Israel is 66 years old! Celebrate by revisiting the early years.

Listen to the authentic recordings from the Vistas of Israel radio series.

From the  late 1950s, through the 1960s, and into the early 1970s the State of Israel sought to inform Americans and others about their young country’s culture and accomplishments through a series of radio broadcasts in English.

These programs featured popular Israeli performers, topical discussions, and interviews with prominent Israelis and others. These original radio broadcasts were aired on local stations throughout the USA.

The Judaica Sound Archives has an extensive collection of these  historic “Vistas of Israel” radio programs. There are over 400 recorded broadcasts in the collection and about 250 of them have been digitized so far.

Click here for more about Vistas of Israel radio broadcasts.

You may also be interested in:

JSA celebrates Israel’s Statehood (5/5/2011)

JoAmar: A pioneer of Israeli Music

Israeli Performer: Shosaha Damari

Selected Israeli Songs

I just spent two days in NYC at the Center for Jewish History . Over 125 scholars and librarians from around the world, including Dr. William Miller (Dean of FAU Libraries) and myself,  gathered to share our expertise using digital and internet technologies for the study and preservation of Jewish culture and history.

Coordinating such preservation efforts and minimizing duplication is a massive undertaking. The purpose of this conference was to create connections between the various institutions and projects in order to foster communication and partnerships.

Many of the presenters talked about projects which were enormous and diverse. Gunter Waibel, Director of the Digitization Program Office at the Smithsonian Institution spoke eloquently about the challenges of coordinating many and varied collections of items.

We listened to presentations about digitally reconstructing ancient sites in Israel, preserving ancient manuscripts, and the status of 3-D digitization efforts. As you would expect, most of the conference concerned itself with written materials and cultural objects.

At the Judaica Sound Archives our only concern is to rescue and preserve Jewish sound recordings. It was inspiring to realize that we are just one part of a larger world-wide effort. I was delighted to see Aaron Lansky of the National Yiddish Book Center who had been so important in our early efforts to create an archive of Jewish recordings. I also had the opportunity to meet with Lisa Rivo, associate director at the National Center for Jewish Film at Brandeis University.

This event provided a wonderful opportunity for us to share concerns and to learn from others in the field. I left the conference feeling honored to be a part of this historic effort and confident in our direction.

You might be able to imagine the excitement that is generated at the Judaica Sound Archives whenever we uncover a genuine piece of history. Today I will share with you three 78 rpm albums from the Jack Saul Collection which have sitirred up some nostalgia here at the JSA.

(1)  Fanny Brice starred in the Ziegfeld Follies in the 1920s and 1930s. A pioneer female comic, she was one of the most popular Jewish entertainers of her day. And her fame became even greater when Barbra Streisand played the starring role in Brice’s life story, “Funny Girl” (1968). From 1938 until her death in 1951 Brice had an incredibly successful radio show based on just one character, Baby Snooks, a precocious, bratty toddler. This album of three double-sided 78 rpm recordings was produced in 1949 on the Capitol Records label.

[audio:http://rsa.fau.edu/blog/wp-content/uploads/2009/10/Good-And-Bad-Snippet.mp3]

Click here to play a non-downloading snippet from this album.

(2)  Born in Brooklyn, NY as Moishe Miller Robert Merrill became one of the Metropolitan Opera’s most enduring and acclaimed baritones. He was also a famous baseball fan who often sang the National Anthem on opening day at Yankee Stadium.

In 1948 he recorded Brooklyn Baseball Cantata about an imagined World Series game between the Brooklyn Dodgers and the Yankees. Unlike the real world where the Dodgers consistently blew their chances, in this imaginary game the Dodgers were the winners! Fantasy became reality in 1955 when the Brooklyn Dodgers did actually beat the NY Yankees to win the World Series for the first and only time. This album of two double-sided 78 rpm recordings was produced on the RCA Victor Red Seal label. The sheet music, produced by Mills Music, which originally sold for $1.25 is included.

[audio:http://rsa.fau.edu/blog/wp-content/uploads/2009/10/Baseball-Cantata-Snippet.mp3]

Click here to play a non-downloading snippet from this album.

(3)  Paul Whiteman secured his place in history in 1924 when he commissioned and introduced George Gershwin’s Rhapsody in Blue. Irving Berlin has been called “the greatest of American popular composers.” Born in Russia (1888), the family left for America when their home was burned to the ground. So it was in a crowded tenenment on Cherry Street in New York’s lower East Side that Irving Berlin (born Baline) grew up. His first big hit came in 1911 (Alexander’s Ragtime Band). He has written more than a thousand popular songs. During World War I his song, Oh, How I Hate To Get up In The Morning, became an anthem for the ordinary foot soldier.

The song became the band’s signature tune. Produced on the Decca label in 1939, Volume 1 of this collection of George Gershwin’s  most popular tunes consists of five double-sided 78 rpm recordings and includes: All Alone, Remember, Easter Parade, and How Deep Is The Ocean. Volume 2, also consisting of five double-sided 78 rpm recordings includes: Alexander’s Ragtime Band, What’ll I Do, Blue Skies,  and A Pretty Girl Is Like A Melody.

[audio:http://rsa.fau.edu/blog/wp-content/uploads/2009/10/All-Alone-Snippet.mp3]

Click here to play a non-downloading snippet from this album.

PLEASE NOTE: In accordance with US Copyright Laws these recordings are NOT featured on the JSA website (www.fau.edu/jsa). For further information about these or other recordings in the Jack Saul Collection, please contact the Judaica Sound Archives at Florida Atlantic University Libraries (561-297-0080).

Have you ever opened a surprise box not knowing what you might find? That is what has been going on at the JSA since the truckload of recordings from Jack Saul’s collection arrived on September 11, 2009. So you might be wondering, “Did you find anything interesting or unusual?” Of course we did!

JSA volunteers and staff have been busy for the past three weeks unpacking recordings, sorting them, and entering information into the JSA database. After three weeks this is what has been accomplished.

(1)  Total progress: About 20 % of the Jack Saul donation of recordings to the JSA has been processed so far.

(2)  Processing of 78rpm recordings: 926 recordings were completely processed.  This means they have been unpacked and checked against the database. Of these, 213 recordings were found to be new to the collection. Information about each of these recordings has been entered into the JSA database.

(3)  Processing of albums: 2096 recordings (LPs, CDs, and tapes) were completely processed (unpacked and checked against the database). Of these, 366 recordings were found to be new to the collection. Information about each of these recordings has been entered into the JSA database.

(4)  Unusual or interesting items of note:

[audio:http://rsa.fau.edu/blog/wp-content/uploads/2009/10/Raisins-and-Almonds.mp3]

Click here to play a non-downloading snippet from this album.

Golden Slumbers is a book of lullabies from around the world published in 1956 by Book-Records. This “Soundbook” contains 16 lullabies, 8 on each side of a 10 inch LP phonograph record , including the beautiful Yiddish song Rojinkes mit Mandlen. The book describes the history of lullabies and provides sheet music and lyrics as well as a High Fidelity sound recordings of all the songs. The book’s editor, Sidney Reisberg writes, “Although “Raisins and Almonds” was originally composed for an opera, it appears to be based on some older folk-tunes.  In any event, it has since become absorbed into the folk tradition and idiom.”

The JSA has many recordings by the amazing Sophie Tucker.  But this one is special indeed! This Decca album, recorded in 1945, contains three 78 rpm recordings (six songs) and was personally autographed by Sophie Tucker in November 1948 at the Latin Quarter in New York City.

 

 

 

 

PLEASE NOTE: In accordance with US Copyright Laws these recordings are NOT featured on the JSA website (rsa.fau.edu/judaic). For further information about these or other recordings in the Jack Saul Collection, please contact the Judaica Sound Archives at Florida Atlantic University Libraries (561-297-0080).