The name of Cantor Moshe Koussevitzky can be placed alongside Cantor Yossele Rosenblatt, Cantor Gerson Sirota, and Cantor Zawel Kwartin — the most honored names from the Golden Age of Cantorial music. The JSA’s online selection of recordings by Cantor Moshe Koussevitzky contains 13 albums from the JSA’s Collectors Guild and Famous record label collections, a total of 100 separate song tracks.

Moshe Koussevitzky was born into a family of cantors and so his vocal gifts were not overlooked, even at an early age. Born in 1899 in Belarus, he was a teeneager when WW I began. The Koussevitzky family relocated to Russia where his cantorial studies continued. By 1925 he could be heard in the Great Synagogue of Vilna, Poland. And in 1928 Koussevitzky was awarded the position vacated by the renowned great Cantor Gerson Sirota at the Tlomacki Synagogue of Warsaw.

According to Benedict Stambler, founder of Collectors Guild records, it was in Warsaw that Koussevitzky’s “voice reached its full power and brilliance.” His popularity spread as he performed throughout Europe and Palestine in the 1930s.

Trapped in Poland during WWII Koussevitzky was rescued by members of the Polish underground and brought to Russia. There he was reunited with his family soon afterward. After the German retreat he became the principal tenor in the Tiflis National Opera Company in Georgia. The four Koussevitzky brothers were all exceptional cantors. Moshe, David, Jacob and Simcha reunited in London in 1946 to give a stirring farewell appearance at the Royal Albert Hall before an audience of thousands.

The JSA’s online collection of Koussevitzky recordings encompasses the full career of this great cantor, from his early recordings to his later works. Of special interest is his recording of Sheyiboneh Beys Hamikdosh which allows the cantor’s full range of talents to be heard.

 

You might be able to imagine the excitement that is generated at the Judaica Sound Archives whenever we uncover a genuine piece of history. Today I will share with you three 78 rpm albums from the Jack Saul Collection which have sitirred up some nostalgia here at the JSA.

(1)  Fanny Brice starred in the Ziegfeld Follies in the 1920s and 1930s. A pioneer female comic, she was one of the most popular Jewish entertainers of her day. And her fame became even greater when Barbra Streisand played the starring role in Brice’s life story, “Funny Girl” (1968). From 1938 until her death in 1951 Brice had an incredibly successful radio show based on just one character, Baby Snooks, a precocious, bratty toddler. This album of three double-sided 78 rpm recordings was produced in 1949 on the Capitol Records label.

[audio:http://rsa.fau.edu/blog/wp-content/uploads/2009/10/Good-And-Bad-Snippet.mp3]

Click here to play a non-downloading snippet from this album.

(2)  Born in Brooklyn, NY as Moishe Miller Robert Merrill became one of the Metropolitan Opera’s most enduring and acclaimed baritones. He was also a famous baseball fan who often sang the National Anthem on opening day at Yankee Stadium.

In 1948 he recorded Brooklyn Baseball Cantata about an imagined World Series game between the Brooklyn Dodgers and the Yankees. Unlike the real world where the Dodgers consistently blew their chances, in this imaginary game the Dodgers were the winners! Fantasy became reality in 1955 when the Brooklyn Dodgers did actually beat the NY Yankees to win the World Series for the first and only time. This album of two double-sided 78 rpm recordings was produced on the RCA Victor Red Seal label. The sheet music, produced by Mills Music, which originally sold for $1.25 is included.

[audio:http://rsa.fau.edu/blog/wp-content/uploads/2009/10/Baseball-Cantata-Snippet.mp3]

Click here to play a non-downloading snippet from this album.

(3)  Paul Whiteman secured his place in history in 1924 when he commissioned and introduced George Gershwin’s Rhapsody in Blue. Irving Berlin has been called “the greatest of American popular composers.” Born in Russia (1888), the family left for America when their home was burned to the ground. So it was in a crowded tenenment on Cherry Street in New York’s lower East Side that Irving Berlin (born Baline) grew up. His first big hit came in 1911 (Alexander’s Ragtime Band). He has written more than a thousand popular songs. During World War I his song, Oh, How I Hate To Get up In The Morning, became an anthem for the ordinary foot soldier.

The song became the band’s signature tune. Produced on the Decca label in 1939, Volume 1 of this collection of George Gershwin’s  most popular tunes consists of five double-sided 78 rpm recordings and includes: All Alone, Remember, Easter Parade, and How Deep Is The Ocean. Volume 2, also consisting of five double-sided 78 rpm recordings includes: Alexander’s Ragtime Band, What’ll I Do, Blue Skies,  and A Pretty Girl Is Like A Melody.

[audio:http://rsa.fau.edu/blog/wp-content/uploads/2009/10/All-Alone-Snippet.mp3]

Click here to play a non-downloading snippet from this album.

PLEASE NOTE: In accordance with US Copyright Laws these recordings are NOT featured on the JSA website (www.fau.edu/jsa). For further information about these or other recordings in the Jack Saul Collection, please contact the Judaica Sound Archives at Florida Atlantic University Libraries (561-297-0080).

Have you ever opened a surprise box not knowing what you might find? That is what has been going on at the JSA since the truckload of recordings from Jack Saul’s collection arrived on September 11, 2009. So you might be wondering, “Did you find anything interesting or unusual?” Of course we did!

JSA volunteers and staff have been busy for the past three weeks unpacking recordings, sorting them, and entering information into the JSA database. After three weeks this is what has been accomplished.

(1)  Total progress: About 20 % of the Jack Saul donation of recordings to the JSA has been processed so far.

(2)  Processing of 78rpm recordings: 926 recordings were completely processed.  This means they have been unpacked and checked against the database. Of these, 213 recordings were found to be new to the collection. Information about each of these recordings has been entered into the JSA database.

(3)  Processing of albums: 2096 recordings (LPs, CDs, and tapes) were completely processed (unpacked and checked against the database). Of these, 366 recordings were found to be new to the collection. Information about each of these recordings has been entered into the JSA database.

(4)  Unusual or interesting items of note:

[audio:http://rsa.fau.edu/blog/wp-content/uploads/2009/10/Raisins-and-Almonds.mp3]

Click here to play a non-downloading snippet from this album.

Golden Slumbers is a book of lullabies from around the world published in 1956 by Book-Records. This “Soundbook” contains 16 lullabies, 8 on each side of a 10 inch LP phonograph record , including the beautiful Yiddish song Rojinkes mit Mandlen. The book describes the history of lullabies and provides sheet music and lyrics as well as a High Fidelity sound recordings of all the songs. The book’s editor, Sidney Reisberg writes, “Although “Raisins and Almonds” was originally composed for an opera, it appears to be based on some older folk-tunes.  In any event, it has since become absorbed into the folk tradition and idiom.”

The JSA has many recordings by the amazing Sophie Tucker.  But this one is special indeed! This Decca album, recorded in 1945, contains three 78 rpm recordings (six songs) and was personally autographed by Sophie Tucker in November 1948 at the Latin Quarter in New York City.

 

 

 

 

PLEASE NOTE: In accordance with US Copyright Laws these recordings are NOT featured on the JSA website (rsa.fau.edu/judaic). For further information about these or other recordings in the Jack Saul Collection, please contact the Judaica Sound Archives at Florida Atlantic University Libraries (561-297-0080).

 

When Nat was informed by the Saul family that they discovered the family’s deserted furniture store was filled with recordings they previously knew nothing about, he was stunned. He had already gone to Cleveland to assess, pack and manage the delivery of the largest donation of recordings in the history of FAU Libraries.  And now there were just as many recordings, if not more, that needed to be looked at.

Dr. William Miller, Dean of FAU Libraries, told Nat to go back to Cleveland to assess the situation.  They needed to decide what to do next. Nat left for Cleveland on Friday, October 2, 2009. What he found was truly unbelievable.

Nat estimates that there are approximately another 50,000 recordings in the store and house that would be approriate to ship to FAU LIbraries. Nat will return in November with Ben Roth and Alethea Perez to pack up what was found in the store and also some of what was left in the house. There will be no shipment in November, though, due to the fact that weather conditions can be treacherous during the winter ice and snow season. But in the spring, Nat and the others will return to finish putting the records into boxes and to oversee the loading of the final truck shipment to FAU Libraries in Boca Raton, FL.