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By Recorded Sound Archives, October 31, 2019 8:05 am

While some horror films feature blood-curdling scores (Jaws, Halloween, The Exorcist), there are certain songs that will forever be associated with the movies they helped make all the more terrifying. Just in time for Halloween, here are six vintage songs made infinitely creepier by horror movies, four of which you can find here at the Recorded Sound Archives.

First up, is the Jeepers Creepers franchise which features the song Jeepers Creepers playing through the radio prior to the creature approaching and can be found playing on an old-timey radio as the movie progresses.

Here at the Recorded Sound Archives, you can listen to a few versions of the song by artists such as Larry Clinton and his orchestra , Jack Teagarden and the Paul Whiteman Orchestra.

But our personal favorite here in the sound archive is Ethel Water’s version of Jeepers Creepers.

Next up is a classic from the 90s, while not necessarily a horror movie we’ve included it in honor of all things spooky. Hocus Pocus features three witches that come back to life after being accidentally summoned. In the movie, Winifred Sanderson along with her sisters sing the tune I Put a Spell on You at the town’s Halloween Party which was originally released in 1956 and sung by Screamin’ Jay Hawkins.

Watch the clip below to see Screamin’ Jay Hawkins perform I Put a Spell On You back in 1989 on the Arsenio Hall Show.

Another haunting tune that can be found in the Recorded Sound Archives, is Tip-Toe Thru the Tulips by Johnny Marvin who originally sang the song prior to Tiny Tim which is featured in the movie Insidious.

Tip-Toe Thru the Tulips starts to play as the Demon who is terrorizing this family uses a victrola-like device to sharpen its nails while the song plays on with marionettes and puppets moving about.

You can listen to the original by Johnny Marvin in the sound archive by clicking here.

Next up is the movie Misery which features Kathy Bates as Annie Wilkes an obsessed fan who kidnaps her favorite writer forcing him to rewrite his novel.

At one point, she exclaims with happiness that she’ll play her favorite song in the movie which just so happens to be Liberace’s Tchaikovsky’s Piano Concerto No. 1 along with I’ll be seeing you both of which can be found here at the Recorded Sound Archives on the album Liberace by Candlelight.

And finally, we have Halloween II with the song Mr. Sandman by the Chordettes which can be heard playing at the beginning of the movie’s opening credits and as the film comes to an end.

click here to watch the opening scenes from the movie to listen to the song.

While we only feature six songs, there are tons out there to be discovered four of which you can listen to here at the Recorded Sound Archives.

Please note, due to copyright some items may only be available as a 45 second snippet.

If you are a Researcher or Educator in need of full access to these recordings, click here.

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By Recorded Sound Archives, August 19, 2019 1:41 pm

In celebration of college football season starting, we wanted to share a recording we have here at the Recorded Sound Archives by Walter Camp known as the Father of American Football.

While working as an adviser to the United States military during World War I, Camp devised a program to help servicemen in both the Navy and Army become more physically fit. Camp wrote a book explaining the exercises and extolling their benefits. This book was later taken and recorded in 1921 and marketed to a wider audience with the Musical Health Builder record sets called the Daily Dozen Health Building Exercises.

The names of the exercises in the original Daily Dozen, as the whole set became known, were hands, grind, crawl, wave, hips, grate, curl, weave, head, grasp, crouch, and wing.

All of which can be heard here at the Recorded Sound Archives, click here to listen.

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By Recorded Sound Archives, May 1, 2019 1:38 pm

In celebration of children’s book week, discover our children’s collection of recordings featuring stories, lullabies, nursery rhymes and more.

This collection of children’s music was produced mostly during the 1940s and 1950s, a time when vinyl replaced hard shellac as the basic material used in the making of phonograph records. The innovation of vinyl allowed manufactures to produce kid-friendly recordings that could be handled without adult supervision. These recordings became an extremely popular form of entertainment for children in the days before families had television sets.

Here are the Recorded Sound Archives we have over 480 children’s recordings for you to choose from.

Discover our Superstorm Sandy Restoration Project which features over 380 children’s recordings that were donated by Peter Muldavin as a result of Hurricane Sandy, along with our Vintage children’s collection with over 130 recordings for you to choose from!

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Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access consider applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

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By Recorded Sound Archives, August 10, 2018 1:30 pm

Did you know the Recorded Sound Archives at FAU Libraries has over 49,000 albums along with over 150,000 songs in its databases, which is growing everyday with the help of volunteers? With so many recordings to choose from, we have given Research Station users the ability to request items be digitized.

Below you’ll find a list of recordings that were recently added to the Research Station this Summer 2018 from requests made by Research Station Users.

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

Recently Added Music

Hadesh Yameinu (New Music at Park Avenue Synagogue) by Azi Schwartz

Dort Vie Libe Dort Is Glik by Aaron Lebedeff

The Shicker Ticker by Seymour Rechtzeit & Miriam Kressyn

Famous Chassidic and Shabath Songs by Various Artists

El Estilo by Leibele Schwartz

Minke Beim Telefon by Bessie Thomashefsky

Let’s Dance by Yaffa Yarkoni

Song Celebration 1976 by Various Artists

Favorite Songs for Children by Yaffa Yarkoni

Lehitim Leyiladim by Eelaneet

Gila Almagor by Gila Almagor

Bab el Wad: The Gate to Jerusalem by Yaffa Yarkoni

Yaffa Yarkoni Greatest Hits by Yaffa Yarkoni

Ronni Ve’simchi by Shmuel Lerer

30 Years with Yaffa Yarkoni by Choir of Tel Aviv & Yaffa Yarkoni

Ilanit Sings Children Songs by Ilanit and Aviva Had

Shiru Shir – Volume 3 by Hadassa Sigalov

In Praise of Kalya by Yaffa Yarkoni and Aric Einstein

Songs of Edith Piaf by Various Artists

Hanukka Songs, Vol. 2 by Miriam Avigal

Yaffa Yarkoni by Yaffa Yarkoni & Anee Tslil Haagadot

Liebe by Seymour Rechtzeit

Tiher Rabbi Yismoel by David Amsel

Weal Yedei by Sawel Kwartin

The Happy People by Danny Rubenstein

The Time of Singing – The Fourth NFTY Album by Various Artists

NCSY-LIVE by Various Artists

Pirchei Holyland by Pirchei Holyland

Dear Mom / Sweet by Yaffa Yarkoni

Der Galicianer Cavallero by Peisachke Burstein

6 Sipurei Yiladim by Ester Sofer

Yaffa Yarkoni Sings International by Yaffa Yarkoni and Bob Adams Orchestra

Bo-oo Lesachek Come, Let’s Play by Ester Sofer Hadassah Sigolov

See a recording that hasn’t been digitized?

As a research station user you can request it using the Music on Demand forms on the website.

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

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By Recorded Sound Archives, March 7, 2018 7:20 pm

Did you know that in 1933, Lucrezia Bori began a career as a fundraiser for the Metropolitan Opera during the Great Depression on top of performing?

Retiring, later that she wanted at age 48, Lucrezia Bori helped save the Metropolitan Opera. While the Metropolitan continued to sell tickets to performances with no difficulty despite the Great Depression. The contributions of its stockholders fell off dramatically and by the end of 1932 the board of directors found that a great deal of money would be needed if the next season were to be held.

Bori agreed to work with the Opera’s managers to obtain the funds and in 1933, she headed an organization called the Committee to Save the Metropolitan Opera House. Where Lucrezia made appeals by flyer, letter, and in personal contacts with potential benefactors to help save the Met. She traveled widely and participated in numerous benefits, at which she performed.

During this period of fundraising, Lucrezia also continued to carry out an exhausting schedule of performance at the Met.

To help raise the final funds needed,  a masquerade ball was held to raise financial support for the opera house.  Over 3,000 of the city’s aristocracy attended paying $10 each admission, contributing the final $30,000 towards the $300,000 fund needed to save the opera along with $10,000 to cover the cost of the ball.

Here at the Recorded Sound Archives we are celebrating Women’s History month through music by highlighting the voice of Lucrezia Bori and her accomplishment of saving the Metropolitan Opera.

To listen to recordings by Lucrezia Bori, click here.

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By RSA Guest Blogger, August 2, 2017 9:52 am

Two weeks after his 101th birthday, pianist and composer Irving Fields passed away August 20, 2016 in Manhattan. He was perhaps the longest working musician in the world. At the age of hundred, he used to play the piano several nights a week at Nino’s Tuscany restaurant in Manhattan. Irving Fields became known by fusing Jewish tunes, jazz, and popular songs with Latin music.

Born as Isidore Schwartz in 1915 New York City to Jewish immigrants, Irving Fields started working as a pianist in the thirties during the years of the Great Depression. In this time of high unemployment, he started playing piano in resort hotels in the Catskills Mountains, and then he found work as a pianist on cruise ships sailing from New York to Havana, capital city of Cuba. In Havana, Irving Fields listened to the great Cuban orchestras, and developed his love for Latin music. Attracted by pictures from palm trees and beaches in travel magazines, Irving decided to settle in Miami Beach and performed in hotels playing dinner music, and did sessions with local orchestras.

After joining the army, he began the Irving Fields Trio, with a bass and a drummer, and started composing his own songs. In 1947, his song Miami Beach Rhumba became a big success by versions of Kay Kyser, Freddy Martin, Carmen Miranda, and even by the popular band leader Xavier Cugat. During the Latin craze trend in the 40s, Irving Fields was at the right time and place, and soon Miami Beach Rhumba was followed by the number one hit song Managua, Nicaragua (1947) recorded by big band leader Guy Lombardo, and ten years later by Chantez-Chantez (1957) by singer Dinah Shore.

In 1959, the Irving Fields Trio recorded the album Bagels and Bongos blending popular Jewish tunes with Latin rhythms such as Bei Mir Bist Du Schön as a mambo, Havannah Negila a paso doble, and I Love You Much Too Much a rhumba. The album became a big hit all over the world, and was followed by the albums More Bagels and Bongos (1960), Pizzas and Bongos (Italian traditionals), Champagne and Bongos (with French standards), and Bikinis and Bongos (with Hawaiian music). Every song was mixed with a Latin beat, which turned out to be a story of success.

After the success with his trio in the sixties, Irving Fields went back working as a solo pianist on cruise ships again, where he sailed the whole world, and finally settled as a music entertainer in restaurants, from 2004 six nights a week in Nino’s Tuscany, Manhattan. This would become the place, where he started his second career.

In the last decade, several films appeared about Fields playing piano on YouTube. These films form a good impression of his talent, wisdom, and humor. Although Irving Fields was not a user of a computer or the Internet, he did compose the YouTube theme song.

Regarding my research about the influence of Jewish tunes in American popular song, I contacted Irving Fields, and then I received several handwritten letters from him. At my birthday March 2010, I met Irving Fields and his lovely wife Ruth in person in Nino’s Tuscany restaurant, where he entertained the guests with his music. From my letters, he knew that I should visit him this special evening. To my surprise, he welcomed me with a newly composed personal anniversary song. When listening to his music and talking to him, I knew that I was close to one of the last persons, already in his nineties, who could tell me first-hand about the history of popular music in the Tin Pan Alley period before the second World War.

Irving Fields and Niels Falch at Nino’s

Of course, I also asked him about his secret for longevity, and he replied with more than ten rules. The first three rules for longevity are; (1) Have a sense of humor (you’ll never get ulcers), (2) Think of these three magic letters before you make a decision: L.T.D. Look, Think and Do, and (3) Be the first to say “hello” with a smile on your face and a friendly glow. Following these rules during his life, Irving Fields became ultimately 101 years young.

Even U.S. President Donald J. Trump admired Irving Fields, and shared one of his secrets for longevity: “Irving has said that work is a blessing, especially when you like your work. He loves his work, and that love is evident in his music. Irving is a great pro.”

Irving Fields will be remembered as the pianist who blended bagels and bongos, although he never had a way to play a bagel…

You can listen to over 30 recordings by Irving Fields on the Recorded Sound Archives website by clicking here.

RSA Guest Blogger, Niels Falch, is a PhD candidate at the University of Groningen in the Netherlands and is currently writing a dissertation on the influence of Jewish music in American popular songs.

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

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By Recorded Sound Archives, June 30, 2017 5:52 pm

Celebrate this Fourth of July by listening and discovering some vintage songs from the early 1900s. Listen to a funny monologue and learn how the Fourth of July was celebrated at the Pun’kin Center back in 1915 or learn more about the Declaration of Independence, Thomas Jefferson and other Americana.

Below you will find a list of 5 songs and albums for you to share and enjoy this year with family and friends.

Fourth of July at Pun’kin Center by Cal Stewart and Steve Porter

Spirit of Independence March by Conway’s Band

The Liberty Tree by The Sand Pipers & Mitch Miller and Orchestra

Our American Heritage Album by Wesley Addy

American Patriotic & Marching Songs by Various Artists

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

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By Recorded Sound Archives, June 13, 2017 5:54 pm

Celebrate this Summer by listening and discovering some vintage songs from the early 1900s about summer and/or the summertime. Below you will find a list of over 20 songs for you to share and enjoy this year with family and friends.

 Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

When Summer is Gone by Nathan Shilkret and The Troubadours

Summertime by Guy Lombardo and his Royal Canadians

The Last Rose of Summer by Fraces Alda

My Native Land / Midsummer by Lotte Lehmann

When Summer is Gone by The Columbians

A Summer on the Farm by Various Artists

Guess I’ll Go Back Home (this Summer) by James Cross

The Things We Did Last Summer by Vaughn Monroe and his Orchestra

Summer Night by Guy Lombardo and his Royal Canadians

The First Rose of Summer by John McCormack

Guess I”ll Go Back Home (This Summer) by Glenn Miller and his Orchestra

Indian Summer by Glenn Miller and his Orchestra

One Summer Night by Roger Wolfe Kahn and his Orchestra

When Summer is Gone by Nathan Shilkret and his Orchestra

Last Rose of Summer by Nelson Eddy

Last Rose of Summer by Elizabeth Wheeler

Last Rose of Summer by Virginia Rea

With Summer Coming On by Guy Lombardo and his Royal Canadians

Song for a Summer Night by Mitch Miller and his Orchestra

A Summer Day by Not Listed

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

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By Recorded Sound Archives, May 11, 2017 3:23 pm

Did you know the Recorded Sound Archives at FAU Libraries has over 49,000 albums along with over 150,000 songs in its databases, which is growing everyday with the help of volunteers? With so many recordings to choose from, we have given Research Station users the ability to request items be digitized.

Below you’ll find a list of recordings that were recently added to the Research Station this Spring Semester from requests made by Research Station Users.

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

Recently Added Music

Simcha L’artzecha by Dov Levine & Sherwood Goffin

The Fifth Chasidic Song Festival 1973 by Various Artists

Chabad – Songs of the Lubovitcher Chassidim volume 2 by Various Artists

Hold On Just a Little Bit Longer by Mordechai Ben David

613 Torah Avenue – Songs for Chumash B’reishis by Elie Goldberg

18 Years, Due Re’im by Various Artists

The Reim by Various Artists

Toronto Pirchei Choir by Various Artists

Shomoh Vatismach Zion by Gershon Sirota

Sh’ma Yisroel by David Kusevitsky

Concerto in E Minor – Finale by Jascha Heifetz

Autopsy on Schubert by Larry Wagner and his Rhythmasters

Get Out Those Old Records by Guy Lombardo

One Night Stand with Ziggy Elman – Hollywood Palladium August 1948 by Ziggy Elman

Echo’s of Cantorial Concert in Honour of Cantor Shmudel Vigoda by Ben-Zion Miller

Kalanit Israeli Folk Dances by Josef Milo and David Edery

Na’ Arah, Folk Dances of Israel by Shlomo Shai

Kibbutz Festival by Various Artists

Songs of David and Cantorial Prayers by Ray Roberts

Chasidance by Shmuel Goldman and Yaron Gershovsky

The Flames – Chasidic Pop Songs by Various Artists

Achdus by Various Artists

Shim Sholom by Shloimele Rothstein

Tutzi Mutzi by Aaron Lebedeff

Or Chodosh by Yossi Toiv

Samuel Sterner Choir by Samuel Sterner Concert Choir

The Songs of Rabbi Shalom Mirkin by Various Artists

Israeli Chassidic Song Festival 1982 – No. 14 by Various Artists

Mordechai Ben David Sings [V’kol Maaminim] And All Believe by Mordechai Ben David

See a recording that hasn’t been digitized?

As a research station user you can request it using the Music on Demand forms on the website.

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

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By Recorded Sound Archives, May 10, 2017 5:48 pm

Celebrate this Mothers Day by listening and discovering some vintage songs from the early 1900s about mothers. There’s even a song or two about Dad and a fun Monologue called How Mother Made Soup for your enjoyment.

Below you will find a list of over 20 songs for you to share and enjoy this year with family and friends.

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

Go Home and Tell Your Mother by Guy Lombardo & Keneke

Mother of My Heart by Frances Alda

Rembember Dad (On Mother’s Day) by Jerry Colonna

Mother O’ Mine by John McCormack

I Wouldn’t Trade the Silver in My Mother’s Hair (For All the Gold in the World) by Eddy Arnold

My Mother’s Sweet Voice by Eddy Arnold

Go Home and Tell Your Mother by Gus Arnheim and his Cocoanut Grove

If the Rest of the World Don’t Want You (Go Back to Mother and Dad) by Franklyn Baur

Baby Your Mother (Like She Babied You) by Don Bestor and his Orchestra

Dear Mom by Glenn Miller and his Orchestra

How Mother Made the Soup by Charley Case

Ireland Must Be Heaven for My Mother Came From There by Charles Harrison

Mother’s Hands by Henry Burr

Daddy has a Sweetheart and Mother is her Name by Charles Munch

My Mother by Orville Harrold

Dear Old-Fashioned Irish Song My Mother Sang to me by Henry Burr

I’m in Heaven When I’m in My Mother’s Arms (I Don’t Have to Die to Go to Heaven) by William Robyn

Mother O’ Mine by Conrad Thibault

Mother Of Mine, I Still Have You by Al Jolson and William F. Wirges and his Orchestra

Angel Mother by George Morgan

Always Think of Mother by Manuel Romain

An Meine Mutter (To My Mother) by Biedermann, Lufsky and Prince

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.