’t wait to show my mother some of the pictures, and she, of course, was very pleased. She also was touched by the plaque you had made for her and to see that our family’s name is now on your donor wall. I hope she will join us on our next trip – the way the weather is up here, it may be sooner than anticipated!

Again, many thanks for all your hard work, your wonderful blogs (which I read regularly) and your ongoing commitment to preserving not only my father’s collections of Jazz, vintage and Judaica recordings, but those of others as well.”

Marlene and Jon Englander

(Jack Saul Family)

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By Recorded Sound Archives, February 18, 2010 4:24 pm

Cleveland weather provides a rare opportunity for Floridians to shovel snow

Nathan Tinanoff, Ben Roth and Alethea Perez left South Florida to complete the final packing of the Jack Saul  recordings that will find a home at FAU’s Wimberly Library. They arrived in Cleveland to find a snow-covered landscape and frigid temperatures. How did the Floridians handle the weather?

Alethea said, “It was amazing! I got to throw my first snowball!” But they didn’t have much time to play in the snow, or make snow angels or even create a snowman, there were 78-rpm records to pack into boxes.

Each box holds 40 to 50 records and they packed almost 500 boxes over the Presidents Day weekend. That translates to between 20,000 and 24,000 records.

Working in both the Saul’s home and the furniture store they were amazed at what was still left behind. “This collection was so extensive that even after we packed two truckloads of recordings, it still seemed like there was so much more there,” said Nathan Tinanoff, director of the JSA. But as these pictures show, a lot of progress has been made in clearing out the clutter and packing treasured recordings.

Before

After boxes are packed

The 78-rpm records that were packed during this trip to Cleveland will NOT become part of the Judaica Sound Archives.  These 78-rpm recordings contain American pop music, classical music, opera and the works of many famous entertainers of 50 to 100 years ago. Because of the size of this collection FAU Libraries is establishing a new Vintage Record Collection which will be under the direction of Nathan Tinanoff.

Below is newspaper article from 1976 showing Jack Saul with a basement full of recordings. It seemed huge , but who knew at the time that Jack Saul would continue adding to his enormous collection of recordings for over 30 more years?

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By Recorded Sound Archives, December 2, 2009 5:01 pm

Ben Roth-Aroni looking for treasures in a hidden closet

After his visit to Cleveland in October 2009 to look at the additional recordings that Jack Saul’s family had discovered in the furniture store and in a “hidden closet” in the family’s home, Nathan Tinanoff, director of the JSA at FAU Libraries,  said, “I could see right away that this was going to be a big job.” Last week he returned with Ben Roth and Alethea Perez, two JSA employees who offered to help pack the rest of the phonograph recordings that were earmarked for Florida Atlantic University Libraries in Boca Raton, FL.

Although the JSA team had packed about 30,000 recordings in September 2009, there was still a lot to do. The JSA team made a plan of attack.

Day 1: Explore the “hidden closet” in the house and determine which recordings would be shipped to FAU Libraries. Complete the packing of recordings in the house which had been identified but not packed during the previous visit.

Day 2: Explore the previously undiscovered basement of the furniture store to identify recordings for shipment to FAU. Pack as many of the recordings as possible.

Day 3: Pack as many recordings as possible.

The team was excited by what they found. Recording treasures and vintage 78 rpm recordings had been tucked away into every nook and cranny. Jack Saul’s enormous collection which had become disorganized and cluttered throughout his home and place of business were in the process of becoming a valuable research tool for teachers, students and scholars.

Ben Roth in front of store with folded boxes

Alethea Perez packing recordings previously identified in the Saul’s house.

Alethea Perez packing phonograph records in store.

Ben Roth sealing boxes filled with recordings.

Nathan Tinanoff making boxes in furniture store.

……

Alethea Perez & Nathan Tinanoff take a well-deserved work break as they pose in front of some of the boxes they packed.

“This second shipment of recordings from Cleveland will be almost twice as large as the first. We did a great job of packing recordings. Our backs hurt. Our fingers are bleeding. But are hearts are happy,” said Tinanoff.

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By Recorded Sound Archives, November 4, 2009 11:34 am

You might be able to imagine the excitement that is generated at the Judaica Sound Archives whenever we uncover a genuine piece of history. Today I will share with you three 78 rpm albums from the Jack Saul Collection which have sitirred up some nostalgia here at the JSA.

(1)  Fanny Brice starred in the Ziegfeld Follies in the 1920s and 1930s. A pioneer female comic, she was one of the most popular Jewish entertainers of her day. And her fame became even greater when Barbra Streisand played the starring role in Brice’s life story, “Funny Girl” (1968). From 1938 until her death in 1951 Brice had an incredibly successful radio show based on just one character, Baby Snooks, a precocious, bratty toddler. This album of three double-sided 78 rpm recordings was produced in 1949 on the Capitol Records label.

Click here to play a non-downloading snippet from this album.

(2)  Born in Brooklyn, NY as Moishe Miller Robert Merrill became one of the Metropolitan Opera’s most enduring and acclaimed baritones. He was also a famous baseball fan who often sang the National Anthem on opening day at Yankee Stadium.

In 1948 he recorded Brooklyn Baseball Cantata about an imagined World Series game between the Brooklyn Dodgers and the Yankees. Unlike the real world where the Dodgers consistently blew their chances, in this imaginary game the Dodgers were the winners! Fantasy became reality in 1955 when the Brooklyn Dodgers did actually beat the NY Yankees to win the World Series for the first and only time. This album of two double-sided 78 rpm recordings was produced on the RCA Victor Red Seal label. The sheet music, produced by Mills Music, which originally sold for $1.25 is included.

Click here to play a non-downloading snippet from this album.

(3)  Paul Whiteman secured his place in history in 1924 when he commissioned and introduced George Gershwin’s Rhapsody in Blue. Irving Berlin has been called “the greatest of American popular composers.” Born in Russia (1888), the family left for America when their home was burned to the ground. So it was in a crowded tenenment on Cherry Street in New York’s lower East Side that Irving Berlin (born Baline) grew up. His first big hit came in 1911 (Alexander’s Ragtime Band). He has written more than a thousand popular songs. During World War I his song, Oh, How I Hate To Get up In The Morning, became an anthem for the ordinary foot soldier.

The song became the band’s signature tune. Produced on the Decca label in 1939, Volume 1 of this collection of George Gershwin’s  most popular tunes consists of five double-sided 78 rpm recordings and includes: All Alone, Remember, Easter Parade, and How Deep Is The Ocean. Volume 2, also consisting of five double-sided 78 rpm recordings includes: Alexander’s Ragtime Band, What’ll I Do, Blue Skies,  and A Pretty Girl Is Like A Melody.

Click here to play a non-downloading snippet from this album.

PLEASE NOTE: In accordance with US Copyright Laws these recordings are NOT featured on the JSA website (www.fau.edu/jsa). For further information about these or other recordings in the Jack Saul Collection, please contact the Judaica Sound Archives at Florida Atlantic University Libraries (561-297-0080).

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By Recorded Sound Archives, October 21, 2009 1:36 pm

Have you ever opened a surprise box not knowing what you might find? That is what has been going on at the JSA since the truckload of recordings from Jack Saul’s collection arrived on September 11, 2009. So you might be wondering, “Did you find anything interesting or unusual?” Of course we did!

JSA volunteers and staff have been busy for the past three weeks unpacking recordings, sorting them, and entering information into the JSA database. After three weeks this is what has been accomplished.

(1)  Total progress: About 20 % of the Jack Saul donation of recordings to the JSA has been processed so far.

(2)  Processing of 78rpm recordings: 926 recordings were completely processed.  This means they have been unpacked and checked against the database. Of these, 213 recordings were found to be new to the collection. Information about each of these recordings has been entered into the JSA database.

(3)  Processing of albums: 2096 recordings (LPs, CDs, and tapes) were completely processed (unpacked and checked against the database). Of these, 366 recordings were found to be new to the collection. Information about each of these recordings has been entered into the JSA database.

(4)  Unusual or interesting items of note:

Click here to play a non-downloading snippet from this album.

Golden Slumbers is a book of lullabies from around the world published in 1956 by Book-Records. This “Soundbook” contains 16 lullabies, 8 on each side of a 10 inch LP phonograph record , including the beautiful Yiddish song Rojinkes mit Mandlen. The book describes the history of lullabies and provides sheet music and lyrics as well as a High Fidelity sound recordings of all the songs. The book’s editor, Sidney Reisberg writes, “Although “Raisins and Almonds” was originally composed for an opera, it appears to be based on some older folk-tunes.  In any event, it has since become absorbed into the folk tradition and idiom.”

The JSA has many recordings by the amazing Sophie Tucker.  But this one is special indeed! This Decca album, recorded in 1945, contains three 78 rpm recordings (six songs) and was personally autographed by Sophie Tucker in November 1948 at the Latin Quarter in New York City.

PLEASE NOTE: In accordance with US Copyright Laws these recordings are NOT featured on the JSA website (rsa.fau.edu/judaic). For further information about these or other recordings in the Jack Saul Collection, please contact the Judaica Sound Archives at Florida Atlantic University Libraries (561-297-0080).

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By Recorded Sound Archives, October 16, 2009 12:44 pm

Jack Saul’s furniture store

When Nat was informed by the Saul family that they discovered the family’s deserted furniture store was filled with recordings they previously knew nothing about, he was stunned. He had already gone to Cleveland to assess, pack and manage the delivery of the largest donation of recordings in the history of FAU Libraries.  And now there were just as many recordings, if not more, that needed to be looked at.

Dr. William Miller, Dean of FAU Libraries, told Nat to go back to Cleveland to assess the situation.  They needed to decide what to do next. Nat left for Cleveland on Friday, October 2, 2009. What he found was truly unbelievable.

Nat estimates that there are approximately another 50,000 recordings in the store and house that would be approriate to ship to FAU LIbraries. Nat will return in November with Ben Roth and Alethea Perez to pack up what was found in the store and also some of what was left in the house. There will be no shipment in November, though, due to the fact that weather conditions can be treacherous during the winter ice and snow season. But in the spring, Nat and the others will return to finish putting the records into boxes and to oversee the loading of the final truck shipment to FAU Libraries in Boca Raton, FL.

Stacks of 78 rpm records

Always room for more?