5774 A new year. In case you haven’t noticed...the world is changing.

One family’s ancestor remembered…a shared culture preserved.

The music of the traditional synagogue in America has strong roots in the culture and shtetls of 19th and early 20th century Eastern Europe. Like many of the greats of the Golden Era of Hazzanut Cantor Gedalie Bargad was a gifted hazzan who grew out of the chassidic environment.

Born in 1898 on Kol Nidre evening in the small town of Slavuta (Volhynia Province, Russia), his promising career as a cantor was disrupted by war, civil strife and his family’s struggle for survival. Eventually Bargad and his bride were able obtain travel documents and arrived in Boston on May 25, 1921. Read More About This…

Equally at home on the opera stage and in the synagogue, Stephen Texon’s successful and distinguished singing career spans decades.

The Judaica Sound Archives is delighted to add the voice of Cantor Stephen Texon to its distinguished online collection of Cantorial and operatic recordings. A native New Yorker, Texon studied at Yeshiva University and NYU. His rich baritone voice was a natural for the opera stage and he was inspired to pursue operatic training in Geneva, Switzerland and at the Met in NYC. Read More About This…

For five generations, the Lind Family, descended from Belzer Hassidim in Galicia, sang the songs of the synagogue. It was from this lineage that Joshua Lind (1890—1973) rose to prominence as a composer, cantor and teacher. Joining his father’s synagogue choir at the age of 5, young David Lind quickly became a Cantorial wunderkind touring the country and recording for RCA Victor.

Together with his brothers, Murray and Phil, David formed the Lind Brothers Trio in 1937. They became quite popular performing a repertoire especially created for them by their father, Cantor Joshua Lind. Read More About This…

Jacob Barkin became an internationally acclaimed cantor and operatic performer during the 1950s, 1960s and 1970s. He performed with the Pittsburgh and New York Symphony Orchestras and was offered a contract by the Metropolitan Opera (which he declined). Early in his career he became a White House favorite of presidents Franklin Roosevelt and Harry Truman. While officiating at Adas Israel Congregation in Washington DC (1952 – 1975) he was invited to perform at the White House by presidents Dwight Eisenhower and  Richard Nixon.

A highlight of his career was being asked to  step into Richard Tucker’s role as Cantor for High Holiday services at the famous Concord Hotel in upstate New York (Catskills). He officiated at Holy Blossom Congregation in Toronto, until his retirement in 1995. Read More About This…