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By Recorded Sound Archives, May 14, 2012 1:19 pm

Rabbi/Cantor David Shneyer is a singer-composer, guitarist, and clarinetist . He grew up in Lakewood, New Jersey. After graduating from Rutgers University in 1970 Shneyer moved to Washington, D.C. Along with fiddler Alan Oresky he created new Jewish liturgical folk music and founded the popular folk and klezmer band the Fabrangen Fiddlers in 1971. This group remains devoted to the rediscovery of Jewish folk music and the development of new Jewish liturgical folk music.

Sometimes known as a Human Rights Rabbi he is the director of AmKolel Sanctuary and Renewal Center in Pikesville MD.

He recently visited the Occupy DC site in McPherson Square to play music and share the traditions of Sukkot.

Click here to see video.

Click here to listen to the JSA collection of Cantor Shneyer’s music.

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By Recorded Sound Archives, April 18, 2012 1:28 pm

Gladys Gewirtz circa 1965

Gladys Gewirtz  touched the lives of thousands of people who never met her. Her recordings were among the first that were digitized and played on the JSA website (www.fau.edu/jsa).  Over  60 years ago, Gladys Gewirtz, had the idea of creating recordings for young Jewish children. Together with her sister, Roz Grossman who wrote the lyrics and patter between songs, she produced recordings based on familiar fairy tales and nursery rhymes. The simple sing-along tunes are endearing and bring back early childhood memories to many listeners.

Gladys attended Julliard and Columbia University. She was music director of the first Camp Ramah, and taught at the Jewish Theological Seminary where she  inspired a generation of music teachers and counselors.

The sisters’ songs deal primarily with Jewish customs and holidays, and also celebrate the newly established State of Israel. Miriam Brosseau writes, “in Gewirtz’s record Mother Goose Songs for Jewish Children and Holiday Play Songs, she and narrator Eve Lippman inject Jewish themes into familiar American children’s songs; Little Boy Blue, for instance, cannot watch over his sheep on Shabbat–he is in shul, of course. The young boys on the cover all sport kippot and Mother Goose is pictured in a matronly shawl, with a prominent Star of David around her neck.”

Through the pioneering work of Gladys Gewirtz and her sister, Roz Grossman,  Jewish life and customs became songs that even pre-schoolers could understand.  It is only now, after so many years, that we can truly appreciate the powerful influence that these simple tunes had in fostering Jewish identity and education for  generations of Jewish children.

Gladys spent a number of years at Kol Yisrael (The Voice of Israel) as a music producer.  She was married to the District Attorney of Jerusalem, Ezra Hedaya.

Together with her brother, Shimon (cantor). and his wife, Ilana (flutist and soloist), Gladys established and directed the first music service at the Hebrew Music College in Jerusalem. She also wrote various cantatas and oratorios on biblical themes. Gladys and her brother Shimon again combined their talents to write a musical  based on The Book of Ruth. entitled Your People are Mine.

Gladys was 84 when she passed away on April 14, 2012. Shimon and Roz are currently living in Israel.  All of us at the Judaica Sound Archives are saddened by her passing and offer sincere condolences to her family. Her memory is a blessing to all who knew her. Her music legacy will not be forgotten.

Click here to listen to all eight (8) of her albums from the JSA Collection.

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By Recorded Sound Archives, March 29, 2012 11:58 am

Passover  traditions and memories . . . .

A time for family gatherings.

A time to ask the ”four questions.”

A time to search for the afikomen.

A time to recite the ten plagues.

A time for choroses and horseradish on matzo.

A time for Elijah’s glass of wine.

The Passover Seder  allows us to join together  in the warmth and safety of our homes to celebrate and remember our Jewish heritage.

If music and song have been a part of your Passover Seder over the years  the recordings in the JSA’s Passover Collection of Songs are sure to revive nostalgic memories of the past and to inspire new traditions for the future.

And if you are not already familiar with the wonderful music of the Passover Seder, it’s not too late to  join in and sing along!

Click here for links to the JSA’s Passover Album Collection.

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By Recorded Sound Archives, February 27, 2012 9:41 am

4th Annual KULTUR FESTIVAL: A Celebration of Jewish Music and Arts

March 3—11, 2012

FAU Libraries, Boca Raton, FL

Can’t make it to South Florida?

You can join in the celebration of klezmer right here at the Judaica Sound Archives!

The word “klezmer” derives from two Hebrew words meaning instruments of music. The roots of klezmer can be traced back to 15^th century Eastern Europe. Klezmer music incorporates Chassidic melodies, folk tunes, and Jewish celebration dances. However, most ethno-musicologists would tell you that what we refer to as “klezmer” in 21^st century America bears very little resemblance to the musical compositions of 100 or 200 years ago. Today’s “klezmer” is like a  kaleidoscopic musical mirror that captures sound bits from the Jewish experience and reflects them back in new and sometimes wildly improbable ways.

Steeped in traditional Jewish sounds and melodies, klezmer is no longer chained to the shtetl. Today’s klezmer can be heard on the internet in Jewish homes around the world. Today’s klezmer can absorb interesting new flavors as the Jewish world of music expands.

Today’s klezmer music wakes up our Jewish cultural memory and provokes us to dance, to celebrate, to be Jewish!

Early klezmorim played the violin and other stringed instruments. Around 1855 the clarinet began to gain prominence. In the USA, clarinetists Dave Tarras and Naftule Brandwein spear-headed a klezmer revolution during the 1920’s. Today klezmer music continues to evolve.  It now includes everything from traditional renditions to mind-blowing fusions.

TheJudaica Sound Archives at Florida Atlantic University Libraries invites you to enjoy klezmer music from the past and the present.

Adrianne Greenbaum – FleytMuzik Klezmer music for flute

Benny Bell – To the Bride

Effy Netzer and his band – Folk Dance in Israel Today

Harry Kandel- Kandel’s Orchestra (1917-1918) Vol. 1

The Original Klezmer jazz Band

Paul Green – Klezmer East

Rudy Tepel and his Orchestra- Lubavitch Wedding

Yiddishe Cup – Klezmer Guy

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By Recorded Sound Archives, February 7, 2012 2:43 pm

The Judaica Sound Archives is proud to feature the beautiful voice of Judy Caplan Ginsburgh.  Although much of her work is geared towards children’s music and holiday songs,  her  clean, clear, lyrical voice performs beautifully when singing cantorial songs,  romantic ballads, and folk songs.  She is a nationally recognized and multi-award winning performer.  She travels extensively to perform at a variety of different of events, appearing in concerts, educational workshops and sing-alongs .

Judy obviously has a passion and a talent for childhood education. She has innovated a number of educational performances and events which engage school-age children with music and song. One of my favorites from her collection is the  iParenting 2007 Award winner, You’re Amazing.

Judy has had great success as a recording artist since 1981. Her award-winning, best-selling recordings for Jewish families feature familiar songs which have been sung for years in Jewish schools and homes. Her interactive and educational recordings of music for general audiences have received the highest praises from teachers and parents around the globe.

The Judaica Sound Archives has 11 of her albums in our collection. I know that once you start listening to them you will be emailing me to ask where you can buy the CDs.  So before you have to ask.  I will tell you.

The Judaica Sound Archives does not sell CDs. If you are interested in purchasing this music please visit Judy Caplan Ginsburgh’s website: www.judymusic.com .

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By Recorded Sound Archives, January 18, 2012 3:03 pm

The multi-talented Laura Wetzler is a singer, songwriter, guitarist, lecturer, and recording artist. Her professional singing career began when she was only 15 years old.  Influenced  by her love of Jewish music and the famous folk singers of the 1960s, she became a popular performer at NYC clubs, synagogues and college campuses.

After her graduation from Hofstra she became a protégé of the legendary Joe Elias, master of the Ladino folk song genre. Her first CD was released to critical acclaim in 1999 and was re-issued in 2011.

A sought after concert performer, Wetzler’s popular music/lecture programs (Jewish Women in Jewish Song, Songs of the Lost Communities, Adventures in African and Asian Jewish Music and Jewels of the Diaspora, and Kabbalah Music: Songs of the Jewish Mystics ) highlight not only her talent but also her extensive knowledge of and interest in music history.

Wetzler is not only passionate about her music, she is also a passionate humanitarian. Working with Kalanu.org, she has been helping economically challenged African Jewish farmers to find health, education and basic services since 2002.

In her own words: “Music is my way of exploring the world, celebrating my heritage, and sharing with others.”

The Judaica Sound Archives is pleased to welcome her as one of our featured performers.

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By Recorded Sound Archives, January 11, 2012 2:42 pm

Cantor Bruce Benson has been dedicated to composing liturgy for the contemporary Jewish world for more than 40 years. He is, perhaps, best known for his Jazz Service, written and recorded with smooth jazz saxophonist, Kenny G. His blending of modern sounds with traditional Jewish prayers earned him a place in Chosen Voices: The Story of the American Cantorate by Mark Slobin.

The Jazz Service,was the largest selling Jazz album in the Jewish market for well over 10 years. The Rock Service(version 1), a collection of original compositions, was nominated for a Grammy Award in 2002. The 2nd version, re-released in 2008, featured a now legendary performance of Cantor Benson’s The Healing Prayer with Clarence Clemons of the E Street Band.

Cantor Bruce Benson is currently Executive Director of the Institute for Jewish Living. He is the former cantor of Temple Beth Am in Jupiter, FL. He has also served as cantor at the Congregation Beth Israel in Scottsdale AZ.

In his concerts and travels around the country, Benson strives to redefine the Jewish music landscape of our generation.  Whether performing alone, or with his band, T’zur Yisrael, Benson creates new perspectives and a fresh look at Jewish prayer.

The Judaica Sound Archives welcomes Bruce Benson to our list of featured performers.

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By Alethea Perez, October 6, 2011 9:20 am

Sometimes the unexpected comes with the daily mail. This recent addition arrived just in time for Yom Kippur. It  features Nicolas Jolliet a talented guitarist, sitarist,  and composer.

The Kol Nidre has fascinated composers for centuries. Now it has caught the attention of Guitarist and Sitarist Nicolas Jolliet. Using the sitar, surbahar, tabla, oud, dumbek and other exotic instruments, this CD was recorded on the Caribbean Island of St. Lucia, and evolves from traditional ragas into a seductive Reggae beat. The subject of a Canadian Broadcasting Corporation documentary, it was played at a Yom Kippur service held at a U.S. base in Kandahar, Afghanistan.

The Jolliet Kol Nidre was written in two parts. The first,  although  innovative, closely follows the original. The second part is a freer interpretation using the richly textured sounds of the East.  Click here to listen to this beautiful rendition of one of Judaica’s most iconic songs.

The producer, Harold Levy, has made the piece available free of charge on Soundcloud’s website.  Information on how to purchase this album can be found at Kolnidre.org.

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By Recorded Sound Archives, September 19, 2011 4:05 pm

New for the Holidays! This recently added album features music composed especially for the High Holy Days by Cantor Meir Finkelstein who also conducts the orchestra. It features the voices of Cantor Udi Spielman and his wife Varda.

Cantor Spielman and Cantor Finkelstein have partnered many times in the past with great success. Together they create a distinctive cantorial sound that is at once modern and traditional.

A Still, Small Voice Is Heard was recorded about a year ago with restricted distribution, mostly to members of the congregation of B’nai Torah in Boca Raton. The title of the album refers to the story of Elijah who did not hear the voice of God in the wind that whipped him, the earthquake that shook the mountain he stood on, or the fire which raged around him. But, in the calm after the fire Elijah heard a still, small voice and knew that God was with him.

Click here to listen to all of Cantor Spielman’s recordings.

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By Recorded Sound Archives, August 25, 2011 12:21 pm

It was the “last box packed.” Now it was the last box to be unpacked. After going through 156 boxes of Cantorial, Yiddish and English-language recordings from the collection of Chicago record producer Barry Serota we stared at this box and knew that once it was opened our job of unpacking would be complete.

However, our work organizing, describing and investigating the music was just beginning!

Barry Serota, had devoted his life to collecting great Jewish music and producing high-quality recordings. Although we knew that this was a wonderful donation to the Judaica Sound Archives, we really couldn’t be sure what treasures we would find. As it turns out, we couldn’t be more pleased!

Of the 1,513 LPs that were unpacked we found at least 100 that were still in their original cellophane wrappers. There were also a few 45 rpm records, over seven hundred 78 rpm discs, 101 digital tapes, and 1,443 audio reel-to-reel tapes.

Benedict Stambler, founder of the Collector’s Guild recording company, had been Barry Serota’s mentor and friend. We were delighted to uncover several test pressings from the Collector’s Guild Archives Limited Edition series. There were numerous other test pressings as well, a few of them acetate.

Test pressings include: an acetate pressing of a synagogue service  radio broadcast led by Cantor Dale Lind made in 1941, a live concert by Cantor David Kousevitsky that was recorded in 1968, and a concert of folk songs by Rosenblatt.

The JSA has now been able to create a special collection of about 60 albums on the Musique Internationale label. This rare collection of recordings by a dedicated lover of Jewish music can now be enjoyed around the world on the JSA website.

The Judaica Sound Archives has greatly enhanced its already extensive collection of Judaic music with this acquisition and we are delighted to be able to share it with you. Recordings that cannot be played on the website due to copyrights will be made available on the JSA Scholar’s Research Station.