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By Recorded Sound Archives, November 5, 2014 6:17 pm

Cantor Todros Greenberg’s great-granddaughter wanted her son to hear his great-great- grandfather sing, but all she had was a tangle of tapes from dozens of reel-to-reel recordings. What could she do?

After locating a box full of tapes belonging to her great-grandfather, Cheryl Silver reached out to the JSA. With her son Noah’s Bar Mitzvah only a few months away she wanted to preserve the music on the tapes as part of Noah’s Mitzvah Project.

Although most of the tapes seemed to be in fairly good condition they were in total disarray. The home-made tapes were not clearly identified. We had no idea who was singing what on which tape.

A bit of good luck: As it happened, Cantor Joseph Gross, friend of the JSA, remembered Cantor Greenberg and could identify his voice. Hour after hour after hour, Cantor Gross sat with ear phones listening to tapes and making notes.  JSA sound technician, Ben Roth-Aroni meticulously digitized the tapes, created separate tracks and organized the songs on CDs for the family.

Well-known among Cantors for his talents as an educator and composer,  Cantor Greenberg’s 40 year collaboration with  Cantor Sholom Kalib resulted in the critically acclaimed book, Heichal Han’gina V’hatfila. Vol.1, published in 1961 by the Cantor’s Assembly.

His compositions have been included in the Milken Archive’s CD: The First S’lihot by Benzion Miller and  in The Milken Archive’s 50 CD boxed set.  They were also featured as part of the 8-program WFMT (Chicago) radio series, The Art of the Cantor, hosted by Cantor Alberto Mizrahi. But, recordings of this great Cantor’s voice have been rare …..until now.

The Judaica Sound Archives is proud of its role in preserving the recorded music legacy of Cantor Todros Greenberg.The digitized music in this collection was lovingly and painstakingly created from Cantor Greenberg’s personal reel-to-reel tapes which were donated to the Judaica Sound Archives by Cantor Greenberg’s family in honor of the Bar Mitzvah of his great-great-grandson, Noah Johnson.

 Click here to read more about Cantor Greenberg and to hear his recordings.

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By Recorded Sound Archives, May 28, 2014 11:56 am

Growing up in a family of Hazzans and Klezmer musicians, Cantor Elias Rosemberg may have been born to perform.

From his early days as a wedding singer in Buenos Aires to his present position as the Cantor for Temple Emanuel in Newton, MA. (the largest Conservative synagogue in New England)  his talent and energy have made him a stand-out performer. No stranger to radio, television, and the recording industry, he won the “Argentina Sings for Israel” vocal contest in 1998.

Since coming to the United States in 2000, he has continued to receive honors and recognition for his talent as a great singer and as a gifted Hazzan. His repertoire includes Cantorial, Israeli, Yiddish, and Ladino, as well as opera and Broadway selections. True to his Argentinean roots, he also enjoys singing Tango. At the Cantors Assembly Convention in 2002 he was asked to sing the memorial prayer at the Holocaust Museum in Washington DC.

You can visit his YouTube channel to see live performances.

The Judaica Sound Archives is proud to include these four  wonderful recordings by Cantor Rosemberg. Click album cover to play.

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By Recorded Sound Archives, April 28, 2014 1:40 pm

Israel is 66 years old! Celebrate by revisiting the early years.

Listen to the authentic recordings from the Vistas of Israel radio series.

Historic radio broadcast of the Israel Broadcasting Company celebrating the millionth immigrant to Israel (8/29/61). Click on label to play.

From the  late 1950s, through the 1960s, and into the early 1970s the State of Israel sought to inform Americans and others about their young country’s culture and accomplishments through a series of radio broadcasts in English.

These programs featured popular Israeli performers, topical discussions, and interviews with prominent Israelis and others. These original radio broadcasts were aired on local stations throughout the USA.

The Judaica Sound Archives has an extensive collection of these  historic “Vistas of Israel” radio programs. There are over 400 recorded broadcasts in the collection and about 250 of them have been digitized so far.

Click here for more about Vistas of Israel radio broadcasts.

You may also be interested in:

JSA celebrates Israel’s Statehood (5/5/2011)

JoAmar: A pioneer of Israeli Music

Israeli Performer: Shosaha Damari

Selected Israeli Songs

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By Recorded Sound Archives, April 1, 2014 8:57 am

Why is this holiday different from all others?

On this holiday, we celebrate the gift of freedom, we remember Jewish history through special Seder foods and  we teach the lessons of the haggadah to the next generation. The Judaica Sound Archives invites you to  add music and song to  your family’s Passover traditions.

The Judaica Sound Archives has compiled a mix of Passover songs that the whole family can enjoy.  From Cantorial splendor to children’s play-songs, music expresses the heart of the Jewish people. Give Jewish music a special place in your home for the  holidays. All the songs  in this compilation can be heard all year long on the JSA website.

You may also enjoy the following albums:

• Passover Seder Songs – Cantor Deborah Katchko Gray
• Passover in Song and Story – Gold and Wertheim
• Canciones de Pesah – Cantor Bogomolni
• Passover Music Box – Cohen and Gamliel
• Passover Collection – Safam
• Passover Medley – Jan Peerce
• Passover Sing-A-Long – Children’s Village
• Let My People Sing—Cantor Elias Rosemberg

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By Recorded Sound Archives, March 10, 2014 11:41 am

Cantor Joseph Gross is a walking encyclopedia of knowledge about Jewish liturgy, Cantorial music, Cantorial voices and the history of the Cantorate in North America.

A delightful gentleman who has stored  a lifetime of learning into his diminutive frame, Cantor Joseph Gross showed up at the Judaica Sound Archives a little over three years ago wondering if he could be of any help. His warmth and his big smile took us in immediately.  But what captivated us was his encyclopedic knowledge of all things Cantorial and liturgical.

As he spoke I could not help but think that he has probably forgotten more than most of us will ever know on the topic. But as he continued, I realized that he is blessed with almost perfect recall.  Not much seems to have been forgotten at all. You may have heard of people with photographic memories, but Cantor Gross is the only person I have ever met with “phonographic  memory,” i.e. he can recall voice and music impeccably.

A master cantor and composer, Joseph Gross has been a regular volunteer at the JSA for over three years now. Several of our Cantorial music restoration projects have been possible only with his guidance and help.

The JSA has created three albums from the original tape recordings of Cantor Gross.  These recordings are not available anywhere else and have never been commercially released.  They were restored under the vigilant supervision of the Cantor himself.

Listen to the voice of Cantor Joseph Gross.

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By Recorded Sound Archives, January 15, 2014 3:35 pm

Indiana Jones: “We do not follow maps to buried treasure and X never, ever marks the spot.” (Last Crusade)

Dr. Randall Goldberg, Asst. Prof of Music History at the Dana School of Music at Youngstown State University in Ohio has been digging for “treasure” at the Judaica Sound Archives at the Wimberly Library on FAU’s Boca Raton campus.

He has no map and so far has not discovered a spot marked with an “X.” But he has spent weeks tirelessly searching at FAU’s Judaica Sound Archives through thousands of 78 rpm recordings for information about how Jewish identity was expressed in 20th-century music. Like Indiana Jones, Randy Goldberg feels like he is on a quest. Allowing his intellectual curiosity to lead him on a fantastic journey back in time, he relishes finding little known tid-bits of information.

Prof. Goldberg crouches between the stacks to check the record numbers he is looking for.

“For me the passion is in the records.  There is a childish love that I have for it. I used to watch Indiana Jones films and that is the sense of adventure I have. I am always looking for some hidden treasure whether it is here at FAU’s Judaica Sound Archives or in an old record store in Pittsburgh.”

“Jewish musicians have a cool niche. I love to find weird mash-ups, like Chassidic disco albums or Jewish sacred music set to a Carribean beat.”

Prof. Goldberg  doesn’t find the enormity of the JSA collection to be overwhelming.  Quite the opposite.  “Just being being here and being immersed in the entirety of this whole thing. It fuels my enthusiasm and my passion for my research project.” he says.

Dr. Goldberg checks the information on the actual record label to ensure the correctness of his database.

Dr. Goldberg spends his time searching through the JSA’s database, locating the recordings that he is interested in and then entering information about those recordings into his laptop for use later in his research. It might seem like tedious work to some but Dr. Goldberg seems more like a “kid in a candy shop” than anything else.

JSA: “You seem to be having a good time visiting us and working here.”

GOLDBERG: “I love doing this. And the beautiful Florida weather isn’t bad either.  Back home in Ohio there are 12″ of snow on the ground!”

Dr. Goldberg achieved a BM in classical guitar performance at the University of Texas at Austin and a MM in musical performance at the New England Conservatory. He earned his doctorate at Indiana University. He is an Assistant Professor of Music History at Youngstown State University, College of Creative Arts and Communication, Dana School of Music. He  specializes in the music and music literature of early modern Europe.  In addition to teaching courses, Dr. Goldberg directs the Youngstown State University Early Music Ensemble and is the president of the Allegheny Chapter of the American Musicological Society.

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By Recorded Sound Archives, January 14, 2014 10:04 am

Deeply emotional and rooted in the ancient songs of Judaism, the music of RebbeSoul brings a modern vibe that re-imagines the music of our ancestors. This is not your grandmother’s Jewish Music.  This is not some crazy mash-up of eclectic sounds.  This is spiritually-based music with modern sensibilities and a deep respect for the past.

After earning a degree in engineering, Bruce Burger (aka RebbeSoul)set off to explore L.A.’s music scene.

Leaving parental expectations and  upstate New York’s brilliant autumns and wintry snows behind him,  it was in L.A. that he finally found his sound….and his voice.

At the age of 22, after sharing a Shabbat dinner with an Orthodox family he was inspired to write “Sister Sarah.”  Despite having been a secular Jew for many years, this experience touched him so deeply that he was moved to take on the name RebbeSoul.

As he added the melodies of nigunim and prayers to his repertoire he made a decision. “Every time I play as RebbeSoul, I put something on my head….To the great Rebbes, a nigun, a melody, is something that comes from the heart and goes straight to heaven without anything getting in the way.  So when I do it, I want to make sure there is something on my head, out of respect.”

To strengthen his connection to the Jewish people even further, Burger made aliya in 2007. Now residing in Zichron Ya’acov, he is exploring his musical roots and enjoying where his musical journey is taking him.

The Judaica Sound Archives at FAU’s Wimberly Library is delighted to be able to add Bruce Burger as our newest JSA featured performer. Click on any album below.

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By Recorded Sound Archives, December 17, 2013 8:00 am

You may ask yourself… how did a Yiddish story by Sholem Aleichem, based on a surrealistic painting by Marc Chagal, become one of the world’s most popular shows?

You may ask yourself…. how could a 1964 Broadway musical touch audiences after 50 years?

But, of course…. if you know “Fiddler on the Roof” you wouldn’t have to ask!

“The Fiddler,” as depicted by Marc Chagal, symbolizes the struggle for survival and balance in a precarious world.  A precarious world?  That is something Jews know a little something about.

From Tevye’s confident reliance on “Tradition” to the sweet naiveté of “Matchmaker, Matchmaker;” from Tevye’s ultimate acceptance of his life in “If I Were a Rich Man”  to the bitter-sweet realization that life is an ever-changing landscape in “Sunrise, Sunset;” the collaboration of Jerry Bock (music) and Sheldon Harnick (lyrics) touches our hearts with one of life’s greatest lessons.

We yearn for stability and tradition while, at the same time, we are compelled to adapt to change.

The Judaica Sound Archives at FAU Libraries is proud of its role in preserving the traditions of Jewish culture despite our ever-changing world. Please consider making a financial contribution to help us fulfill our mission.

Click here to see albums and hear snippets.

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By Recorded Sound Archives, November 18, 2013 9:07 am

The last time it happened was in 1888. Chanukah and Thanksgiving…..at the same time!

Some might call it “Thanksgivukkah.”   But whatever you call it, you can be sure that it won’t happen again for tens of thousands of years to come.

This year American Jews may be enjoying crispy, hot latkes with their Thanksgiving turkey. Sounds like a delicious combo to me. Yummmm.

Yet, despite this year’s rare opportunity to celebrate a double dose of survival and gratitude, some things will always remain the same. The Story of Chanukah reaches back in time way past the struggling Pilgrims on New England’s rocky coast. It reaches back to 167 BCE when the Syrian king Antiochus desecrated the Temple and outlawed Jewish practices. The five sons of the Jewish priest, Mattithius, were incited to revolt. Chanukah celebrates their victory and the miracle of the light that lasted for eight days during the Temple’s  re-dedication.

This year the Judaica Sound Archives has created a special Chanukah Sing-a-long video featuring one of the songs sung by Gladys Gewirtz from Menorah’s “Chanukah Song Parade” album. Menorah Records which produced phonograph recordings during the 1940s and 1950s was a pioneer in producing recordings for Jewish children.

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By Recorded Sound Archives, September 16, 2013 10:00 am

Known as the Last of the Red Hot Mamas, Sophie Tucker had a career that began in vaudeville, embraced the new jazz age of the 1920’s and lasted well into the 1960s.

Widely known for her bawdy humor (which may seem tame by today’s standards) and her big personality, she never lost touch with her Jewish roots.

Sophie Tucker ‘s original Decca rendition of My Yiddishe Momme, recorded in 1928, featured an English version on Side A and a Yiddish version on Side B.  Among the recordings she made on the Mercury label beginning in the 1950s was this rendition of My Mother’s Sabbath Candles, also in both English and Yiddish versions.

Sophie Tucker quotes

I couldn’t make [Momme] understand that it wasn’t a career that I was after. It was just that I wanted a life that didn’t mean spending most of it at the cookstove and the kitchen sink. (Some of the Days, 1945)

Everyone knew the theater was to be closed down, and a landmark in show business would be gone. That feeling got into the acts. The whole place, even the performers, stank of decay. I seemed to smell it. It challenged me. I was determined to give the audience the idea: why brood over yesterday? We have tomorrow. As I sang I could feel the atmosphere change. The gloom began to lift, the spirit which formerly filled the Palace and which made it famous among vaudeville houses the world over came back. That’s what an entertainer can do. (Concerning the November 19, 1932 closing of the Palace theater in NYC, i.e. the end of vaudeville.)

Selected items from our collection of Sophie Tucker recordings.

Sophie Tucker’s performance on The Ed Sullivan Show.

Autographed inside flap from copy of Tucker’s autobiography

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