Our work at the JSA involves working in our offices for hours and hours on computers. Nathan Tinanoff is always busy entering information about newly acquired recordings into the database and I spend my time writing this blog and creating all the public relations materials for the JSA. So we were more than happy to take a break two Fridays ago to visit a good friend.

Cantor Udi Spielman of B’nai Torah Congregation (6261 SW 18^th Street, Boca Raton, FL) asked us to stop by for a visit.  He said that he wanted to give us something.

What he wanted to give us were some copies of his new CD as gifts and to share on the JSA Website. He has been a JSA featured performer since January, 2008.

This newest CD is truly special. Recorded live at B’nai Torah Congregation in March 2009, it features the Cantor and his wife Varda singing songs of the High Holy Days written especially for the occasion by their dear friend Cantor Meir Finkelstein.

Their beautiful rendition of L’dor Vador has special meaning for the JSA. This song, more than any other, encapsulates the idea of heritage and knowledge being passed from “generation to generation.” This concept inspires us and motivates us to work tirelessly to preserve the Jewish heritage of recorded sound. To listen to the CD, click here.

It is always a delight to meet with Cantor Spielman because he is so full of ideas and enthusiasm. He helps the JSA by reaching out to other cantors and performers, encouraging them to share their music through the JSA website.

He also wanted to tell us about the exciting new Concert Series at B’nai Torah. This year Debbie Friedman, a favorite of my children and now my grandchildren, will be appearing.  Also on the program is Shuly Nathan who will always be remembered for her amazing rendition of “Jerusalem of Gold,” Cantor Alberto Mizrahi, Joshua Nelson, Frank London, and others.

Although these artists are not yet JSA featured performers we can always live in hope.

Have you ever opened a surprise box not knowing what you might find? That is what has been going on at the JSA since the truckload of recordings from Jack Saul’s collection arrived on September 11, 2009. So you might be wondering, “Did you find anything interesting or unusual?” Of course we did!

JSA volunteers and staff have been busy for the past three weeks unpacking recordings, sorting them, and entering information into the JSA database. After three weeks this is what has been accomplished.

(1)  Total progress: About 20 % of the Jack Saul donation of recordings to the JSA has been processed so far.

(2)  Processing of 78rpm recordings: 926 recordings were completely processed.  This means they have been unpacked and checked against the database. Of these, 213 recordings were found to be new to the collection. Information about each of these recordings has been entered into the JSA database.

(3)  Processing of albums: 2096 recordings (LPs, CDs, and tapes) were completely processed (unpacked and checked against the database). Of these, 366 recordings were found to be new to the collection. Information about each of these recordings has been entered into the JSA database.

(4)  Unusual or interesting items of note:

[audio:http://rsa.fau.edu/blog/wp-content/uploads/2009/10/Raisins-and-Almonds.mp3]

Click here to play a non-downloading snippet from this album.

Golden Slumbers is a book of lullabies from around the world published in 1956 by Book-Records. This “Soundbook” contains 16 lullabies, 8 on each side of a 10 inch LP phonograph record , including the beautiful Yiddish song Rojinkes mit Mandlen. The book describes the history of lullabies and provides sheet music and lyrics as well as a High Fidelity sound recordings of all the songs. The book’s editor, Sidney Reisberg writes, “Although “Raisins and Almonds” was originally composed for an opera, it appears to be based on some older folk-tunes.  In any event, it has since become absorbed into the folk tradition and idiom.”

The JSA has many recordings by the amazing Sophie Tucker.  But this one is special indeed! This Decca album, recorded in 1945, contains three 78 rpm recordings (six songs) and was personally autographed by Sophie Tucker in November 1948 at the Latin Quarter in New York City.

 

 

 

 

PLEASE NOTE: In accordance with US Copyright Laws these recordings are NOT featured on the JSA website (rsa.fau.edu/judaic). For further information about these or other recordings in the Jack Saul Collection, please contact the Judaica Sound Archives at Florida Atlantic University Libraries (561-297-0080).

 

In today’s blog the JSA thanks and honors two great friends: Louis and Rouhama Danto. If you are one of the people who have been impressed and amazed by the incredible collection of recordings that the Judaica Sound Archives has received from the estate of the late Jack Saul, you might be wondering, “How did Jack Saul know about the JSA?”

Good question. And the answer is: Cantor and Mrs. Danto.

The JSA became acquainted with Cantor and Mrs. Danto about three years ago. They were known to JSA’s sound archivist Ben Roth-Aroni as friends of his mother and father, Cantor Zvee Aroni. The couple lives in Toronto, Canada and Ben urged them to visit the Judaica Sound Archives on their next visit to South Florida. On February 20, 2006 the JSA staff had the opportunity to meet this remarkable couple.

They were immediately impressed by what they saw and what the JSA was trying to accomplish. At the time, the JSA website was just beginning to put some of the music on the internet. Having a Cantor of Danto’s stature agree to allow us to put his albums on our website was a real coup! Cantor Danto signed a contract with us and about six months later his beautiful voice could be enjoyed by listeners around the world.

If that was all that we had to thank the Dantos for it would be more than enough. But there is more.

The Sauls and the Dantos knew each other from the years that Cantor Danto officiated a the Park Synagogue in Cleveland. The Sauls were part of the congregation and the Cantor often visited their home to listen to Jack Saul’s record collection and to talk about music. They told Jack about their experience with the JSA and how impressed they were with our genuineness and our professionalism. Although he was somewhat reluctant at first, Jack eventually agreed to visit the JSA “to see for himself.”

Jack Saul had spent a lifetime collecting sound recordings.  It was his passion.  It was his life. Now, with the encouragement of his good friends Louis and Rouhama Danto, Jack Saul was able to find a place that could take on the responsibilites of guardianship for the collection that meant so much to him.

For more information about Jack Saul and his record collection click the Jack Saul link on the right menu under the CATEGORIES heading and scroll down.

On Rosh Hashanah it is written and on Yom Kippur it is sealed: how many will pass from the earth and how many will be created….But during the Days of Awe, Repentance, Prayer and Charity can avert a severe decree.

Some of Judaism’s most beautiful and compelling music has been inspired at this sacred time of year.  The importance, emotion and solemnity of the music of the Holy Days represent the highest achievements of the cantorial art. The Judaica Sound Archives at Florida Atlantic University Libraries is proud of its outstanding collection of cantorial recordings. During the next few weeks the JSA will highlight some of the great cantors of the past and present singing the music of the High Holy Days.

The incredible lyrical tenor voice of Cantor Leib Glantz evokes the feeling and intensity of the old “Ba’al T’filoh” of Eastern European Jewish communities. Through his voice and his compositions we can be transported through time to an era long gone, but not forgotten.

Born in Kiev (Ukraine) in 1898, Cantor Leib Glantz lived in the USA from 1926 to 1954 when he was able to fulfill his dream of moving to Israel. He died on January 27, 1964 in Tel Aviv. He was the last, and perhaps the greatest cantor of the “Golden Age of Chazanut.”

The quality of his musical education, his penetrating knowledge of the Hebrew language, and his deep philosophical religiosity, enabled him to create musical interpretations of the prayers that brought new light and meaning to every word. “The words he sang seemed destined to rise like angels into the heavens. To listen to him was like witnessing a man speaking to God! He had a voice that sang like no other voice. Many cantors have tried to imitate his singing, but few have felt they have succeeded.”

Glantz combined his cantorial art with fervent and tireless Zionist activism. He edited a Zionist newspaper and was a leader in the Zionist movement in Eastern Europe, the United States, and finally, Israel. Leib Glantz was a great scholar who explored the origins of Jewish music and firmly established the historical continuity of Jewish music from its beginning in the Holy Temples of Jerusalem to modern times. He also founded an Academy for Cantors in the Tel Aviv Institute for Jewish Liturgical Music.

Click here to listen to this album