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By Recorded Sound Archives, January 2, 2013 2:03 pm

If you can remember the 1940s and 1950s then you are old enough to remember the heyday of vinyl children’s records. Perhaps you sat for hours on end listening to the phonograph as its spinning turntable produced stories and songs that only seemed to improve  with each playing. This was the golden age  of American vintage kiddie recordings.

Yet, it took a pioneer to ask: why not create kiddie records that would be relevant for Jewish children?

Gladys Gewirtz was that pioneer. She was the first to create recordings specifically for Jewish youngsters. Together with her sister, Roz Grossman, they produced recordings based on familiar fairy tales and nursery rhymes.

Many performers have created Jewish children’s records since that time. The Judaica Sound Archives is delighted to share with you its collection of more than 930 songs and stories for Jewish children on more than 60 albums.  Browse them all.

Yanky At The Pesach Seder With Zeude

Alef Bet in Song and Story: Fred Vogel & Jesse Silverstein

Sorry! I Just Don’t Have the Time – An Adventure Story for Jewish Children

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By Recorded Sound Archives, December 10, 2012 1:26 pm

 Chanukah celebrations are joyous occasions with lots of holiday gifts, decorations and parties.

The eight-day festival of Chanukah retells a story about hope, the importance of maintaining Jewish traditions, and the symbolic power of light.

Of course, at the Judaica Sound Archives we always celebrate Chanukah with music!

Back by popular demand, the JSA’s wonderful collection of Chanukah songs that will entertain and delight the entire family.

From the Children’s Village Choir singing Hanukkah is Here to Moshe Oysher singing Maoz Tzur with his sister Fraydele and his niece Marilyn Michaels, the songs in this collection express the essence of the holiday. Joyous songs, children’s songs that teach about the holiday, traditional songs, and a new twist on an old favorite have been included.

May your holidays be filled with the music that fills your heart. Best wishes for a Happy Chanukah!

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By Recorded Sound Archives, November 5, 2012 10:13 am

The early settlers of Israel looked towards their roots for musical inspiration. For many this meant the tones and tunes of Eastern Europe. However, there were were also those who wanted to create a new style of music that would belong uniquely to Israel and reflect their new country. The songs written in this new “Israeli” style combined familiar Eastern European motifs, traditional Sephardic melodies and more exotic Middle Eastern and North African influences. For many these more “Eastern” exotic influences seemed closer to biblical music and reflective of the land of Israel. This new musical style is generally known as Mizrahi music.

A pioneer of this new style of Israeli music was Josef “Jo” Amar. A noted Moroccan-born Israeli singer and hazzan, Amar began his singing career in the late 1940s in Morocco before he moved to Israel in 1956.

Jo Amar’s love of Arabic music was strong and he made several recordings in Arabic. But it was his Hebrew recordings which introduced Mizrahi music to mainstream Israeli culture and was responsible, to a great extent, for its growing popularity.

By 1970 he was living in New York singing professionally as a well-known cantor. He spent the last two decades of his life in his beloved Israel where his artistry brought him many honors and awards.

Ben Shalev wrote about Jo Amar in his July 2, 2009 obituary on Haaretz.com: “His songs still gladden the heart and bring excitement into the lives of many, just as they did decades ago, and they have been an important factor in the acceptance in Israel of Mizrahi music.”

The Judaica Sound Archives at FAU Libraries is pleased to share three albums by Israeli legend, Jo Amar, courtesy of Menorah Records:

(1) An Evening with Jo Amar

(2) Jo Amar Sings Only for You

(3) Chassidic Rhapsody with Sephardic Soul

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By Recorded Sound Archives, October 1, 2012 2:33 pm

Bob Berkman’s pianola brings a rich new sound to vintage early 20th century Jewish music

The first time I heard Bob Berkman’s CD, Klezmerola, I just couldn’t stop playing it. I loved the old time sound that Bob was able to achieve with his pianola. I loved the way the sound of the pianola (player piano) augmented the  impact of the music that had once defined a generation of Jews and now was fading from memory.

I am delighted that the Judaica Sound Archives at Florida Atlantic University can now boast a collection of 47 Jewish songs by America’s premier pianolist, Bob Berkman.

I wrote the following review in September 2008 for the Association of Jewish Libraries. After listening to the CD many times since then, I still feel the same way.

“Take an almost vanished technology (player pianos), add vintage Jewish music and stir with just a hint of ragtime and what do you get? Klezmerola! An absolutely delightful CD album that is fun, fresh and freylekh. In this album of “Jewish music from rare piano rolls” Bob Berkman does an incredible job of bringing the music to life with a vitality achieved by actually foot-pumping an old upright player piano. The accompanying 16 page booklet provides information about each song and about the rediscovery of Jewish piano rolls. Such old familiar Yiddish songs as “Odesser Bulgar,” “Yosel,” and “Die Griene Cosina” seem especially well-suited for Bob Berkman’s pianola interpretations. I would be hard pressed to choose a favorite track.  I loved them all!”

In the liner notes for his two volume CD, Klezmerola at the Yiddish Theater, Bob Berkman tells us that ” Piano roll manufacturers…were eager to record and sell current hits, and for attracting immigrant Jewish customers there was no greater source than Yiddish Theater…The market was never a large one…and surviving examples are rare.” The music on these three CDs took over 35 years to assemble.

The piano rolls only contain notes (like sheet music). Bringing them to life with dynamics, accents, phrasing, and emotion is the work of the pianolist, the person operating the player piano. Bob Berkman’s unique talent revitalizes this vintage music, providing a generous portion of nostalgia. . . . with a twist!

Bob Berkman’s love affair with the pianola began in 1975 when he was hired by QRS in Buffalo, NY, the world’s last remaining piano roll manufacturer. His talents brought him the opportunity to work on such films as Ragtime, The Best Little Whorehouse In Texas, and Reds ( in cooperation with  Stephen Sondheim). He has appeared on NPR, BBC, and CBS Sunday Morning.

Using a 1912 “push-up” portable pianola, Berkman effectively turns any piano into a player piano allowing him to perform  in venues all across America. In great demand as a speaker and performer, his unique and deeply personal work with Jewish rolls has been especially gratifying to him.  His important discovery of George Gershwin’s only Jewish piano roll and the haunting A Gitte Nacht by the obscure Samuel Perlstein are among his most treasured accomplishments.

For information about how to buy recordings by Bob Berkman, please click here.

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By Recorded Sound Archives, September 12, 2012 1:22 pm

Rabbi/Cantor David Sirull posted this upbeat musical Rosh Hashanna video on You Tube.  He is the spiritual leader of the Conservative synagogue in Augusta, Georgia and was classically trained in the art of Eastern European Chazanut. To hear a different side of Cantor Sirull’s talents listen to Mizmor Shir which is part of the Judaica Sound Archives collection.

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By Recorded Sound Archives, September 10, 2012 8:52 am

Celebrate the New Year with the Judaica Sound Archives. . . . .

Become a JSA member

Get a CD of this album as our gift to you!

This year the Judaica Sound Archives at FAU Libraries in Boca Raton, Florida is celebrating the High Holy Days by highlighting one of our favorite albums: Ye Shall Rejoice on your Festivals.

This album, recorded by Shimon and Ilana Gewirtz in the early 1970s, feature their children, Aviva (7 yrs old at the time of this recording), and Shira, who was 5.

Shimon and Ilana Gewirtz are well-known in the field of Jewish music and education. This family-friendly album celebrates the month of Tishrey and the five holidays we celebrate during this time: Rosh Hashanah, Yom Kippur, Sukkot, Sh’mini Atzehret, and Simchat Torah.

The warm family atmosphere as these parents celebrate the holidays with songs and lessons for their children is a wonderful reminder of how Jewish traditions are passed from one generation to the next.

Click here to hear other recordings by Shimon and Ilana Gewirtz.

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By Recorded Sound Archives, August 20, 2012 11:56 am

Jacob Barkin became an internationally acclaimed cantor and operatic performer during the 1950s, 1960s and 1970s. He performed with the Pittsburgh and New York Symphony Orchestras and was offered a contract by the Metropolitan Opera (which he declined). Early in his career he became a White House favorite of presidents Franklin Roosevelt and Harry Truman. While officiating at Adas Israel Congregation in Washington DC (1952 – 1975) he was invited to perform at the White House by presidents Dwight Eisenhower and  Richard Nixon.

A highlight of his career was being asked to  step into Richard Tucker’s role as Cantor for High Holiday services at the famous Concord Hotel in upstate New York (Catskills). He officiated at Holy Blossom Congregation in Toronto, until his retirement in 1995.

A strong supporter of Israeli statehood,  he was decorated by the Israeli government.

The JSA’s collection of recordings by Cantor Barkin is comprised of 10 albums, one of which was created at the JSA from previously unreleased recordings.

Click here to listen to any or all of these recordings.

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By Recorded Sound Archives, July 23, 2012 2:02 pm

Shoshana Damari was born in Yemen in 1923 and brought to Palestine by her parents as a toddler. As a young child she joined her mother as she entertained at family gatherings and community events. By the age of 14 Shoshana was already performing regularly on the radio.

Her exotic beauty, along with her distinctive husky voice and Yemenite accent brought a uniquely Middle Eastern flavor to mainstream Israeli music which had previously been totally dominated by Eastern European influences.

During the fight for Israeli independence she frequently performed for the troops. Her inspiring renditions of fighting songs made her a favorite of Israeli soldiers. She became especially well-known for her association with Israeli composer, Moshe Wilensky.

During her first American concert tour in 1949 she recorded Voice of Israel, an album of her favorite concert numbers. This album, along with several live performances recorded from Vistas of Israel radio broadcasts, comprise the JSA’s Shoshana Damari online collection of recordings.

When Shoshana Damari died in Tel Aviv on February 14, 2006 the Knesset honored her memory by proclaiming, “Her voice unified the whole nation, spreading optimism and hope.”

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By Recorded Sound Archives, June 28, 2012 10:36 am

Now you can celebrate the 4th of July and your Jewish heritage at the same time.

This new compilation of songs from the Judaica Sound Archives at Florida Atlantic University Libraries in Boca Raton, FL is about the American Jewish experience.

It contains  Yiddish songs recorded during the early 20th century and expresses a Jewish immigrant perspective on New York, Coney Island and other things distinctly American.

You will also hear American patriotic songs sung by Jewish performers, Mike Burstyn singing about America in Hebrew and, from FAU’s Recorded Sound Archives Vintage 78s Collection, a very young Frank Sinatra singing “America the Beautiful.”

Click on the image above to hear this special compilation of songs from the JSA.

1. My America’s Free: Written byJerome Lipman and Irving Lewis. Sung by Molly Picon and Seymour Rechtzeit with the Abraham Ellstein Orchestra and Dave Tarras on clarinet. This upbeat tune lists some of the many things to love about America…..especially freedom!

2. Ich Dank dir Got fur America: Sung by Leibele Waldman.

3. America: Sung by Yiddish Theater star, Josef Feldman.

4. Yankee Doodle: This well-known Anglo-American song from the revolutionary War era is sung by Jewish singer/educator, Judy Caplan Ginsburgh.

5. I’m Going to Miami: Benny Bell tells a story of his trip to Miami Beach, Florida by train.

6. Hot Dogs and Knishes: Aaron Lebedeff sings this comic Yiddish song about Coney Island, NY.

7. Hurray far NY: This recording is from a 1967 recording of Pesach Burstein’s Yiddish Theater performance from “The Vilna Komiker.”

8. America Ich Lieb Dich (America I Love You): Sung by Yiddish Theater star, Gus Goldstein.

9. Ragtime Fiddle: Written by Irving Berlin and sung by Simon Paskal

10. Carry Me Back to Old Virginny: Originally a song sung by Confederate soldiers during the Civil War, it was recast in 1878 from the slave’s perspective. This 1916 recording by Jewish opera star, Alma Gluck, is said to have been the first operatic celebrity recording to ever sell a million copies.

11. Tell That to the Marines: Written during WWI,  sung by Al Jolson.

12. God Bless the USA: This recordingis from the Judy Caplan Ginsburgh album, Musical America.

13. America America: Mike Burstyn’s tribute to the land of his birth sung in Hebrew.

14. America the Beautiful: This recording by a very young Frank Sinatra is from FAU’s Recorded Sound Archives Vintage 78rpm music collection.

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By Recorded Sound Archives, June 11, 2012 9:25 am

Aaron Lebedeff was a Yiddish theater super star whose popularity among Jews during the 1920s and 1930s made his name a household word.  More than 80 years before performers could go viral on the internet, Lebedeff was making a name for himself by driving audiences wild with his energetic and exuberant live performances. He was a super-star, like Mick Jagger, who was able to excite audiences and leave them wanting more.

His devil-may-care free spirit, love of life and allusions to sensual delights helped to create his exciting persona.  Whether dressed in traditional Russian garb and boots or formal attire with straw hat and cane, his dynamic presence always kept him the center of attention. He understood nostalgia for the shtetl and was able use it to rouse his audiences’ emotions. His best known recording, Roumania, Roumania, was originally released in 1925. His second version, recorded with Sholem Secunda and Dave Tarras in 1941, became a best-selling Yiddish recording during the 1940s and still brings a smile to almost everyone who hears it!

Because the JSA has received more copies of this recording than any other single 78 rpm disc, we regularly play it on our vintage 1924 Victrola for guests who visit us at FAU’s Wimberly Library in Boca Raton, FL.

Hot Dogs and Knishes! is a comic ditty with a catchy chorus that even includes a barking dog. Hot dogs and knishes, romance and Coney Island ….. you can almost smell the nostalgia. Lebedeff’s output of records was prolific. He recorded for Emerson, Brunswick, and Vocalion.

Born in Homel, White Russia, in 1873, Lebedeff made his NYC debut in October 1920 at Thomashevsky’s National Theater, located at Second Avenue and Houston Street on New York’s Lower East Side.  He was an instant sensation! His success and popularity grew throughout the 1920s and 1930s. During the 1940s and into the 1950s his career continued to thrive though revivals. He continued to perform until his death in 1960.

The Judaica Sound Archives has created this special Lebedeff online collection just for you!  It contains three LPs produced by Collectors Guild and ten songs recorded on 78rpm which are in the public domain. Users of the Judaica Sound Archives Scholars Research Station have access to 186 songs on 78 rpm discs and 12 LP albums.

Click here to listen to songs in the JSA online collection by Aaron Lebedeff.