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By Recorded Sound Archives, August 18, 2010 3:52 pm

The Recorded Sound Archives at FAU Libraries has been sorting, organizing, washing and digitizing tens of thousands of vintage 78 rpm recordings since we received a large donation of the discs from the estate of Cleveland collector, Jack Saul.

Hundreds of boxes containing vintage 78 rpm recordings remain stacked in the hallways while others are being opened by volunteers. The black shellac discs are piled high on work tables for volunteers to sort.

Opening the first box containing Vogue Picture Records caused a commotion that I could hear all the way in my office down the hall. Volunteers had discovered over 20 recordings that were stunningly beautiful. This was the first time any of us had ever seen such lovely artwork embedded within an entire record. “It’s like finding an unexpected treasure,” one of our volunteers told me.

The Recorded Sound Archives has now inventoried 62 different pictures on 32 two-sided 78 rpm discs. The pictures, together with the songs embedded within them, provide a glimpse into the post WWII American pop scene. The recordings feature the big band sounds popular at the time, swing sounds for teenagers, hillbilly/country songs, children’s songs and stories, and reflecting a growing interest in South American culture, Rhumba dance lessons and music with a Latin beat.

Despite Sav-Way’s inability to attract big-name recording talent, these beautiful discs are appealing to collectors who value them as standouts among the drab black shellac records of their day and because the limited number of different titles (74) make them more valuable as a complete set.

Discover this collection of  Vogue Records.

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By RSA Guest Blogger, July 22, 2010 1:51 pm

Listen for yourself. Click to hear Rocky Zweig singing “Boris” from his Legacy album (Aderet Music Corp.)

Hear it. The first five seconds. A keyboard…drums…it sounds like rock. These are the familiar sounds of a song that is going to tell a story. It sounds like the introduction to the Bon Jovi song, “Livin on a Prayer.”  Then Rocky Zweig begins to sing.

His story is about a boy named Boris. Boris is upset because he is persecuted for being Jewish. The story ends with Boris dying. In “Livin on a Prayer,” the pseudo couple, Tommy and Gina, live on little money and try to make their relationship work.

In the lyrics of “Boris,” it says “…you must strive now, to keep your religion alive within your heart…” This part is not just about religion. It goes deeper. It also means fighting for respect and staying true to oneself is vital. Just because other people don’t like you, you should not let them break you. In life, there will always be people who try to bring you down. Instead of allowing it, become empowered to rise above it.

As the story of “Boris” progresses, it becomes clear that he is viewed as an outcast. The persecution was so much that he planned on killing himself and others on a plane. Instead, Boris was killed and his life became a mere memory.

In “Livin on a Prayer,” the words work so well together.  Tommy has been laid off and Gina gives all of her earnings to him. Of the little money they do have, they must have faith that times will get better.

In the lyrics of “Livin on a Prayer,” it says “…we’ve got to hold on to what we’ve got. Cause it doesn’t make a difference if we make it or not…” What I get from this is no matter what hardship we face, it is possible to break the cycle. As long as someone believes in you, anything can happen. In this song, Tommy and Gina have each other and they push through the odds.

Although these are two different stories, they have similar musicality and both songs use rock instrumentation. Both songs are stories of hardship. I think the reason I find stories of hardship so fascinating is because people are fascinating. Every person is different and unique. Songs like these that explore hardship are real.

While “Boris” is technically Jewish music, I think it would appeal to anyone. It sounds current and isn’t just for Jewish people to enjoy. On the album, “Legacy,” Rocky Zweig sings 10 songs, all of which sound like popular rock music and ballads of today. His voice has a tone that works well for rock. This album makes singing about religion cool and it makes Jewish music more relevant for today’s world.

It might seem unusual that there is such similarity between the songs “Boris” and “Livin on a Prayer.” Hardship, however, is a theme found at the heart of many songs and is fuel for creativity. A hard life lived with passion is more valuable than an easy life lived with indifference.

Submitted by Jackie Rosansky

RSA Guest Blogger, Jackie Rosansky is a summer volunteer intern at the Judaica Sound Archives. This blog contains her original thoughts and opinions about the musicians and music she is researching. She is 24 years old, and is majoring in journalism with a minor in photography at FAU.

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By Alethea Perez, July 19, 2010 8:36 pm

Historic sound snapshot from our past.

Visually stunning picture records, historic radio transcriptions such as President Roosevelt’s speech to the U.S. Congress following Pearl Harbor, and hundreds of original recordings by Italian tenor Enrico Caruso are among the treasures being inventoried at the new Recorded Sound Archives at Florida Atlantic University Libraries.

These relics of the recording industry are among an estimated 50,000 vintage records that were recently donated to FAU Libraries and used to create its “Vintage 78s Collection.” The records, along with extensive holdings of Jazz recordings and Judaic music, inspired FAU libraries to recently establish the Recorded Sound Archives with more than 150,000 phonograph records and other sound recordings.

“This makes us one of the top 20 libraries in the nation for sound recordings,” said Dr. William Miller, dean of Libraries at FAU. “People know….that we are a library interested in rare and historic recordings.”

Unpacking the recent donation of tens of thousands of recordings from the estate of Cleveland collector Jack Saul has been daunting, but with the help of staff and volunteers, the materials are being digitized and eventually will be available on FAU Libraries’ website.

The Recorded Sound Archives has three major collections:

(1) Vintage 78s Collection: Early disc recordings were dubbed 78s, referring to their playing speed of 78 revolutions per minute, and were produced between 1901 and the mid-1950s. Music, speeches, radio transcriptions and even movie soundtracks were produced on 78 rpm records.

(2) Jazz Collection:  The Recorded Sound Archives is creating an inventory of the more than 20,000 jazz recordings donated by Dr. Henry Ivey in 2006 and later transferred to the library from FAU’s Department of Music. Volunteers are currently entering information about the recordings into a database so that musicians and others will be able to easily search for what they want.

(3) Judaica Sound Archives:  The Judaica Sound Archives (JSA), created in 2005, established FAU Libraries as an international leader in the collection and digitization of early phonograph recordings. It now boasts a collection of more than 15,000 non-duplicated recordings. Its website offers listeners over 11,000 songs in English, Hebrew and Yiddish.

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By Recorded Sound Archives, June 9, 2010 3:18 pm

There have been many great classical violinists in the past, but few have achieved the fame of Jascha Heifetz. His use of rapid vibrato and emotionally charged fast tempos, together with exquisite control over his instrument helped to make his music distinctive, exciting, and brilliant.

A child prodigy, he began making phonograph recordings in Russia when he was only 9 years old. These early recordings are quite rare. On October 27, 1917, at the age of 16 he made his NYC debut in Carnegie Hall.  Shortly thereafter he began recording for the Victor Talking Machine Company and later RCA Victor. The Judaica Sound Archives at Florida Atlantic University Libraries has created four audio albums consisting of 32 of these Victor recordings produced between 1917 and 1922. This vintage collection of music originally recorded on 78 rpm discs was digitized and compiled by The Judaica Sound Archives at Florida Atlantic University Libraries. These albums are not available for sale or reproduction but can be heard in their entirety on the JSA website.

Heifetz was often a controversial figure. He was attacked in Israel in 1953 because he insisted on including the works of Richard Strauss and Richard Wagner in his repertoire despite the strong sentiment at the time that they were Nazis. On the other hand, he was a strong critic of the Soviet Union and was considered to be a defector by other Russian musicians.

Click on any label to hear that song.

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By Recorded Sound Archives, April 16, 2010 2:53 pm

Alma Gluck and Efrem Zimbalist

Who is your favorite star couple? From Debbie Reynolds & Eddie Fisher to Brad Pitt & Angelina Jolie, love among celebrities is exciting.  We always want to know more. That’s the way it is today… it is also the way it was a hundred years ago.

In 1911 two Jewish superstars of classical music met and fell in love. They were young, they were talented, and they made beautiful music together.

The Zimbalist-Gluck romance provided lots of material for the gossips of their day. While the idea of such a wonderful pairing of talents was thrilling, there were those who pointed out that Gluck was six years older, as well as a divorcee with a daughter. Scandalous!

Before and during the early years of her marriage to the violin virtuoso, Efrem Zimbalist, famed operatic soprano Alma Gluck enjoyed a highly successful recording career. Her release of Carry Me Back to Old Virginny for the Victor Talking Machine Co. was the first celebrity classical recording to sell over one million copies.

After their marriage Victor/Victrola capitalized on a sure bet: recording the newlyweds together. You can hear two of the most popular of these recordings by clicking on the record labels below.

In his biography of Efrem Zimbalist (Efrem Zimbalist: A Life, 2004), Roy Malan  describes the process of making a recording in the days prior to the electric microphone. “The technique was very basic: a large metal horn was suspended from the ceiling; connected from its small end was a flexible pipe that pssed through a thick curtain to the etching machine in an adjourning room. Singers were instructed to face away from the horn on particularly high notes. Violinists had to position themselves with the sound holes facing directly into the horn’s mouth….The possibility of knocking against the metal rim had constantly to be guarded against (p.117).”

When they recorded together “the singer and violinist each had separate pick-up horns; Efrem later joked that his was much smaller than Alma’s: ‘They didn’t want me to play too loudly and spoil everything!’ (p. 135)”

Among their most financially successful recordings was the Zionist hymn, Hatikva, produced in 1919, and Old Folks at Home by Stephen Foster, produced in 1915.

While rehearsing for this latter recording, Zimbalist discovered that the obbligato was inadequate. He came upon the idea of playing Dvorak’s Humoresque at a slightly slower tempo instead. It was recorded this way and the recording became one of their most popular.

Hear the music.

The JSA has collected 20 song recordings featuring the combined talents of Alma Gluck and Efrem Zimbalist.

To hear all 20 song recordings,

click here.

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By Recorded Sound Archives, March 22, 2010 2:38 pm

Why is this night different from all other nights?

On this night  we celebrate the gift of freedom with special foods, stories and song. On this we night we have a seder!

To help make your Passover even more festive, the JSA has compiled this special mix of holiday songs. This year’s Passover Music Mix includes familiar traditional songs and also many children’s tunes that educate as well as entertain.

Click here to hear all 19 songs or to listen to your favorites.

These songs were selected from albums on the JSA website.  They are for your listening pleasure only.  They may not be copied, reproduced or sold.

All of the songs in this music mix can be heard on the JSA website all year long. Selections from the following albums were used to create this 2010 Passover Music Mix.

Around the Table – A User-friendly Haggadah by Gadi Elon

Chag Sameach/Happy Holiday by Judy Caplan Ginsburgh.

Celebrate with Cindy by Cindy Paley.

Haggadah Songs by Chaim Parchi.

Menorah’s Little Seder by Gladys Gewirtz.

Mostly Matzah by Fran Avni.

Mother Goose Rhymes for Passover can be found in the KTAV record label collection.

The Passover Collection by Safam.

Passover Seder Service by Cantor Samuel Malavsky and the Family Choir.

Passover Sing-a-long can be found in the Children’s Village record label collection.

A Singing Seder by Cindy Paley.

Seder by Cantor Moshe Koussevitzky.

Canciones de Pesah/Passover Songs by Gaston Bogomolni can be found in the JSA participating performers collection.

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By Recorded Sound Archives, March 3, 2010 2:27 pm

In the early half of the 20^th century, Yiddish speaking audiences often connected with their roots and culture by listening to Yiddish radio programs produced in the USA. In 2004 the Judaica Sound Archives received a gift of 70 recordings of radio broadcasts produced in 1949 from the Jewish Museum of Maryland.

These broadcasts were recorded on 16-inch discs. Special equipment is needed to play such large recordings. Unfortunately, the JSA did not have the right equipment.  So the recordings sat in storage.

Over time, the JSA was given about 30 more 16-inch recordings, including 14 produced by Vistas of Israel.

As our collection of 16-inch records grew so did the pressure to find a turntable that could handle them. “I suddenly remembered that my employer had given me a large turntable in the 1970’s” said JSA Sound Archivist, Ben Roth-Aroni. Digging through items that had been in storage for over 30 years, Ben was able to eventually unearth the turntable.

But, when he put the first 16-inch disc on the turntable he realized that the tone arm bumped into the record. The tone arm needed to be raised so that the needle was above the record. Working with spare parts, he was able to solve the problem by raising the tone arm base.

Tone arm base before elevation

Tone arm base after Ben elevated it.

Some of these 16-inch recordings are quite unique.  For example, “some of them have grooves which spiral from the inside toward the outside instead of the conventional outside toward the inside. Also some have a “vertical cut.” That means that the needle rides up and down over the grooves instead of the usual “lateral cut” where the needle moves from left to right.” Ben said.

I asked Ben if a special needle was required to play these recordings. “Sometimes we need a special needle but often a 78-rpm stylus will work fine as long as we have a specially wired cartridge that works for the lateral cut discs.”

The JSA currently has over 400 Vistas of Israel radio broadcasts.  These programs were produced by the state of Israel from the 1950s through the 1970s. Fourteen of the broadcasts in the JSA collection were produced on 16-inch discs. We are currently involved in an extensive digitization project so that all of these Vistas of Israel broadcasts can be heard on the JSA website. With the addition of our newly revamped turntable these broadcasts can be included in this exciting digitization project.

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By Recorded Sound Archives, February 8, 2010 11:31 am

Chuck Samberg and Gloria Magida (on right) visit the JSA to donate recordings to Nathan Tinanoff and Maxine Schackman (holding record album).

Valentine’s Day is certainly not a Jewish holiday.  But who says Jews can’t celebrate love?

The Yiddish word, beshert, can refer to any kind of fortuitous good match, such as finding the perfect job or the perfect house, but usually it refers to a perfect romantic match. Beshert brings people together no matter what obstacles might stand in the way.  “If it is meant to be, it will be.”

Chuck and Gloria connected romantically back in the early 1960s, after her first husband passed away.  They dated, they married.  But the time was not right for these two to live happily ever after. After five years they divorced and lost contact with each other.

But when two people share a destiny they will find a way to reconnect with each other, even after many years. Chuck’s father was a pioneer in Jewish comedy back in the 1930s. Known professionally as Benny Bell, he was a celebrity in Jewish circles.

When Gloria’s third husband passed away a few years ago she became interested in reconnecting with friends from her past. She especially wanted to reconnect with Chuck. Unfortunately, she had no idea how to find him.

Many times she sat at her computer and typed the name “Charles Samberg” into the Google bar only to be disappointed by the lack of results.  Then one day she typed in the name “Chuck Samberg.”  This time she got a link to FAU’s Judaica Sound Archives.

Her curiosity aroused, she decided to follow the link which led to one of the happiest surprises of her life!  What she found on the JSA website was 19 comedy albums by Benny Bell.  As she listened it brought back many memories of her childhood. And then she went to the Benny Bell biography page. And there, at the bottom of the page was a way to reconnect with her past. She couldn’t believe her eyes.

She sent a note. Now the two are reunited and enjoying every moment of it, looking back at the past with nostalgia, looking towards the future with joyful thoughts. “We’re very happy!” Gloria to me.

For more information about Benny Bell click here.

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By Recorded Sound Archives, December 9, 2009 10:28 am

You might think that Adam Sandler has the last word when it comes to Chanuka songs.  But you would be wrong! The Judaica Sound Archives has hundreds of Chanukah songs that your whole family can enjoy. This year’s Chanukah Mix highlights 17 songs by some of our favorite JSA performers.

You might also enjoy these holiday albums:

Chanukah Favorites – Judy Caplan Ginsburgh

Chanukah Festival of Songs – Sidor Belarsky

Chanukah is Freylekh! – Lori Cahan Simon

Chanukah Melodies – Honore Singer

Chanukah Songs For Children – Shimon & ilana Gewirtz

Hanukkah Sing-A-Long

Hanukkah Sing-A-Long II

Hanukkah Sing-A-Long III

Hanukkah The Feast of Lights – Emanuel Rosenberg

Happy Channukah! – Fran Avni

Isaac Goodfriend Sings Hanukka Songs – Isaac Goodfriend

Kinder Songs – Holiday Songs for the Entire Family – Deborah Katchko-Gray

Latkes and Hamentashen – Fran Avni

Make a Chanukah Miracle – Cantor Benjamin Maissner

Mother Goose Rhymes for Chanukah – Honore Singer

The Chanukah Collection – Safam

The Chanukah Party – Fred Vogel (Narration), Jesse Silverstein (Songs)

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By Recorded Sound Archives, November 10, 2009 4:39 pm

The name of Cantor Moshe Koussevitzky can be placed alongside Cantor Yossele Rosenblatt, Cantor Gerson Sirota, and Cantor Zawel Kwartin — the most honored names from the Golden Age of Cantorial music. The JSA’s online selection of recordings by Cantor Moshe Koussevitzky contains 13 albums from the JSA’s Collectors Guild and Famous record label collections, a total of 100 separate song tracks.

Moshe Koussevitzky was born into a family of cantors and so his vocal gifts were not overlooked, even at an early age. Born in 1899 in Belarus, he was a teeneager when WW I began. The Koussevitzky family relocated to Russia where his cantorial studies continued. By 1925 he could be heard in the Great Synagogue of Vilna, Poland. And in 1928 Koussevitzky was awarded the position vacated by the renowned great Cantor Gerson Sirota at the Tlomacki Synagogue of Warsaw.

According to Benedict Stambler, founder of Collectors Guild records, it was in Warsaw that Koussevitzky’s “voice reached its full power and brilliance.” His popularity spread as he performed throughout Europe and Palestine in the 1930s.

Trapped in Poland during WWII Koussevitzky was rescued by members of the Polish underground and brought to Russia. There he was reunited with his family soon afterward. After the German retreat he became the principal tenor in the Tiflis National Opera Company in Georgia. The four Koussevitzky brothers were all exceptional cantors. Moshe, David, Jacob and Simcha reunited in London in 1946 to give a stirring farewell appearance at the Royal Albert Hall before an audience of thousands.

The JSA’s online collection of Koussevitzky recordings encompasses the full career of this great cantor, from his early recordings to his later works. Of special interest is his recording of Sheyiboneh Beys Hamikdosh which allows the cantor’s full range of talents to be heard.