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By Recorded Sound Archives, January 13, 2011 1:38 pm

The Judaica Sound Archives at FAU Libraries joins the rest of the worldwide Jewish community in mourning the death of Debbie Friedman.

Friedman, a beloved Jewish composer and performer, died on January 9th at the age of 59.  Her singable, folk-inspired music combined lyrics in Hebrew and English to make Jewish prayer uniquely accessible. She was deeply committed to Jewish spiritual values and bringing them to us in ways we had never heard before.

Her music is not featured on the JSA website due to copyright restrictions. However, the following 18 of her albums are in the JSA Collection which is available for researchers, scholars and students. These albums are widely available commercially.

Related articles:

Forward: Friedman’s legacy seen in her music, and her message

Daily News: Jewish folk singer Debbie Friedman, 59, dies in California

AOL Music: Jewish folk singer Debbie Friedman dies

Washington Post: Jewish folk singer Debbie Friedman dies

Billboard: Debbie Friedman, Jewish folk artist, dies at 59

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By Recorded Sound Archives, December 14, 2010 10:42 am

What is a renaissance man? According to the dictionary a renaissance  man  is someone who is knowledgeable, educated, and proficient in a wide range of fields. Al Drucker was such a man.

A graduate of Adelphi University, he pursued a career in engineering. He eventually got a job with Grumman where he helped design the guidance system for the lunar lander.

Throughout his life he expressed his love of science and math and engineering by working on fix-it projects.  He loved to use engineering principles to solve practical problems.

A true renaissance man, he was not only creative in the engineering and science fields, he was creative in the arts as well. He loved to paint, was an accomplished photographer, and sang in the synagogue choir.

His grandchildren called him “Albert Einstein” because they thought he was a genius who often involved them in science “projects.” He was not only a genius.  He was a genius who enjoyed using his knowledge to help others. After he moved to Florida he started a small business to coach seniors how to use their computers. He was always available to friends and neighbors when they needed help.

What attracted Al to the Judaica Sound Archives at FAU Libraries? Was it his love of Jewish music? His desire to be a part of an historic cultural preservation project? The inclination to help in whatever way he could? For many years Al was a dedicated volunteer at the JSA. He did many jobs and helped out in many ways.

One day he noticed that we were having trouble cleaning 78 rpm recordings, some of which were over 100 years old. These fragile discs accumulated dirt in their grooves which interfered with our efforts to get good sound quality when we digitized them. We had purchased a commercial product designed for this purpose but found that all it did was make mud out of the dirt which then only made matters worse.

Al designed a sonic multi-record cleaner using the same technology that jewelers use for cleaning fine jewelry. With this problem solved, the JSA was able to greatly speed up the process of getting the music out of the trash and onto the website.

Al was 88 years old. All of us at the Judaica Sound Archives are deeply saddened by his passing.

Al Drucker (left) with sonic record cleaner he invented

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By Recorded Sound Archives, October 11, 2010 10:32 am

The question that everyone has been asking me since Nathan Tinanoff resigned his position as Director of the JSA on September 30th  is,”What will happen to the Judaica Sound Archives?

The JSA will continue to thrive…but, there will be changes.

What will stay the same?

1. The JSA will continue to have the largest online collection of Judaic music and voice in the world.

2. The JSA website (rsa.fau.edu/judaic) will continue to delight you with collections featuring performers of the past, cantorial greats and new artists.

3. The JSA Research Station will continue to bring Judaic music to scholars and students at institutions of Judaic studies around the world.

4. The JSA blog will continue to bring you information about new music collections and the goings on at the JSA at Florida Atlantic University.

5. The JSA will continue to be found on the 5th floor of the Wimberly Library on FAU’s Boca Raton campus.

What will change?

The JSA will no longer stand alone.  It is now part of a family of sound archives at FAU Libraries.  The newly formed Recorded Sound Archives at Florida Atlantic University Libraries is larger and more diverse. The JSA  will join a preservation effort that includes not only Jewish culture but also classical music, opera, jazz and American folk and pop.

I am pleased to accept the position as Director of FAU Library’s Recorded Sound Archives. I have worked closely with Nat Tinanoff since the inception of the JSA. As the JSA’s Assistant Director I have seen it grow from a few thousand recordings into a major Judaic music resource.

I look forward to building upon our success as we develop FAU’s Recorded Sound Archives.

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By Recorded Sound Archives, September 30, 2010 11:09 am

The JSA is saddened by the sudden loss of one of our most beloved volunteers, Rene Yucht. She was a dedicated worker who felt deeply about her work at the Judaica Sound Archives. She succumbed on September 27, 2010 after a brief battle with pneumonia. She will be missed by all of us at the JSA. Our heartfelt condolences to her family.

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By Recorded Sound Archives, September 2, 2010 3:45 pm

Several of the Vogue Picture records in the Recorded Sound Archives at FAU Libraries capitalize on America’s love affair with Latin rhythms during the 1930s , 40s and 50s.

During the Prohibition Era (1920-1933), Havana, Cuba was a popular tourist destination for Americans seeking fun and excitement. One of the pleasures they discovered there was the rhumba. Popularized by performers such as Spanish-Cuban bandleader Xavier Cugat and Desi Arnaz, Latin ballroom dances and rhythms became a common staple of American entertainment for decades.

Riding this wave of popularity Sav-way produced several Latin-themed recordings and a series of recorded rhumba ballroom dance lessons. By today’s standards the music seems somewhat watered down and mild.  Nevertheless, these recordings give us a true representation of Americanized Latin music as it actually was during the mid-20^th century.

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By Recorded Sound Archives, March 15, 2010 3:28 pm

Between March 6 and 11, 2010 the Boca Raton campus of FAU became a celebration of Jewish music and culture. It was the FAU Library’s second Kultur Festival. Events ran the gamut from klezmer concerts to cultural diversity forums. Two of these events highlighted the work of the Judaica Sound Archives.

The Man Who Spoke to God

Tues., March 9 : Dr. Jerry Glantz

The voice of the legendary Cantor Leib Glantz was one of the first to be heard on the JSA website. The importance of his compositions, the beauty of his voice and his unique ability to create an other-worldly spiritual experience for his listeners propelled him to prominence during the first half of the 20th century, also known as “The Golden Age of Hazzanut.”  We are exceptionally grateful to Dr. Jerry Glantz for allowing the JSA to showcase his fathers bountiful talents.

Dr. Glantz discussed his book, The Man Who Spoke to God,  a biographical loving tribute to his father, explained his father’s innovations in the field, and shared his father’s voice with the audience through recorded pieces. Especially dramatic was Cantor Glatntz’s rendition of Shema Yisrael. Dr. Glantz told the audience that because his father believed in improvisation the Shema was a new creation each time he sang it.

All of the recordings by this great cantor are available on the JSA website.

Yiddish Zingfest

Wed., March 10 : Phyllis Berk

There’s just something about Yiddishkeit that can fill you with a mixture of longing for days gone by, nostalgia, and concern about the future of Yiddish culture. When Jews immigrated to the USA from Eastern Europe, Yiddish was the language that they shared with each other. It was the language they spoke, read, wrote and sung. It was the language that expressed their struggles and their triumphs.

The JSA is committed to collecting recordings that express the Yiddish culture through music and humor. It is only through phonograph recordings that future generations will be able to hear for themselves what Yiddish sounded like in the early 1900s.

JSA Participating Performer, Phyllis Berk did an amazing job of bringing back the “old days” in this performance. Singing songs from her CD (Coming of Age)  like Shpilzhe Mir a Lidele, Unter Beymer, Grine Kuzine and Mein Shtetele Belz, she not only entertained her large audience, she led them down memory lane and roused them to sing along as well.

There are currently 167 Yiddish song albums on the JSA website that you can listen to at any time.

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By Recorded Sound Archives, March 3, 2010 2:27 pm

In the early half of the 20^th century, Yiddish speaking audiences often connected with their roots and culture by listening to Yiddish radio programs produced in the USA. In 2004 the Judaica Sound Archives received a gift of 70 recordings of radio broadcasts produced in 1949 from the Jewish Museum of Maryland.

These broadcasts were recorded on 16-inch discs. Special equipment is needed to play such large recordings. Unfortunately, the JSA did not have the right equipment.  So the recordings sat in storage.

Over time, the JSA was given about 30 more 16-inch recordings, including 14 produced by Vistas of Israel.

As our collection of 16-inch records grew so did the pressure to find a turntable that could handle them. “I suddenly remembered that my employer had given me a large turntable in the 1970’s” said JSA Sound Archivist, Ben Roth-Aroni. Digging through items that had been in storage for over 30 years, Ben was able to eventually unearth the turntable.

But, when he put the first 16-inch disc on the turntable he realized that the tone arm bumped into the record. The tone arm needed to be raised so that the needle was above the record. Working with spare parts, he was able to solve the problem by raising the tone arm base.

Tone arm base before elevation

Tone arm base after Ben elevated it.

Some of these 16-inch recordings are quite unique.  For example, “some of them have grooves which spiral from the inside toward the outside instead of the conventional outside toward the inside. Also some have a “vertical cut.” That means that the needle rides up and down over the grooves instead of the usual “lateral cut” where the needle moves from left to right.” Ben said.

I asked Ben if a special needle was required to play these recordings. “Sometimes we need a special needle but often a 78-rpm stylus will work fine as long as we have a specially wired cartridge that works for the lateral cut discs.”

The JSA currently has over 400 Vistas of Israel radio broadcasts.  These programs were produced by the state of Israel from the 1950s through the 1970s. Fourteen of the broadcasts in the JSA collection were produced on 16-inch discs. We are currently involved in an extensive digitization project so that all of these Vistas of Israel broadcasts can be heard on the JSA website. With the addition of our newly revamped turntable these broadcasts can be included in this exciting digitization project.

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By Recorded Sound Archives, February 18, 2010 4:24 pm

Cleveland weather provides a rare opportunity for Floridians to shovel snow

Nathan Tinanoff, Ben Roth and Alethea Perez left South Florida to complete the final packing of the Jack Saul  recordings that will find a home at FAU’s Wimberly Library. They arrived in Cleveland to find a snow-covered landscape and frigid temperatures. How did the Floridians handle the weather?

Alethea said, “It was amazing! I got to throw my first snowball!” But they didn’t have much time to play in the snow, or make snow angels or even create a snowman, there were 78-rpm records to pack into boxes.

Each box holds 40 to 50 records and they packed almost 500 boxes over the Presidents Day weekend. That translates to between 20,000 and 24,000 records.

Working in both the Saul’s home and the furniture store they were amazed at what was still left behind. “This collection was so extensive that even after we packed two truckloads of recordings, it still seemed like there was so much more there,” said Nathan Tinanoff, director of the JSA. But as these pictures show, a lot of progress has been made in clearing out the clutter and packing treasured recordings.

Before

After boxes are packed

The 78-rpm records that were packed during this trip to Cleveland will NOT become part of the Judaica Sound Archives.  These 78-rpm recordings contain American pop music, classical music, opera and the works of many famous entertainers of 50 to 100 years ago. Because of the size of this collection FAU Libraries is establishing a new Vintage Record Collection which will be under the direction of Nathan Tinanoff.

Below is newspaper article from 1976 showing Jack Saul with a basement full of recordings. It seemed huge , but who knew at the time that Jack Saul would continue adding to his enormous collection of recordings for over 30 more years?

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By Recorded Sound Archives, January 11, 2010 3:33 pm

Ariana Goldstein recieves recognition plaque from Nathan Tinanoff on the completion of her Mitzvah Project

You might think that since the donation of Jack Saul’s enormous collection of recordings that the JSA would be less than eager to receive even more Judaica recordings.  BUT. You would be wrong!

Ariana Goldstein, a student at Woodland Middle School in Gurnee, IL. is a music lover and musician who plays trumpet, bass guitar and acoustic guitar. As she prepared for her Bat Mitzvah she wanted a Mitzvah Project that would reflect her interest in music and her desire to do something meaningful.

Ari contacted the JSA to see if there was any way that she could help us to preserve the recorded music heritage of the Jewish people. “There are still so many recordings out there and we worry that people do not appreciate their historical and cultural value. Do you think you could try to find recordings and send them to us?” we asked her. She took on the challenge.

Ariana had her  Bat Mitzvah at the Beth Hillel Temple in Kenosha, WI on October 17, 2009.  She had accumulated about 100 recordings that she intended to donate to the JSA. On the evening of December 24, 2009 she and her parents arrived in Boca Raton after a 9 hour car ride. They were tired and they were weary, but they wanted to hand deliver the recordings to us. Although the University was closed at the time, we obtained permission to meet them at the Wimberly Library to accept Ari’s donation.

Ariana started her search for recordings with her grandparents and their friends. Sure enough, many of them had recordings which they did not need or want. Some people could not even listen to the songs because they no longer owned phonograph players.

“What was the hardest part of locating the recordings?”  I asked her.

Susan Goldstein, Ari’s mother, explained. “The Newberry Library in Chicago has a book and record sale every year. We went there and Ari sorted through boxes and boxes of recordings looking for the ones she could rescue and bring here.”

“That was really hard!” Ari exclaimed. “Also we got some records from the temple and other people we knew.” she added.

Ari and Ben Goldstein admire vintage Victrola at JSA

Nathan Tinanoff, Director of the JSA, led the Goldstein family on a tour of the Judaica Sound Archives and awarded Ariana a special “JSA Record Label” plaque in recorgnition of her hard work, the completion of her Mitzvah Project and her contribution to the JSA.

He told the Goldstein family, “These recordings are very important to us. They will be incorporated into our collection.”

It is good for us to remember the past and to cherish our cultrual accomplishments.  Yet, the generations to come are the ones who will eventually benefit the most from the cultural treasure which is their legacy.

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By Recorded Sound Archives, January 8, 2010 11:09 am

• December 29, 2009:  The large donation of recordings to FAU Libraries from Jack Saul’s private collection sparked interest in the Judaica Sound Archives and resulted in the following  newspaper article by Lona O’Connor, Palm Beach Post Staff Writer

The Judaica Sound Archive is accustomed to receiving large donations of old recordings. But its latest bequest — 10,000 records — arrived in an 18-wheel trailer truck.

The 7-year-old musical archive, part of Florida Atlantic University’s library, has a lot of cataloging to do in the next few months, because another 18-wheeler will arrive as soon as the snow melts . It will carry at least twice as many recordings — all from the late Jack Saul, a Cleveland furniture store owner whose collection may have amounted to as many as 300,000 recordings at its peak.

The Saul contribution will add about 60,000 recordings, including a few unique examples, to the FAU archive, already one of the largest in the world.

The sound archive is run by Nat Tinanoff and Maxine Schackman, who, aided by tech-savvy volunteers and students, have made 10,000 songs from the archive’s collection available online to the public. The archive contains religious, folk and children’s music, theater and music-hall performances. Click here for full text.

• December 31, 2009:  The following editorial in the Palm Beach Post explains the importance of the work that is being done by the Judaica Sound Archives.

In the larger scheme of things, the dedication of the employees of the Judaica Sound Archive at Florida Atlantic University isn’t earth-shattering. It doesn’t change Florida, the way oil drilling off the coast would. It doesn’t build houses or end foreclosures or reinvigorate the economy.

But it alters Florida just the same, adding a twist of culture to a state that too often is criticized for sterile shopping malls, cookie-cutter houses and cultural voids.

We mention the dedication of employees Nat Tinanoff and Maxine Schackman, aided by volunteers and students, because it was their dedication that persuaded a Cleveland furniture store owner and record-collector extraordinaire to donate to the archives 60,000 record albums for preservation. As The Post’s Lona O’Connor reported Wednesday, thanks to these workers, the mountain of wax recordings preserving the music of the past will be catalogued and digitized so that they can remain far into the future.

Jack Saul, who died in May at 86, picked FAU’s sound archive specifically because he saw that it would preserve his collection. He once had been burned, giving away 200,000 recordings to an organization that later sold them. Mr. Tinanoff estimates that it will take five years to inventory Mr. Saul’s collection. He expects to make 4,000 compact discs available to students. The collection includes an album of Fanny Brice singing to children and a fantasy cantata about the Brooklyn Dodgers by opera singer Robert Merrill.

It’s a cultural bonus Florida would not have, if not for the dedication of the Judaica Sound Archive’s employees. Click here for full text.

• January 6, 2010: The Jewish Forward recognized the importance of recorded Jewish music for musicians and others who cherish Jewish culture in this article by Ezra Glinter.

It’s a truism of traditional music that in order to go forward, you have to go back. To innovate on old material, you have to know the old material in the first place.

But in the case of Yiddish music, there’s often not much to go back to. During the heyday of Yiddish culture in the late 19th and early 20th centuries, klezmer melodies, Yiddish theater tunes and cantorial music were popular entertainments for Jews from Warsaw to New York. But with the Holocaust in Europe and the rapid assimilation of Jewish immigrants in America, that culture went away as quickly as it had come. For musicians today who want to learn the Yiddish repertoire, finding a living link to that centuries-old musical tradition is nearly impossible.

But there is another way. Between 1898 and 1942, some 6,000 78-rpm recordings of Jewish music were produced in the United States, and some 5,000 in Europe. When Jewish musicians in the 1970s revived the Yiddish music that had largely disappeared after the Second World War, it was to those recordings that they turned.

“If it weren’t for these historic recordings, there wouldn’t have been a klezmer revival,” said producer Henry Sapoznik, executive director of Living Traditions, a Yiddish arts organization that produces the annual weeklong KlezKamp in Kerhonkson, N.Y. “Of every traditional music scene, whether it’s Balkan or Greek or blues or early jazz, the only one that relied completely on using 78s as a style and repertoire model was the klezmer scene. . . . ”

Florida Atlantic University’s Judaica Sound Archives has been collecting Jewish music of all kinds since 2002, and provides much of it in streaming format on its Web site and more through research stations located in libraries throughout the United States, Canada, Israel and the United Kingdom. Click here for full text.