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By Alethea Perez, March 31, 2015 6:16 pm

Passover is all about retelling the story. And what better way to celebrate than to enjoy this modern day interpretation of an old story.

Our Passover gift to you! This Passover-themed parody of Uptown Funk by Six13. It is so catchy, it just might get stuck in your head all through Passover, which begins the evening of April 3 and ends the evening of April 11.

The Recorded Sound Archives has compiled a mix of Passover songs that the whole family can enjoy.  From Cantorial splendor to children’s play-songs, music expresses the heart of the Jewish people. Give Jewish music a special place in your home for the  holidays.

In the past we’ve highlighted each album, individually, this year we’ve created a special collection featuring all of our passover music: https://rsa.fau.edu/passover-collection All the songs  in this compilation can be heard all year long on the RSA website.

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By Recorded Sound Archives, March 19, 2015 11:58 pm

Introduced in 1930 and discontinued in 1932, these records were made from a flexible synthetic resin (Durium) coated on brown paper.

What are sound recordings made of?

Initially sound was recorded on wax cylinders. By the end of the 1920s, however, recordings were made of a heavy, fragile shellac compound.

Producers began looking for better options and started experimenting with materials that were lighter, flexible and less fragile.

One of these experiments, Hit of the Week records, were actually made of resin coated brown paper! This lightweight, flexible, “unbreakable” composition was unique and provided a 78 rpm recording with sound equal to or better than ordinary shellac.

Beginning in February 1930 a new recording featuring a current “hit” song was released each week. They were sold at newsstands, likemagazines, with past issues being available by mail order. They were recorded on one side only and sold for 15 to 20 cents per recording. The unrecorded side was often printed with advertising or the performer’s portrait. They had a tendency to curl up over time and came in flimsy rice paper sleeves.

The unrecorded paper side of Hit of the Week recordings were sometimes printed with advertising a performer’s portrait, in this case Morton Downey.

These recordings were a big hit with the public in the early days of the Great Depression and provided easy, cheap entertainment to the masses. However, as the depression wore on sales slumped. the last Hit of the Week issue was released in June 1932.

The Recorded Sound Archives at FAU Libraries is pleased to share 39 of these original recordings with our website users. Due to US Copyright laws only 45-second snippets are available on our public website.  Full recordings are available to RSA Research Station users.

Click here to see and hear the Hit of the Week collection.

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By Alethea Perez, March 9, 2015 7:53 pm

Portraits of two beloved icons–Sholom Aleichem and Theodore Bikel–are woven together in this enchanting new documentary. The two men have much in common: wit, wisdom and talent, all shot through with deep humanity and Yiddishkeit.

Theodore Bikel, the unstoppable performer whose career spans more than 150 screen roles (including an Oscar-nominated turn in “The Defiant Ones”) and countless stage and musical productions, is also the foremost interpreter of Sholom Aleichem’s work. Now 90, Bikel has played Tevye the Milkman on stage more than 2,000 times, and he has animated Aleichem’s work through his creation of two celebrated musical plays about the great Russian author.

The new film Theodore Bikel: In the Shoes of Sholom Aleichem combines Bikel’s charismatic storytelling and masterful performances with a broader exploration of Aleichem’s remarkable life and work.

A pioneer of modern Jewish literature who championed and luxuriated in the Yiddish language, Sholom Aleichem created dozens of indelible characters. His Tevye the Milkman, Motl the Cantor’s Son, and Menachem Mendl–“shtetl Jews” for whom humor and pathos were two sides of the same Yiddish coin–remain invaluable windows into pre-war Eastern European Jewish life, real and imagined.

Watch the Trailer!

Theodore Bikel: In the Shoes of Sholom Aleichem (Trailer) from National Center for Jewish Film on Vimeo.

The National Center for Jewish Film is a unique, independent nonprofit motion picture archive and distributor. This month several screenings of Theodore Bikel: In the Shoes of Sholom Aleichem will be presented across Florida.

Below you will find information on these screenings and where tickets can be purchased.

	Sarasota, FL – March 8 & 10 2015 Jewish Film Festival of Sarasota-Manatee OPENING NIGHT WITH THEODORE BIKEL RECEPTION FOLLOWING Sunday, March 8, 6:30 pm at Hyatt Regency Sarasota Encore Screening (film only) Tuesday, March 10, 3pm at Jewish Federation See Festival website for tickets
	Tampa, FL – Friday, March 13, 2015 Tampa Bay Jewish Film Festival  Friday, March 13, 1:15 pm at Villagio Cinemas North Tampa Buy Tickets! LIMITED SEATING
	Delray Beach, FL  – March 13-19 Week Theatrical Run March 13-19 Tickets and showtimes coming soon!
	Lake Worth, FL  – March 13-19 Week Theatrical Run March 13-19 Tickets and showtimes coming soon!

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By Alethea Perez, March 9, 2015 2:26 pm

Did you know Star Trek’s Mr. Spock was Jewish?

Leonard Nimoy  passed away February 27, 2015 in Los Angeles at the age of 83.

The son of Yiddish speaking Orthodox Jewish immigrants from Iziaslav, Soviet Union, Nimoy began acting at the age of 8.

He starred in minor movie roles through the 1950s,  but he is probably best remembered for his role as Spock. Nimoy captivated audiences in his role as the half Vulcan, half human Spock in the original Star Trek TV series (1966-1969), and earned himself three Emmy nominations. He later appeared in numerous Star Trek and other films and directed Nimoy directed Star Trek III: The Search for Spock in 1984 and Star Trek IV: The Voyage Home in 1986.

The Vulcan salute, which became identified with him was created by Nimoy from his childhood memories of the way kohanim (Jewish priests) hold their hand when giving blessings.

In the clip below Leonard Nimoy explains the origin of the Vulcan hand signal.

Video by Yiddish Book Center on Publish Date February 27, 2015.

Beyond acting and directing Nimoy was a recording artist and released five albums.

The Recorded Sound Archives at FAU Libraries is delighted to share the following recordings by Alberto Mizrahi and the Western Wind, featuring Leonard Nimoy as the narrator.

The Birth of the World, Part 1: Rosh Hashanah

The Birth of the World, Part 2: Yom Kippur

Taste of Eternity – A Musical Shabbat Part 1: Friday Night Service

Taste of Enternity – A Musical Shabbat, Part 2: Saturday Morning Service

Chanukah in Story and Song

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By Recorded Sound Archives, February 12, 2015 4:27 pm

February 28 – March 7, 2014

7th Annual Kultur Celebration

Click here for full schedule and more information

                    Florida Atlantic University Libraries

Festival Highlights

	Klezmer Company Orchestra FAU – Carole & Barry Kaye Performing Arts Auditorium, Boca Raton, FL Sun, Mar 1, 2015 03:00 PM Aaron Kula leads KCO in vintage Klezmer melodies re-mixed …more
	Great Jewish Composers of the 20th Century FAU – Wimberly Library, Boca Raton, FL Tue, Mar 3, 2015 02:00 PM Discover musical treasures featuring iconic Jewish composers …more
	Moroccan Soul with Aaron Bensoussan FAU – Wimberly Library, Boca Raton, FL Thu, Mar 5, 2015 07:30 PM Listen to a unique soulful mix of genres including Judao Moro …more
	Jewish Melodies in Jazztime – Brian Potts Vibraphone Quartet FAU – Wimberly Library, Boca Raton, FL Sat, Mar 7, 2015 07:30 PM Vibraphonist Brian Potts brings his accomplished jazz quartet …more

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By Recorded Sound Archives, February 2, 2015 2:39 pm

The Second World War waged around the globe from 1939 to 1945.

The impact of WWII on the daily lives of Americans and Europeans cannot be overstated. As the atrocities of the Nazis raged in Europe, American men were drafted and called to war. American music of the WWII era spoke to the soldiers far from home and also to those they left behind.

The Second World War changed the course of history in many ways. One of the things that changed was music…what it sounded like, how we listened to it and how intimately it touched our lives.

During WWII music became personal as well as entertaining. Major technological advances such as radio and phonograph recordings took music out of the theater and into middle-class homes. Big Bands, Jazz and Swing created a new vibe that defined a generation.

The Recorded Sound Archives has digitized two very special collections from the Second World War era. V-discs  were produced between October 1943 and May 1949 by the US Armed Forces for military personnel overseas.  Vogue Picture Records were produced between May 1946 and April 1947 by Sav-Way Industries using a special process engineered by Tom Saffady.

Enjoy the music that defined a generation – the best loved songs from the World War II era. Many thanks to all those who sent in the titles of their favorite songs from the 1940s and 1950s.

Click here to listen to Songs of the Second World War. Due to copyright concerns, some recordings may be limited to 45-second snippets.  Full versions are available to users of the RSA Research Station.

Click here for Youtube videos.

FAU events that may interest you.

2/2/15 through 2/25/15 – FAU Wimberly Library: World War II Highlights from Special Collections

2/17/15 (Tuesday) @ 5pm – FAU Wimberly Library: The Most Controversial Decision – Lecture by Wilson Miscamble. Mr. Miscamble is a prize-winning author and historian.

2/18/15 (Wednesday) @ 3:30pm – FAU Barry Kaye Auditorium: Truman’s Presidency and WWII – Lecture by David McCullough. David McCullough is  is an American author, narrator, and historian. He is a two-time winner of the Pulitzer Prize and the National Book Award and is a recipient of the Presidential Medal of Freedom. 

3/18/15 (Wednesday) @ 3:30 pm – FAU Wimberly Library: Nazi War Criminals, US Intelligence and the Cold War – Lecture by Dr. Norman Goda. Norman Goda received his Ph.D. from the University of North Carolina at Chapel Hill. He studies modern European history and specializes in the history of the Holocaust, war crimes trials, and twentieth century diplomacy.

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By RSA Guest Blogger, January 5, 2015 8:50 pm

Bagelman Sisters/Barry Sisters early photo with Claire Barry on the right.

Yiddish music icons, Merna and Claire Barry, entertained generations of Jewish Americans with their jazzy versions of Yiddish songs.

For over 40 years the Bagelman Sisters, later known as the Barry Sisters, were the darlings of Jewish entertainment. Their recordings could be found in almost every Jewish household in the 1950s and 60s. The younger of the two sisters, Merna, passed away in 1976. The older sister, Claire Barry, died on November 22, 2014 in Hollywood, FL at 94. Click here for full NY Times obituary.

Who were the Barry Sisters?

Two beautiful girls, dressed in the latest fashion, hair  perfectly coiffed, singing with sultry voices that could make your heart leap.

Born in New York, the two sisters were originally known as the Bagelman Sisters. Many saw them as the Yiddish answer to the popular Andrews Sisters in the 1940s. They combined old Jewish folk songs and Yiddish Theater ditties with swing arrangements and perfect harmony. When Clara and Minnie changed their names to Claire and Merna The Bagelman Sisters became The Barry Sisters. They have often been credited with creating Yiddish Swing, a music genre which did not exist previously.

The glamorous Barry Sisters were regular guests at Yiddish radio programs like Yiddish Melodies in Swing. They toured with the Ed Sullivan Show to the Soviet Union and performed in Israel in October 1962.

The popularity of their catchy and jazzy tunes may have paved the way for the Broadway hit, Fiddler on the Roof, and the klezmer revival of the late 70s.

Listed below are some of their most popular tunes. The Judaica Sound Archives has 41 recordings by this dynamic duo of Yiddish music.

Abi Gezunt (Stay healthy)

In Meine Oigen Bistie Shain (To me you are beautiful)

Channah from Havannah (A Gala Concert with Moishe Oysher album, no. 3).

Bublitchki (About the last bagel)

Dem Neyem Sher (At Home With album, no. 2).

Roumania

Click here for more Barry Sisters recordings. Due to copyright concerns only snippets can be heard on our public website.  Full versions are available to users of the RSA Research Station.

RSA guest blogger, Niels Falch, is a PhD candidate at the University of Groningen in the Netherlands and is currently writing a dissertation on the influence of Jewish music in American popular songs.

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By Recorded Sound Archives, December 5, 2014 3:13 pm

Everyone loves the traditional Hanukkah songs we all learned in childhood.  We teach these songs to our children and our grandchildren. L’dor v’dor.

Today we highlight an album that encourages us to experience Hanukkah as an adult. Embracing the mood and sounds of Swing and Jazz era music, Kenny Ellis has created a truly one-of-a-kind album.

The album includes many old favorites and two wonderful medleys that evoke an upbeat Post WW2 vibe. This is Hanukkah music as you have never heard it before.

Hanu-calypso is so funny that it just might  replace Adam Sandler’s Hanukkah Song as my go-to Hanukkah ditty.

For more information about Kenny Ellis or to purchase this CD, click here.

For more Hanukkah songs,click here.

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By Recorded Sound Archives, November 19, 2014 8:52 pm

RSA Director, Maxine Schackman, at the IAYC conference on Nov. 15 in Boca Raton, FL.

RSA director, Maxine Schackman, told the audience at the International Association of Yiddish Clubs  conference in Boca Raton that FAU Libraries has been collecting Judaic recordings since 2002.

“We take these antique recordings and digitize them so that a new generation can learn and enjoy what came before them,” she said.

The Recorded Sound Archives website has the largest searchable online collection of Jewish music in the world with recordings by 7,344 Jewish performers, 13,776 albums and 72, 577 song titles.

Among the musical pieces Schackman presented that had the audience laughing and singing along were “Roumania, Roumania,” written and performed by Yiddish theater star Aaron Lebedeff; “Good Night ‘Oy Vey’ Irene”, a Yiddish parody of “Good Night Irene” sung by Seymour Rechtzeit and written by his wife, Miraim Kressyn; and “Bei Mir Bistu Shein,” a Yiddish swing song that became a number-one single in America in 1938 as recorded by the Andrews Sisters.

CLICK HERE to listen to a selection of Yiddish recordings.

CLICK HERE for full story written by Randall Lieberman and published in Jewish Journal.

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By Recorded Sound Archives, November 5, 2014 6:17 pm

Cantor Todros Greenberg’s great-granddaughter wanted her son to hear his great-great- grandfather sing, but all she had was a tangle of tapes from dozens of reel-to-reel recordings. What could she do?

After locating a box full of tapes belonging to her great-grandfather, Cheryl Silver reached out to the JSA. With her son Noah’s Bar Mitzvah only a few months away she wanted to preserve the music on the tapes as part of Noah’s Mitzvah Project.

Although most of the tapes seemed to be in fairly good condition they were in total disarray. The home-made tapes were not clearly identified. We had no idea who was singing what on which tape.

A bit of good luck: As it happened, Cantor Joseph Gross, friend of the JSA, remembered Cantor Greenberg and could identify his voice. Hour after hour after hour, Cantor Gross sat with ear phones listening to tapes and making notes.  JSA sound technician, Ben Roth-Aroni meticulously digitized the tapes, created separate tracks and organized the songs on CDs for the family.

Well-known among Cantors for his talents as an educator and composer,  Cantor Greenberg’s 40 year collaboration with  Cantor Sholom Kalib resulted in the critically acclaimed book, Heichal Han’gina V’hatfila. Vol.1, published in 1961 by the Cantor’s Assembly.

His compositions have been included in the Milken Archive’s CD: The First S’lihot by Benzion Miller and  in The Milken Archive’s 50 CD boxed set.  They were also featured as part of the 8-program WFMT (Chicago) radio series, The Art of the Cantor, hosted by Cantor Alberto Mizrahi. But, recordings of this great Cantor’s voice have been rare …..until now.

The Judaica Sound Archives is proud of its role in preserving the recorded music legacy of Cantor Todros Greenberg.The digitized music in this collection was lovingly and painstakingly created from Cantor Greenberg’s personal reel-to-reel tapes which were donated to the Judaica Sound Archives by Cantor Greenberg’s family in honor of the Bar Mitzvah of his great-great-grandson, Noah Johnson.

 Click here to read more about Cantor Greenberg and to hear his recordings.