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By Benjamin Roth-Aroni, July 25, 2017 1:31 pm

There was a “joke” in the cantorial world that “If you can’t get Koussevitzky, get Aroni!”  Personally, I think Aroni (my dad) had a better voice.

His voice instructor and many others told him that he could have been, or should be an opera singer, but he loved being a cantor too much.

His voice didn’t age noticeably from his first recordings, specifically The Grape Song recorded in 1950, to his last recording Kohanecha Yilb’shu Tzedek recorded in 1990.

Both recordings can be heard on the RSA website, along with 34 other recordings by Cantor Zvee Aroni, just one of over 260 cantorial voices to choose from in the Cantorial Voices Collection.

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By Recorded Sound Archives, January 25, 2016 3:51 pm

The Recorded Sound Archives has digitized a collection of cantorial music by Cantor Shloimele Rothstein , one of over 260 Cantorial voices to choose from in the RSA’s Cantorial Collection.

Born in Bessarabia on May 1, 1891 in the town of Falesty. He was the first Cantor to sing on KDKA radio in Pittsburgh in 1926 and was contracted by Columbia Grafonola to produce phonograph recordings along with being Cantor at Synagogue B’nai Israel in Brooklyn, NY.

Shloimele’s only teacher was Jerome Hayes of whom he learned several operas with. As a result, he was offered the leading tenor role in “La Juive” by an Opera Co., but refused the offer to give his attention to the Synagogue, Phonograph and Concert work. He passed away on October 19, 1966, at the age of 75.

He is also known as Shlomo Rothstein, Sol Rothstein & Solomon Rothstein.

To listen the voice and recordings of Shloimele Rothstein, click here.

To discover other cantorial voices, please visit the Recorded Sound Archives Cantorial Voices collection.

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By Recorded Sound Archives, November 5, 2014 6:17 pm

Cantor Todros Greenberg’s great-granddaughter wanted her son to hear his great-great- grandfather sing, but all she had was a tangle of tapes from dozens of reel-to-reel recordings. What could she do?

After locating a box full of tapes belonging to her great-grandfather, Cheryl Silver reached out to the JSA. With her son Noah’s Bar Mitzvah only a few months away she wanted to preserve the music on the tapes as part of Noah’s Mitzvah Project.

Although most of the tapes seemed to be in fairly good condition they were in total disarray. The home-made tapes were not clearly identified. We had no idea who was singing what on which tape.

A bit of good luck: As it happened, Cantor Joseph Gross, friend of the JSA, remembered Cantor Greenberg and could identify his voice. Hour after hour after hour, Cantor Gross sat with ear phones listening to tapes and making notes.  JSA sound technician, Ben Roth-Aroni meticulously digitized the tapes, created separate tracks and organized the songs on CDs for the family.

Well-known among Cantors for his talents as an educator and composer,  Cantor Greenberg’s 40 year collaboration with  Cantor Sholom Kalib resulted in the critically acclaimed book, Heichal Han’gina V’hatfila. Vol.1, published in 1961 by the Cantor’s Assembly.

His compositions have been included in the Milken Archive’s CD: The First S’lihot by Benzion Miller and  in The Milken Archive’s 50 CD boxed set.  They were also featured as part of the 8-program WFMT (Chicago) radio series, The Art of the Cantor, hosted by Cantor Alberto Mizrahi. But, recordings of this great Cantor’s voice have been rare …..until now.

The Judaica Sound Archives is proud of its role in preserving the recorded music legacy of Cantor Todros Greenberg.The digitized music in this collection was lovingly and painstakingly created from Cantor Greenberg’s personal reel-to-reel tapes which were donated to the Judaica Sound Archives by Cantor Greenberg’s family in honor of the Bar Mitzvah of his great-great-grandson, Noah Johnson.

 Click here to read more about Cantor Greenberg and to hear his recordings.