Category: Scholarly Research

Translations of Russian Music Titles Allowed FAU Graduate to Give Back

By , May 24, 2016 12:51 pm

Russian Music Titles TranslatedBOCA RATON, Fla. (Feb. 1, 2016)  ─ A year before Ekaterina Pervova graduated from Florida Atlantic University, she went to the Wimberly Library’s Recorded Sound Archives (RSA) and inquired about a volunteer assignment. One of the 19-year-old’s first assignments was translating the titles of classical music recordings from Russian into English. Pervova, who was later hired as a student worker at the RSA, can’t imagine a more rewarding use of her free time.

“I think that Florida Atlantic University has given me so much that it was important to find a way to give something back,” said Pervova, who in May earned a B.S. degree in psychology from FAU. “It was an amazing opportunity. I am very grateful.”

Volunteers have always been an integral part of FAU Libraries, but a couple of years ago, the Wimberly Library’s staff noticed more students were inquiring about volunteer assignments. Carol Hixson, Dean of University Libraries, supports such involvement, and in fact, has organized a program to recruit and involve students in meaningful volunteer roles throughout the library.

“Some of our students have free time throughout the day and many of them spend a great deal of that time in the library,” said Hixson. “We encourage students to take advantage of volunteer and internship opportunities within the Libraries as a way of learning more about our collections and services and gaining some practical experience to help them after graduation. We consider such opportunities to be another way we can contribute to our students’ success and keep them engaged with the University as alumni.”

The RSA, a robust digitization operation for all types of sound recordings that have been gifted to FAU, was a perfect match for Pervova. She credits her grandmothers, one a nuclear physicist and the other an economist, with introducing her to art at an early age. Both grandmothers love music, enjoy opera and the ballet, and always had the TV on an entertainment show when Pervova visited.

“They encouraged me to participate in singing, painting, dancing, sculpting and other arts,” said Pervova. “They would always take me to theaters and museums and they continue to find tickets when I visit them in Moscow.”

Many of the recordings that Pervova translates for the RSA are folk songs from 1910, while others are from the early 1950s and 1960s. She remembers hearing many of the recordings during childhood and at family celebrations in Russia.

“When I see something I know, I start humming it and I think back to a time when I heard that song,” said Pervova.

The biggest challenge Pervova faces while translating the music titles is trying to find a word-for-word translation. Many of the songs she is translating are about the culture of the Russian people and do not make sense outside of the Russian culture. She knows where to go for help, though.

“I often Skype my grandma while I’m translating to show her a particular record and when she sees it, she is delighted and she says ‘Oh! I know that one,’” said Pervova.DSC_1769

Russian Music Titles to Be Added…

The RSA will add the titles of the approximately 100 rare recordings that Pervova is translating to its database once the work is completed. Pervova will also translate the RSA’s Finnish labels into English. The recordings will be digitalized and made available on the RSA’s research station for professors and students.

Pervova said it’s her small way of giving back to the FAU campus, where she has studied since she enrolled in the Alexander D. Henderson University School in fourth grade. When it was time for ninth-grade, she was accepted into the academically-rigorous FAU High School, which offers students a chance to earn three years of college credit on FAU’s main campus. She plans to graduate from FAU in the spring of 2016 with a bachelor’s degree in psychology.

Tammy Ferguson, director of the A.D. Henderson University School/FAU High School, said she is very proud to say that “giving back” is part of the culture that has been created at the Henderson University School and FAU High.

“Ekaterina Pervova is an exceptional young lady who has impressed me from the first time I met her,” said Ferguson. “She has always given back to make sure other students have the best experience possible on the university campus.”

After graduation from FAU, Pervova would like to continue here for graduate school at FAU and work as a researcher on the FAU campus. Eventually, she would like to work for the Centers for Disease Control in Atlanta.

Pervova would like to focus her research on Brain Syndrome and dementia” and her ultimate goal is to find a way to help people with organic brain syndrome.

“Everything about the brain fascinates me, including its adaptability, its plasticity, its ability to modify and regulate itself through interactions with the environment,” said Pervova.

“I used dementia as an example because it is a very hot topic in the field. There are many different types of dementia, but the most common types are Alzheimer’s and vascular.

“It is imperative that a treatment for dementia is found soon because the major brain change involved in the disease is nerve cell damage and plaque deposits. If we can find a way to stop or reduce nerve cell damage, then we can find similar applications of this with other diseases.”

For more information on student volunteer opportunities at FAU Libraries, call 561-297-6911. Call 561-297- 0080 for student volunteer assignments in the Recorded Sound Archives.

Romance is in the Air: Efrem Zimbalist & Alma Gluck

By , June 25, 2014 9:26 am
Alma Gluck and Efrem Zimbalist

Alma Gluck and Efrem Zimbalist

Before there was Angelina Jolie and Brad Pitt…before there was Humphrey Bogart and Lauren Bacall…before there was Elizabeth Taylor and Richard Burton…There was Efrem Zimbalist and Alma Gluck.

A little over100 years ago, a nice Jewish boy who happened to be a violin genius  met a lovely Jewish young woman who was making a name for herself as a singer. I guess you could say that when these two Jewish superstars of classical music fell in love they were destined to make beautiful music together.

The Zimbalist-Gluck romance provided lots of material for the gossips of their day. While the idea of such a wonderful pairing of talents was thrilling, there were those who pointed out that Gluck was six years older, as well as a divorcee with a daughter. Scandalous!

 

Read more about Alma Gluck’s relationship with Efrem Zimbalist.

Read more about Efrem Zimbalist.

Browse 40 recordings the talented couple made together.

Exploring the world of Jewish recordings

By , January 15, 2014 3:35 pm

Indiana Jones: “We do not follow maps to buried treasure and X never, ever marks the spot.” (Last Crusade)

Dr. Randall Goldberg, Asst. Prof of Music History at the Dana School of Music at Youngstown State University in Ohio has been digging for “treasure” at the Judaica Sound Archives at the Wimberly Library on FAU’s Boca Raton campus.

He has no map and so far has not discovered a spot marked with an “X.” But he has spent weeks tirelessly searching at FAU’s Judaica Sound Archives through thousands of 78 rpm recordings for information about how Jewish identity was expressed in 20th-century music. Like Indiana Jones, Randy Goldberg feels like he is on a quest. Allowing his intellectual curiosity to lead him on a fantastic journey back in time, he relishes finding little known tid-bits of information.

Prof. Goldberg crouches between the stacks to check the record numbers he is looking for.

“For me the passion is in the records.  There is a childish love that I have for it. I used to watch Indiana Jones films and that is the sense of adventure I have. I am always looking for some hidden treasure whether it is here at FAU’s Judaica Sound Archives or in an old record store in Pittsburgh.”

“Jewish musicians have a cool niche. I love to find weird mash-ups, like Chassidic disco albums or Jewish sacred music set to a Carribean beat.”

Prof. Goldberg  doesn’t find the enormity of the JSA collection to be overwhelming.  Quite the opposite.  “Just being being here and being immersed in the entirety of this whole thing. It fuels my enthusiasm and my passion for my research project.” he says.

Dr. Goldberg checks the information on the actual record label to ensure the correctness of his database.

Dr. Goldberg spends his time searching through the JSA’s database, locating the recordings that he is interested in and then entering information about those recordings into his laptop for use later in his research. It might seem like tedious work to some but Dr. Goldberg seems more like a “kid in a candy shop” than anything else.

JSA: “You seem to be having a good time visiting us and working here.”

GOLDBERG: “I love doing this. And the beautiful Florida weather isn’t bad either.  Back home in Ohio there are 12″ of snow on the ground!”

Dr. Goldberg achieved a BM in classical guitar performance at the University of Texas at Austin and a MM in musical performance at the New England Conservatory. He earned his doctorate at Indiana University. He is an Assistant Professor of Music History at Youngstown State University, College of Creative Arts and Communication, Dana School of Music. He  specializes in the music and music literature of early modern Europe.  In addition to teaching courses, Dr. Goldberg directs the Youngstown State University Early Music Ensemble and is the president of the Allegheny Chapter of the American Musicological Society.

Preserving Jewish culture with digitization – NYC Conference

By , November 16, 2011 1:55 pm

Dr. William Miller (Dean of FAU Libraries) at the Center for Jewish History in NYC

I just spent two days in NYC at the Center for Jewish History . Over 125 scholars and librarians from around the world, including Dr. William Miller (Dean of FAU Libraries) and myself,  gathered to share our expertise using digital and internet technologies for the study and preservation of Jewish culture and history.

Coordinating such preservation efforts and minimizing duplication is a massive undertaking. The purpose of this conference was to create connections between the various institutions and projects in order to foster communication and partnerships.

Many of the presenters talked about projects which were enormous and diverse. Gunter Waibel, Director of the Digitization Program Office at the Smithsonian Institution spoke eloquently about the challenges of coordinating many and varied collections of items.

CJH is located at 15 West 16th Street in Manhattan

We listened to presentations about digitally reconstructing ancient sites in Israel, preserving ancient manuscripts, and the status of 3-D digitization efforts. As you would expect, most of the conference concerned itself with written materials and cultural objects.

At the Judaica Sound Archives our only concern is to rescue and preserve Jewish sound recordings. It was inspiring to realize that we are just one part of a larger world-wide effort. I was delighted to see Aaron Lansky of the National Yiddish Book Center who had been so important in our early efforts to create an archive of Jewish recordings. I also had the opportunity to meet with Lisa Rivo, associate director at the National Center for Jewish Film at Brandeis University.

This event provided a wonderful opportunity for us to share concerns and to learn from others in the field. I left the conference feeling honored to be a part of this historic effort and confident in our direction.

Serota collection yields long-forgotten treasures

By , August 25, 2011 12:21 pm

It was the “last box packed.” Now it was the last box to be unpacked. After going through 156 boxes of Cantorial, Yiddish and English-language recordings from the collection of Chicago record producer Barry Serota we stared at this box and knew that once it was opened our job of unpacking would be complete.

However, our work organizing, describing and investigating the music was just beginning!

Barry Serota, had devoted his life to collecting great Jewish music and producing high-quality recordings. Although we knew that this was a wonderful donation to the Judaica Sound Archives, we really couldn’t be sure what treasures we would find. As it turns out, we couldn’t be more pleased!

Of the 1,513 LPs that were unpacked we found at least 100 that were still in their original cellophane wrappers. There were also a few 45 rpm records, over seven hundred 78 rpm discs, 101 digital tapes, and 1,443 audio reel-to-reel tapes.

Benedict Stambler, founder of the Collector’s Guild recording company, had been Barry Serota’s mentor and friend. We were delighted to uncover several test pressings from the Collector’s Guild Archives Limited Edition series. There were numerous other test pressings as well, a few of them acetate.

Test pressings include: an acetate pressing of a synagogue service  radio broadcast led by Cantor Dale Lind made in 1941, a live concert by Cantor David Kousevitsky that was recorded in 1968, and a concert of folk songs by Rosenblatt.

The JSA has now been able to create a special collection of about 60 albums on the Musique Internationale label. This rare collection of recordings by a dedicated lover of Jewish music can now be enjoyed around the world on the JSA website.

The Judaica Sound Archives has greatly enhanced its already extensive collection of Judaic music with this acquisition and we are delighted to be able to share it with you. Recordings that cannot be played on the website due to copyrights will be made available on the JSA Scholar’s Research Station.

Where has all the Jewish music gone?

By , September 4, 2009 2:25 pm

JSARS logoWhere has all the Jewish music gone?  Ever wondered what happened to all the Jewish music of days gone by?  Voices of the great cantors of the past.  Music from Yiddish theater. The Judaica Sound Archives may not have all the old Jewish music, but with tens of thousands of audio recordings it is well on its way.

The Judaica Sound Archives – Research Station (JSA-RS) was developed at FAU Libraries to provide a digital resource of recorded sound, containing tens of thousands of audio tracks from the archival collection of the JSA. The original source materials available through the JSA Research Station are 78 rpm recordings produced as early as 1901, LPs, 45 rpm recordings, cassette and 8-track tapes, and CDs.

Along with this wealth of audio recordings, JSA Research Stations allow access to discography and other pertinent information such as label and jacket scans which will greatly enhance a researcher’s ability to study this material. This includes the ability to search for and see listings of all recordings in the JSA archives, whether or not they have been digitized. Therefore, faculty and other researchers can conduct real-time, online research using the JSA-Research Station. Currently the JSA-Research Station accesses 19,000 songs from 2,000 different audio albums and 2,322 songs originally recorded on 78rpm. This library will be expanded throughout the coming year.

There are now 13 official JSA-Research Station sites in the USA, Canada, Israel and England. They are:

  • American Jewish University Library, Bel Air, CA
  • Florida Atlantic Univesrity, Wimberly Library, Boca Raton FL
  • Gratz College Library, Melrose Park, PA (near Philadelphia)
  • Hebrew Union College Library, New York City, NY
  • Jewish Music Institute Library and School of Oriental and African Studies at the University of London, London, England
  • Jewish Public Library of Montreal, Quebec, Canada
  • National Library of Israel at the Hebrew University of Jerusalem, Jerusalem, Israel
  • National Yiddish Book Center, Amherst, MA
  • Spertus Institute of Jewish Studies, Chicago, IL
  • University of Ottawa, Ontario, Canada
  • University of Pennsylvania Library, Philadelphia, PA
  • University of Toronto, Toronto, Canada
  • Washington University of St. Louis, St. Louis, MO

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