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By Recorded Sound Archives, August 25, 2010 1:05 pm

During the High Holy Days Jews around the world congregate to experience a sense of spiritual community.  It is a time of family gatherings and happy times juxtaposed with introspection and solemn prayer.

In choosing the music for this year’s JSA High Holy Days Music Mix we wanted to highlight the voices of cantors who have devoted themselves to perfecting their art. The High Holy Days has inspired some of the most beautiful and compelling Jewish sacred music ever recorded. On this album we feature such legendary cantors as Leib Glantz, Leibele Waldman, Gershon Sirota and Moishe Oysher. We also highlight the interpretations of some of today’s finest cantors.

In addition, we also wanted to share the more upbeat, happy tunes that appeal to children learning about Jewish traditions and the meaning of the holidays. Some of my fondest memories are of helping my mother prepare for the big holiday dinner and learning about the special foods that meant a “happy new year!’

This special mix of songs has been excerpted from albums which can be heard any time on our website. The mix includes light-hearted, yet meaningful, songs for children.  It also includes some of the most beautiful cantorial music ever written. Enjoy!

Click here to hear all 18 songs or to listen to your favorites.

These songs are for your listening pleasure only.  They may not be copied, reproduced or sold.

Excerpts of selections from these albums were used to create the JSA High Holidays Music Mix 5771.

Click on any title to hear the entire album.

(1) Ye Shall Rejoice On Your Festivals by Shimon & Ilana Gewirtz

(2) Simeni Ka Hotam by Cantor Ehud Spielman

(3) Misha Alexandrovich by Cantor Misha Alexandrovich

(4) Concerts & Recitals #3 by Cantor Zvee Aroni

(5)  Our Prayers in Song by Cantor Henry Butensky

(6) Prayers of My People by Cantor Louis Danto

(7) Chants Folkloriques Israeliens by Cantor Michel Heymann

(8)  Hallel & Three Festivals by Cantor Leib Glantz

(9) High Holy Days in a Conservative Synagogue by Cantor Moshe Schwimmer

(10) Holidays around the Year by Chaim Parchi

(11) Kinder Songs – Holiday Songs for the Entire Family by Cantor Deborah Katchko-Gray

(12) S’iz Yontev Kinder! Lomir Zingen by Cindy Paley

(13) Teshuva: Liturgical Explorations for the Days of Awe by Ramon Tasat

(14) Chassidic Melodies by Cantor Leibele Waldman

(15) Cantorial Chants & Jewish Songs by Cantor Seymour Schwartzman

(16) European Recordings (1906-1907) Vol. 2 by Cantor Gershon Sirota

(17) The Power, The Glory, The Soul of Moishe Oysher by Moishe Oysher

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By Recorded Sound Archives, August 5, 2010 1:40 pm

Who said Yiddish Musical Comedy is dead?

Now you can revisit the glory days of the Lower East Side and hear the songs as they were actually sung.

The recordings in this special JSA collection were produced on 78 rpm recordings between 1901 and 1922, at the height of Yiddish Theater’s popularity.

Four stars of Yiddish Musical Comedy are highlighted: Gus Goldstein, Clara Gold, Anna Hoffman and Jacob Jacobs.

Gus Goldstein, an American Yiddish actor of the early 20th century made many recordings for Columbia Records.  This JSA collection features 37 of his solo songs.

He also made recordings with Clara Gold that focused on immigrant issues and Yiddish humor, and featuring Litvak, Galitzianer and Italian dialects. Clara Gold played character roles in the Yiddish Theater and was known for her comedic performances. She partnered with Gus Goldstein from 1916 to 1926. Forty-four of the songs they recorded together are in this collection.

Gus Goldstein also partnered with Anna Hoffman, a well-known comedic singer of her day. This collection includes 7 of their songs. It also features 25 songs that she recorded solo.

Jacob Jacobs was known for adding timely dialogue to his Yiddish comedy acts and translating English songs into Yiddish. This collection includes 12 of his songs recorded between 1909 and 1922. An interesting historical note is that in 1932 he collaborated with composer Sholom Secunda on a Yiddish musical comedy, “I Would If I Could.”  Although the show was not a great success it did produce a song that would later become the #1 hit, Bei Mir Bist du Shon.

If you understand Yiddish, remember Yiddish Theater, or just want a nostalgic journey, you won’t be disappointed. Click here to listen to any of the 14 digitized albums in the collection.

Or select one of these favorites tunes: America, Ich Lieb Dich; Ich bin a boarder by mein vieb;  Yente Telebende.

These albums are not available for sale or reproduction but can be heard in their entirety on the JSA website.

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By RSA Guest Blogger, July 22, 2010 1:51 pm

Listen for yourself. Click to hear Rocky Zweig singing “Boris” from his Legacy album (Aderet Music Corp.)

Hear it. The first five seconds. A keyboard…drums…it sounds like rock. These are the familiar sounds of a song that is going to tell a story. It sounds like the introduction to the Bon Jovi song, “Livin on a Prayer.”  Then Rocky Zweig begins to sing.

His story is about a boy named Boris. Boris is upset because he is persecuted for being Jewish. The story ends with Boris dying. In “Livin on a Prayer,” the pseudo couple, Tommy and Gina, live on little money and try to make their relationship work.

In the lyrics of “Boris,” it says “…you must strive now, to keep your religion alive within your heart…” This part is not just about religion. It goes deeper. It also means fighting for respect and staying true to oneself is vital. Just because other people don’t like you, you should not let them break you. In life, there will always be people who try to bring you down. Instead of allowing it, become empowered to rise above it.

As the story of “Boris” progresses, it becomes clear that he is viewed as an outcast. The persecution was so much that he planned on killing himself and others on a plane. Instead, Boris was killed and his life became a mere memory.

In “Livin on a Prayer,” the words work so well together.  Tommy has been laid off and Gina gives all of her earnings to him. Of the little money they do have, they must have faith that times will get better.

In the lyrics of “Livin on a Prayer,” it says “…we’ve got to hold on to what we’ve got. Cause it doesn’t make a difference if we make it or not…” What I get from this is no matter what hardship we face, it is possible to break the cycle. As long as someone believes in you, anything can happen. In this song, Tommy and Gina have each other and they push through the odds.

Although these are two different stories, they have similar musicality and both songs use rock instrumentation. Both songs are stories of hardship. I think the reason I find stories of hardship so fascinating is because people are fascinating. Every person is different and unique. Songs like these that explore hardship are real.

While “Boris” is technically Jewish music, I think it would appeal to anyone. It sounds current and isn’t just for Jewish people to enjoy. On the album, “Legacy,” Rocky Zweig sings 10 songs, all of which sound like popular rock music and ballads of today. His voice has a tone that works well for rock. This album makes singing about religion cool and it makes Jewish music more relevant for today’s world.

It might seem unusual that there is such similarity between the songs “Boris” and “Livin on a Prayer.” Hardship, however, is a theme found at the heart of many songs and is fuel for creativity. A hard life lived with passion is more valuable than an easy life lived with indifference.

Submitted by Jackie Rosansky

RSA Guest Blogger, Jackie Rosansky is a summer volunteer intern at the Judaica Sound Archives. This blog contains her original thoughts and opinions about the musicians and music she is researching. She is 24 years old, and is majoring in journalism with a minor in photography at FAU.

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By Recorded Sound Archives, June 9, 2010 3:18 pm

There have been many great classical violinists in the past, but few have achieved the fame of Jascha Heifetz. His use of rapid vibrato and emotionally charged fast tempos, together with exquisite control over his instrument helped to make his music distinctive, exciting, and brilliant.

A child prodigy, he began making phonograph recordings in Russia when he was only 9 years old. These early recordings are quite rare. On October 27, 1917, at the age of 16 he made his NYC debut in Carnegie Hall.  Shortly thereafter he began recording for the Victor Talking Machine Company and later RCA Victor. The Judaica Sound Archives at Florida Atlantic University Libraries has created four audio albums consisting of 32 of these Victor recordings produced between 1917 and 1922. This vintage collection of music originally recorded on 78 rpm discs was digitized and compiled by The Judaica Sound Archives at Florida Atlantic University Libraries. These albums are not available for sale or reproduction but can be heard in their entirety on the JSA website.

Heifetz was often a controversial figure. He was attacked in Israel in 1953 because he insisted on including the works of Richard Strauss and Richard Wagner in his repertoire despite the strong sentiment at the time that they were Nazis. On the other hand, he was a strong critic of the Soviet Union and was considered to be a defector by other Russian musicians.

Click on any label to hear that song.

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By Recorded Sound Archives, April 16, 2010 2:53 pm

Alma Gluck and Efrem Zimbalist

Who is your favorite star couple? From Debbie Reynolds & Eddie Fisher to Brad Pitt & Angelina Jolie, love among celebrities is exciting.  We always want to know more. That’s the way it is today… it is also the way it was a hundred years ago.

In 1911 two Jewish superstars of classical music met and fell in love. They were young, they were talented, and they made beautiful music together.

The Zimbalist-Gluck romance provided lots of material for the gossips of their day. While the idea of such a wonderful pairing of talents was thrilling, there were those who pointed out that Gluck was six years older, as well as a divorcee with a daughter. Scandalous!

Before and during the early years of her marriage to the violin virtuoso, Efrem Zimbalist, famed operatic soprano Alma Gluck enjoyed a highly successful recording career. Her release of Carry Me Back to Old Virginny for the Victor Talking Machine Co. was the first celebrity classical recording to sell over one million copies.

After their marriage Victor/Victrola capitalized on a sure bet: recording the newlyweds together. You can hear two of the most popular of these recordings by clicking on the record labels below.

In his biography of Efrem Zimbalist (Efrem Zimbalist: A Life, 2004), Roy Malan  describes the process of making a recording in the days prior to the electric microphone. “The technique was very basic: a large metal horn was suspended from the ceiling; connected from its small end was a flexible pipe that pssed through a thick curtain to the etching machine in an adjourning room. Singers were instructed to face away from the horn on particularly high notes. Violinists had to position themselves with the sound holes facing directly into the horn’s mouth….The possibility of knocking against the metal rim had constantly to be guarded against (p.117).”

When they recorded together “the singer and violinist each had separate pick-up horns; Efrem later joked that his was much smaller than Alma’s: ‘They didn’t want me to play too loudly and spoil everything!’ (p. 135)”

Among their most financially successful recordings was the Zionist hymn, Hatikva, produced in 1919, and Old Folks at Home by Stephen Foster, produced in 1915.

While rehearsing for this latter recording, Zimbalist discovered that the obbligato was inadequate. He came upon the idea of playing Dvorak’s Humoresque at a slightly slower tempo instead. It was recorded this way and the recording became one of their most popular.

Hear the music.

The JSA has collected 20 song recordings featuring the combined talents of Alma Gluck and Efrem Zimbalist.

To hear all 20 song recordings,

click here.

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By Recorded Sound Archives, March 22, 2010 2:38 pm

Why is this night different from all other nights?

On this night  we celebrate the gift of freedom with special foods, stories and song. On this we night we have a seder!

To help make your Passover even more festive, the JSA has compiled this special mix of holiday songs. This year’s Passover Music Mix includes familiar traditional songs and also many children’s tunes that educate as well as entertain.

Click here to hear all 19 songs or to listen to your favorites.

These songs were selected from albums on the JSA website.  They are for your listening pleasure only.  They may not be copied, reproduced or sold.

All of the songs in this music mix can be heard on the JSA website all year long. Selections from the following albums were used to create this 2010 Passover Music Mix.

Around the Table – A User-friendly Haggadah by Gadi Elon

Chag Sameach/Happy Holiday by Judy Caplan Ginsburgh.

Celebrate with Cindy by Cindy Paley.

Haggadah Songs by Chaim Parchi.

Menorah’s Little Seder by Gladys Gewirtz.

Mostly Matzah by Fran Avni.

Mother Goose Rhymes for Passover can be found in the KTAV record label collection.

The Passover Collection by Safam.

Passover Seder Service by Cantor Samuel Malavsky and the Family Choir.

Passover Sing-a-long can be found in the Children’s Village record label collection.

A Singing Seder by Cindy Paley.

Seder by Cantor Moshe Koussevitzky.

Canciones de Pesah/Passover Songs by Gaston Bogomolni can be found in the JSA participating performers collection.

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By Recorded Sound Archives, March 15, 2010 3:28 pm

Between March 6 and 11, 2010 the Boca Raton campus of FAU became a celebration of Jewish music and culture. It was the FAU Library’s second Kultur Festival. Events ran the gamut from klezmer concerts to cultural diversity forums. Two of these events highlighted the work of the Judaica Sound Archives.

The Man Who Spoke to God

Tues., March 9 : Dr. Jerry Glantz

The voice of the legendary Cantor Leib Glantz was one of the first to be heard on the JSA website. The importance of his compositions, the beauty of his voice and his unique ability to create an other-worldly spiritual experience for his listeners propelled him to prominence during the first half of the 20th century, also known as “The Golden Age of Hazzanut.”  We are exceptionally grateful to Dr. Jerry Glantz for allowing the JSA to showcase his fathers bountiful talents.

Dr. Glantz discussed his book, The Man Who Spoke to God,  a biographical loving tribute to his father, explained his father’s innovations in the field, and shared his father’s voice with the audience through recorded pieces. Especially dramatic was Cantor Glatntz’s rendition of Shema Yisrael. Dr. Glantz told the audience that because his father believed in improvisation the Shema was a new creation each time he sang it.

All of the recordings by this great cantor are available on the JSA website.

Yiddish Zingfest

Wed., March 10 : Phyllis Berk

There’s just something about Yiddishkeit that can fill you with a mixture of longing for days gone by, nostalgia, and concern about the future of Yiddish culture. When Jews immigrated to the USA from Eastern Europe, Yiddish was the language that they shared with each other. It was the language they spoke, read, wrote and sung. It was the language that expressed their struggles and their triumphs.

The JSA is committed to collecting recordings that express the Yiddish culture through music and humor. It is only through phonograph recordings that future generations will be able to hear for themselves what Yiddish sounded like in the early 1900s.

JSA Participating Performer, Phyllis Berk did an amazing job of bringing back the “old days” in this performance. Singing songs from her CD (Coming of Age)  like Shpilzhe Mir a Lidele, Unter Beymer, Grine Kuzine and Mein Shtetele Belz, she not only entertained her large audience, she led them down memory lane and roused them to sing along as well.

There are currently 167 Yiddish song albums on the JSA website that you can listen to at any time.

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By Recorded Sound Archives, March 3, 2010 2:27 pm

In the early half of the 20^th century, Yiddish speaking audiences often connected with their roots and culture by listening to Yiddish radio programs produced in the USA. In 2004 the Judaica Sound Archives received a gift of 70 recordings of radio broadcasts produced in 1949 from the Jewish Museum of Maryland.

These broadcasts were recorded on 16-inch discs. Special equipment is needed to play such large recordings. Unfortunately, the JSA did not have the right equipment.  So the recordings sat in storage.

Over time, the JSA was given about 30 more 16-inch recordings, including 14 produced by Vistas of Israel.

As our collection of 16-inch records grew so did the pressure to find a turntable that could handle them. “I suddenly remembered that my employer had given me a large turntable in the 1970’s” said JSA Sound Archivist, Ben Roth-Aroni. Digging through items that had been in storage for over 30 years, Ben was able to eventually unearth the turntable.

But, when he put the first 16-inch disc on the turntable he realized that the tone arm bumped into the record. The tone arm needed to be raised so that the needle was above the record. Working with spare parts, he was able to solve the problem by raising the tone arm base.

Tone arm base before elevation

Tone arm base after Ben elevated it.

Some of these 16-inch recordings are quite unique.  For example, “some of them have grooves which spiral from the inside toward the outside instead of the conventional outside toward the inside. Also some have a “vertical cut.” That means that the needle rides up and down over the grooves instead of the usual “lateral cut” where the needle moves from left to right.” Ben said.

I asked Ben if a special needle was required to play these recordings. “Sometimes we need a special needle but often a 78-rpm stylus will work fine as long as we have a specially wired cartridge that works for the lateral cut discs.”

The JSA currently has over 400 Vistas of Israel radio broadcasts.  These programs were produced by the state of Israel from the 1950s through the 1970s. Fourteen of the broadcasts in the JSA collection were produced on 16-inch discs. We are currently involved in an extensive digitization project so that all of these Vistas of Israel broadcasts can be heard on the JSA website. With the addition of our newly revamped turntable these broadcasts can be included in this exciting digitization project.

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By Recorded Sound Archives, February 8, 2010 11:31 am

Chuck Samberg and Gloria Magida (on right) visit the JSA to donate recordings to Nathan Tinanoff and Maxine Schackman (holding record album).

Valentine’s Day is certainly not a Jewish holiday.  But who says Jews can’t celebrate love?

The Yiddish word, beshert, can refer to any kind of fortuitous good match, such as finding the perfect job or the perfect house, but usually it refers to a perfect romantic match. Beshert brings people together no matter what obstacles might stand in the way.  “If it is meant to be, it will be.”

Chuck and Gloria connected romantically back in the early 1960s, after her first husband passed away.  They dated, they married.  But the time was not right for these two to live happily ever after. After five years they divorced and lost contact with each other.

But when two people share a destiny they will find a way to reconnect with each other, even after many years. Chuck’s father was a pioneer in Jewish comedy back in the 1930s. Known professionally as Benny Bell, he was a celebrity in Jewish circles.

When Gloria’s third husband passed away a few years ago she became interested in reconnecting with friends from her past. She especially wanted to reconnect with Chuck. Unfortunately, she had no idea how to find him.

Many times she sat at her computer and typed the name “Charles Samberg” into the Google bar only to be disappointed by the lack of results.  Then one day she typed in the name “Chuck Samberg.”  This time she got a link to FAU’s Judaica Sound Archives.

Her curiosity aroused, she decided to follow the link which led to one of the happiest surprises of her life!  What she found on the JSA website was 19 comedy albums by Benny Bell.  As she listened it brought back many memories of her childhood. And then she went to the Benny Bell biography page. And there, at the bottom of the page was a way to reconnect with her past. She couldn’t believe her eyes.

She sent a note. Now the two are reunited and enjoying every moment of it, looking back at the past with nostalgia, looking towards the future with joyful thoughts. “We’re very happy!” Gloria to me.

For more information about Benny Bell click here.

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By Recorded Sound Archives, December 9, 2009 10:28 am

You might think that Adam Sandler has the last word when it comes to Chanuka songs.  But you would be wrong! The Judaica Sound Archives has hundreds of Chanukah songs that your whole family can enjoy. This year’s Chanukah Mix highlights 17 songs by some of our favorite JSA performers.

You might also enjoy these holiday albums:

Chanukah Favorites – Judy Caplan Ginsburgh

Chanukah Festival of Songs – Sidor Belarsky

Chanukah is Freylekh! – Lori Cahan Simon

Chanukah Melodies – Honore Singer

Chanukah Songs For Children – Shimon & ilana Gewirtz

Hanukkah Sing-A-Long

Hanukkah Sing-A-Long II

Hanukkah Sing-A-Long III

Hanukkah The Feast of Lights – Emanuel Rosenberg

Happy Channukah! – Fran Avni

Isaac Goodfriend Sings Hanukka Songs – Isaac Goodfriend

Kinder Songs – Holiday Songs for the Entire Family – Deborah Katchko-Gray

Latkes and Hamentashen – Fran Avni

Make a Chanukah Miracle – Cantor Benjamin Maissner

Mother Goose Rhymes for Chanukah – Honore Singer

The Chanukah Collection – Safam

The Chanukah Party – Fred Vogel (Narration), Jesse Silverstein (Songs)