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By Recorded Sound Archives, February 21, 2016 5:33 pm

The Recorded Sound Archives recently digitized and added 29 recordings to the Research Station. Did you know the Recorded Sound Archives at FAU Libraries has over 49,000 albums along with over 150,000 songs in its databases, which is growing everyday with the help of volunteers? With so many recordings to choose from, we have given Research Station users the ability to request items be digitized.

Below you’ll find a list of recordings that were recently added in February from requests made by Research Station Users.

Recently Added Music

Timeless Treasures by Ben Zion Shenker

Prayer and Song by Morris Levinson

The Hush of Midnight – Slikhos A Midnight Synagogue Service by Zamir Chorale and Cantor Ray Edgar

Masterpieces of the American Synagogue by Eric Freudigman and Harold Orbach

Songs Children Sing: Israel by Tom Glazer and Friends

Journey Through Song – A Selection…by Yom Tov Ehrlich

Stam Yom Shel Chol by Shimon Israeli

Journey Through Song – No. 2 – A Selection…by Yom Tov Ehrlich

Yaleh Veyuvo and Ruchel Mevakeh Al Boneho by David Roitman

Habeit Mishomaim and Kol Dodi by Moshe Koussevitzky

Shir Hacheirut and Yerushalayim by Moshe Koussevitzky

Ver Vill A Kale and Ich Toig Ze Gor Nit by Bessie Weissman

Jewish Voices in the New World – Chants and Prayers from the American Colonial Era by Ira Rohde and New London Children’s Choir

The British Are Coming by Yisroel Lamm and the Neginah Orchestra; Gershon Fordsham and the Gateshead Boys Choir

Nagila Halleluya by Arie Ovadia

A Tribute of Moshe Koussevitzky by Cantor Benjamin Siller

The Y’Did Singers by The Y’did  Singers

Aris by Aris San

Rozhinkes mit Mandlin – A Montage / Documentary by Rita Jacobs Willens

Hits in Hebrew by Aris San

Living Prayers by Cantor Aaron Caplow

19 / “Chai-Life” + 1 Gala Concert by Various Artists

The Messengers: The “IN” Jewish Sound by The Messengers

Cantor David Werdyger sings Chassidic Nigunim by David Werdyger

Songs of Breslov by Rebbe Nachman of Breslov

We’ll Bring Moshiach Now by Eli Lipsker and His Little Soldiers

The Time Is Now by Avraham Fried and Zimriah Symphony Orchestra

Veseorev and Tal by Israel Barski

Hebrew Melodies by Joseph Midwin

Hebrew Sephardic Melodies by Nissan Melamed and Coro Del Colegio Hebreo Sefaradi De Mexico

See a recording that hasn’t been digitized?

As a research station user you can request it using the Music on Demand forms on the website.

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access. Access to Research Station is limited to educators, students and serious researchers.

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By Recorded Sound Archives, February 12, 2016 4:11 pm

This past week marks Thomas Edison’s 169th birthday!

Thomas Edison invented the phonograph, the very first device for recording and playing back sound, in 1877. Early machines were sold to entrepreneurs who made a living out of traveling around the country giving “phonograph concerts” and demonstrating the device for a fee at fairs.

Here at the Recorded Sound Archives, we have a collection of over 70 Edison Records which can be listened to online.

To listen or learn more about Edison Records, click here.

Some songs may only be available as snippets due to US Copyright laws.

These items are noted in the player with the words (Research Station) and only allow for 45 seconds snippets to be played to give you a sense of what that recording originally sounded like. Full access is available through the RSA’s Research Station access is limited to educators, students and serious researchers.

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By Recorded Sound Archives, February 3, 2016 3:19 pm

If there’s one type of song that we will never grow tired of, it is the ever popular love song. Mellow or upbeat, mushy or filled with angst; whatever the tempo or the lyrical content…Enjoy these nine timeless love songs from the 1920s found in the Recorded Sound Archives Vintage, Judaic and Jazz collections just in time for Valentines day.

Nine Timeless Love Songs of the 1920s

1.  Ain’t Misbehavin’ by Fats Waller written in 1929 by Thomas “Fats” Waller himself, Harry Brooks and Andy Razaf.
2. All Alone by Al Jolson, written by Irving Berlin and published in 1924.
3. April Showers by Al Jolson, written by B.G. DeSylva music composed by Louis Silvers originally published in 1921.
4. Blue Skies by The Hour of Charm Girl Orchestra and Choir, written and composed by Irving Berlin in 1926.
5. I Can’t Believe That You’re In Love With Me by Artie Shaw, written by Jimmy McHugh and Clarence Gaskill in 1926.
6. With a Song in My Heart by Dennis Day, originally written for the musical Spring is Here by Lorenz Hart and Richard Rodgers in 1929.
7. What’ll I Do? by Henry Burr and Marcia Freer, written by Irving Berlin in 1923.
8. Who’s Sorry Now? by Ernest Stevens, written by Bert Kalmer and Harry Ruby composed by Ted Snyder this song was published in 1923 and featured in the 1950 film, Three Little Words.
9. Everybody Loves My Baby (But My Baby Don’t Love Nobody but Me) by Aileen Stanley, composed by Jack Palmer and Spencer Williams in 1924.

Some songs may only be available as snippets due to US Copyright laws.

These items are noted in the player with the words (Research Station) and only allow for 45 seconds snippets to be played to give you a sense of what that recording originally sounded like. Full access is available through the RSA’s Research Station access is limited to educators, students and serious researchers.

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By Recorded Sound Archives, January 25, 2016 3:51 pm

The Recorded Sound Archives has digitized a collection of cantorial music by Cantor Shloimele Rothstein , one of over 260 Cantorial voices to choose from in the RSA’s Cantorial Collection.

Born in Bessarabia on May 1, 1891 in the town of Falesty. He was the first Cantor to sing on KDKA radio in Pittsburgh in 1926 and was contracted by Columbia Grafonola to produce phonograph recordings along with being Cantor at Synagogue B’nai Israel in Brooklyn, NY.

Shloimele’s only teacher was Jerome Hayes of whom he learned several operas with. As a result, he was offered the leading tenor role in “La Juive” by an Opera Co., but refused the offer to give his attention to the Synagogue, Phonograph and Concert work. He passed away on October 19, 1966, at the age of 75.

He is also known as Shlomo Rothstein, Sol Rothstein & Solomon Rothstein.

To listen the voice and recordings of Shloimele Rothstein, click here.

To discover other cantorial voices, please visit the Recorded Sound Archives Cantorial Voices collection.

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By Recorded Sound Archives, December 4, 2015 3:47 pm

The Recorded Sound Archives loves sharing the gift of music during the holiday season, especially Chanukah music. This year the Recorded Sound Archives has put together a wonderful collection called Songs of Chanukah that will entertain and delight the entire family with over 50 albums to choose from such as the Children’s Village Choir singing Hanukkah is Here to Kenny Ellis with Hanukkah Swings. The songs in this collection express the essence of the holiday with children’s songs that teach about the holiday,  traditional songs and a new twist on old favorites.

Please accept this gift of music for you and your family from the Recorded Sound Archives along with our best wishes for a Happy Chanukah!

Click here to view this collection.

Click here to view past blog posts on Chanukah.

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By Recorded Sound Archives, September 28, 2015 3:33 pm

Did you know the Recorded Sound Archives at FAU Libraries has over 49,000 albums along with over 150,000 songs in its databases, which is growing everyday with the help of volunteers? With so many recordings to choose from, we have given Research Station users the ability to request items be digitized.

See a recording that hasn’t been digitized?

As a research station user you can request it using the Music on Demand forms on the website.

Please note, due to copyright some of these recordings may only play for 45 second snippet to give the user a taste of what this music sounded like back in the day, if you are interested in full access considering applying for Research Station Access.

Below you’ll find a list of recordings that were recently added in September by Collection from requests made by Research Station Users.

Judaic Collection

Prayers from Jerusalem by Naftali Herstik

Zemirot – Turkish-Sephardic Synagogue Hymns  by Los Pasharos Sefaradis

Oriental Song Festival 1973 by Various Artists

A Song of the Heights by Andrew Edison & Norman Summers

Tanchumim by Various Artists

A World of Jewish Music by Allan Michelson

Blue Star Camp – 1984 by Ted Grey

30 Golden Moments of Music by The Epstein Brothers

Lamenatseach Shir Mizmor – Oriental Song Festival 1974 – Volume 2 by Various Artists

Tsur Mi’Shelo Achalnu – Famous Traditional Sephardic Hymns by Renanim Choir

Achva by Various Artists

Ismach Moshe by Sawel Kwartin

Al Taschlicheinu by Sawel Kwartin

Erev Shel Shoshanim by Various Artists

Gems of the Synagogue by Josef Rosenblatt

My Mother’s Sabbath Candles (Sung in Yiddish) by The Malavsky Family

Vintage Collection

The Bells of St. Mary’s by Charlie Spivak and his Orchestra

Featured Collection

Hit of the Week Collection

High Holy Days Collection

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By Recorded Sound Archives, September 14, 2015 2:25 pm

In years past, the Recorded Sound Archives Judaic collection or the Judaica Sound Archives as most know it has highlighted the music of Leibele Waldman, Gershon Sirota and Moishe Oysher for the High Holy Days along with some of today’s finest cantors.

This year the Recorded Sound Archives has created a High Holy Days collection for you to  share and enjoy with your family. Included in this collection is a mixture of cantors, and other musicians such as Shimon and Ilana Gewirtz, Ramon Tasat and Cindy Paley.

Click here to view this collection.

Click here to view past blog posts on the High Holy Days.

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By RSA Guest Blogger, August 24, 2015 6:53 pm

Theodore Bikel on stage as Tevye in Fiddler on the Roof.

With his grey beard, clear voice, and room filling performance, Theodore Bikel had so much in common with Tevye the Milkman. He was the fiddler on the roof, a versatile man.

Theodore Bikel, actor, activist and folk singer, passed away at the age of 91 last month on July 21, 2015 in Los Angeles. He played Tevye in Fiddler on the Roof onstage in thousands of performances, created the role of Baron von Trapp in the original Broadway production of The Sound of Music, recorded as a singer and guitarist for many albums in different languages, and was involved in civil rights causes.

Bikel was born into a Jewish family in Vienna, and named after Zionist Theodore Herzl. They fled to Palestine in 1938. and according to his mother in his autobiography, he sang before he could talk. Theodore started acting at a young age and performed in the Habimah Theatre in Tel Aviv in 1943. Bikel moved to London in 1945 and next to the United States in 1954, where he started his acting career on Broadway.

Bikel released thirteen albums between 1955 to 1965. The most popular recordings were: Theodore Bikel Sings Jewish Folk Songs (1958), Songs of a Russian Gypsy (1958), Theodore Bikel Sings More Jewish Folk Songs (1959), A Harvest of Israel Folk Songs (1961), and Theodore Bikel Sings Yiddish Theatre and Folk Songs (1965). With this repertoire, he paved the way for a renewed interest in Yiddish folk songs, and ultimately for the klezmer revival in the late seventies.

Along with folk singer Pete Seeger, Bikel became one of the founders of the Newport Folk Festival in 1959. This festival is known for the performances of Joan Baez and Bob Dylan in 1963 and played a crucial role in the American folk music revival of the sixties.

Just recently, a documentary film was released about the intertwining of Theodore Bikel’s life with writer Sholom Aleichem, the great storyteller of Jewish life in Eastern Europe: Theodore Bikel: In the Shoes of Sholom Aleichem. In March this year, Record Sound Archives’ Alethea Perez wrote a blog about this portrait. click here to read more.

Listed below are some of his popular tunes.

 Dona Dona

Di Mame Iz Gegangen

Az Der Rebbe Zingt

Dodi Li

 Click here for more Theodore Bikel recordings.

Due to copyright concerns only snippets can be heard on the RSA public website. Full versions are available to users of the RSA Research Station.

If you enjoyed this guest blog post you may enjoy Gone but not forgotten – the Barry Sisters.

RSA Guest Blogger, Niels Falch, is a PhD candidate at the University of Groningen in the Netherlands and is currently writing a dissertation on the influence of Jewish music in American popular songs.

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By Recorded Sound Archives, March 19, 2015 11:58 pm

Introduced in 1930 and discontinued in 1932, these records were made from a flexible synthetic resin (Durium) coated on brown paper.

What are sound recordings made of?

Initially sound was recorded on wax cylinders. By the end of the 1920s, however, recordings were made of a heavy, fragile shellac compound.

Producers began looking for better options and started experimenting with materials that were lighter, flexible and less fragile.

One of these experiments, Hit of the Week records, were actually made of resin coated brown paper! This lightweight, flexible, “unbreakable” composition was unique and provided a 78 rpm recording with sound equal to or better than ordinary shellac.

Beginning in February 1930 a new recording featuring a current “hit” song was released each week. They were sold at newsstands, likemagazines, with past issues being available by mail order. They were recorded on one side only and sold for 15 to 20 cents per recording. The unrecorded side was often printed with advertising or the performer’s portrait. They had a tendency to curl up over time and came in flimsy rice paper sleeves.

The unrecorded paper side of Hit of the Week recordings were sometimes printed with advertising a performer’s portrait, in this case Morton Downey.

These recordings were a big hit with the public in the early days of the Great Depression and provided easy, cheap entertainment to the masses. However, as the depression wore on sales slumped. the last Hit of the Week issue was released in June 1932.

The Recorded Sound Archives at FAU Libraries is pleased to share 39 of these original recordings with our website users. Due to US Copyright laws only 45-second snippets are available on our public website.  Full recordings are available to RSA Research Station users.

Click here to see and hear the Hit of the Week collection.

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By RSA Guest Blogger, January 5, 2015 8:50 pm

Bagelman Sisters/Barry Sisters early photo with Claire Barry on the right.

Yiddish music icons, Merna and Claire Barry, entertained generations of Jewish Americans with their jazzy versions of Yiddish songs.

For over 40 years the Bagelman Sisters, later known as the Barry Sisters, were the darlings of Jewish entertainment. Their recordings could be found in almost every Jewish household in the 1950s and 60s. The younger of the two sisters, Merna, passed away in 1976. The older sister, Claire Barry, died on November 22, 2014 in Hollywood, FL at 94. Click here for full NY Times obituary.

Who were the Barry Sisters?

Two beautiful girls, dressed in the latest fashion, hair  perfectly coiffed, singing with sultry voices that could make your heart leap.

Born in New York, the two sisters were originally known as the Bagelman Sisters. Many saw them as the Yiddish answer to the popular Andrews Sisters in the 1940s. They combined old Jewish folk songs and Yiddish Theater ditties with swing arrangements and perfect harmony. When Clara and Minnie changed their names to Claire and Merna The Bagelman Sisters became The Barry Sisters. They have often been credited with creating Yiddish Swing, a music genre which did not exist previously.

The glamorous Barry Sisters were regular guests at Yiddish radio programs like Yiddish Melodies in Swing. They toured with the Ed Sullivan Show to the Soviet Union and performed in Israel in October 1962.

The popularity of their catchy and jazzy tunes may have paved the way for the Broadway hit, Fiddler on the Roof, and the klezmer revival of the late 70s.

Listed below are some of their most popular tunes. The Judaica Sound Archives has 41 recordings by this dynamic duo of Yiddish music.

Abi Gezunt (Stay healthy)

In Meine Oigen Bistie Shain (To me you are beautiful)

Channah from Havannah (A Gala Concert with Moishe Oysher album, no. 3).

Bublitchki (About the last bagel)

Dem Neyem Sher (At Home With album, no. 2).

Roumania

Click here for more Barry Sisters recordings. Due to copyright concerns only snippets can be heard on our public website.  Full versions are available to users of the RSA Research Station.

RSA guest blogger, Niels Falch, is a PhD candidate at the University of Groningen in the Netherlands and is currently writing a dissertation on the influence of Jewish music in American popular songs.