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By RSA Guest Blogger, August 24, 2015 6:53 pm

Theodore Bikel on stage as Tevye in Fiddler on the Roof.

With his grey beard, clear voice, and room filling performance, Theodore Bikel had so much in common with Tevye the Milkman. He was the fiddler on the roof, a versatile man.

Theodore Bikel, actor, activist and folk singer, passed away at the age of 91 last month on July 21, 2015 in Los Angeles. He played Tevye in Fiddler on the Roof onstage in thousands of performances, created the role of Baron von Trapp in the original Broadway production of The Sound of Music, recorded as a singer and guitarist for many albums in different languages, and was involved in civil rights causes.

Bikel was born into a Jewish family in Vienna, and named after Zionist Theodore Herzl. They fled to Palestine in 1938. and according to his mother in his autobiography, he sang before he could talk. Theodore started acting at a young age and performed in the Habimah Theatre in Tel Aviv in 1943. Bikel moved to London in 1945 and next to the United States in 1954, where he started his acting career on Broadway.

Bikel released thirteen albums between 1955 to 1965. The most popular recordings were: Theodore Bikel Sings Jewish Folk Songs (1958), Songs of a Russian Gypsy (1958), Theodore Bikel Sings More Jewish Folk Songs (1959), A Harvest of Israel Folk Songs (1961), and Theodore Bikel Sings Yiddish Theatre and Folk Songs (1965). With this repertoire, he paved the way for a renewed interest in Yiddish folk songs, and ultimately for the klezmer revival in the late seventies.

Along with folk singer Pete Seeger, Bikel became one of the founders of the Newport Folk Festival in 1959. This festival is known for the performances of Joan Baez and Bob Dylan in 1963 and played a crucial role in the American folk music revival of the sixties.

Just recently, a documentary film was released about the intertwining of Theodore Bikel’s life with writer Sholom Aleichem, the great storyteller of Jewish life in Eastern Europe: Theodore Bikel: In the Shoes of Sholom Aleichem. In March this year, Record Sound Archives’ Alethea Perez wrote a blog about this portrait. click here to read more.

Listed below are some of his popular tunes.

 Dona Dona

Di Mame Iz Gegangen

Az Der Rebbe Zingt

Dodi Li

 Click here for more Theodore Bikel recordings.

Due to copyright concerns only snippets can be heard on the RSA public website. Full versions are available to users of the RSA Research Station.

If you enjoyed this guest blog post you may enjoy Gone but not forgotten – the Barry Sisters.

RSA Guest Blogger, Niels Falch, is a PhD candidate at the University of Groningen in the Netherlands and is currently writing a dissertation on the influence of Jewish music in American popular songs.

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By RSA Guest Blogger, January 5, 2015 8:50 pm

Bagelman Sisters/Barry Sisters early photo with Claire Barry on the right.

Yiddish music icons, Merna and Claire Barry, entertained generations of Jewish Americans with their jazzy versions of Yiddish songs.

For over 40 years the Bagelman Sisters, later known as the Barry Sisters, were the darlings of Jewish entertainment. Their recordings could be found in almost every Jewish household in the 1950s and 60s. The younger of the two sisters, Merna, passed away in 1976. The older sister, Claire Barry, died on November 22, 2014 in Hollywood, FL at 94. Click here for full NY Times obituary.

Who were the Barry Sisters?

Two beautiful girls, dressed in the latest fashion, hair  perfectly coiffed, singing with sultry voices that could make your heart leap.

Born in New York, the two sisters were originally known as the Bagelman Sisters. Many saw them as the Yiddish answer to the popular Andrews Sisters in the 1940s. They combined old Jewish folk songs and Yiddish Theater ditties with swing arrangements and perfect harmony. When Clara and Minnie changed their names to Claire and Merna The Bagelman Sisters became The Barry Sisters. They have often been credited with creating Yiddish Swing, a music genre which did not exist previously.

The glamorous Barry Sisters were regular guests at Yiddish radio programs like Yiddish Melodies in Swing. They toured with the Ed Sullivan Show to the Soviet Union and performed in Israel in October 1962.

The popularity of their catchy and jazzy tunes may have paved the way for the Broadway hit, Fiddler on the Roof, and the klezmer revival of the late 70s.

Listed below are some of their most popular tunes. The Judaica Sound Archives has 41 recordings by this dynamic duo of Yiddish music.

Abi Gezunt (Stay healthy)

In Meine Oigen Bistie Shain (To me you are beautiful)

Channah from Havannah (A Gala Concert with Moishe Oysher album, no. 3).

Bublitchki (About the last bagel)

Dem Neyem Sher (At Home With album, no. 2).

Roumania

Click here for more Barry Sisters recordings. Due to copyright concerns only snippets can be heard on our public website.  Full versions are available to users of the RSA Research Station.

RSA guest blogger, Niels Falch, is a PhD candidate at the University of Groningen in the Netherlands and is currently writing a dissertation on the influence of Jewish music in American popular songs.

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By RSA Guest Blogger, October 30, 2014 1:42 pm

Do you know this person?

Clue: He is a Dutch man who was once called the King of Yiddish Music.

Leo Fuld was one of the premier Yiddish performers in America during the 1950’s and 1960’s. Audiences loved to hear him sing Yiddish favorites in a combination of Yiddish and English. They loved his music which evoked the emotions and hardships of the Jewish people. Simply put, audiences loved the truth in his music.

One of his most famous compositions “Vi Ahin Zol lch Geyn? (Where Can I Go?)”, can still wrench the heart. It sold over one and a half million copies worldwide. Leo Fuld not only composed Yiddish songs, he also performed them with great success.  His list of recorded hits include: Ich Hab Dich Zu Viel Lieb (I Love You Much Too Much), Wus Geween Ist Geween, My Yiddishe Mama, Zigany Melody. The lyrics to his song, Mazzel, tells us something that we all know….a little luck can make a big difference!

Lyrics:

You gotta have a little mazzel,
Mazzel means good luck,
‘Cause with a little mazzel,
You always make a buck.
And if you have no mazzel,
Although you’re on the ball,
You try and try and can’t get by,
You beat your head against the wall.
Don’t ever try to figure, why you seem to be to blame,
That some folks have a million, and can’t even write their name!

Fuld was born into a large family (the third of ten) in Rotterdam, Netherlands. He served as a cantor in the synagogue when only 16 years old. Like other young men of the time, however, he was also attracted to popular music. Just before the outbreak of World War II, he left for America, established himself as a singer of Yiddish songs and became a well-known and successful performer.

Returning home after the war, Fuld was devastated to find his beloved Rotterdam bombed beyond recognition and his entire family murdered.  With his red-hair and European accent he became a very recognizable Jewish performer when he returned to the USA. Combining Yiddish songs with swing music, and using both Yiddish and English lyrics he achieved stardom among Jewish audiences in the 1950s and 1960s. Performing with super-stars like Frank Sinatra and Edith Piaf his admirers ran the gamut and included such luminaries as Frankie Laine, Billie Holiday, Al Jolson, Danny Kaye and even Albert Einstein.

Click here for more songs by Leo Fuld.

This blog was written by RSA guest blogger, Niels Falch. An independent researcher, Mr. Falch is especially interested in the influence of Jewish music on American popular songs. He lives near Amsterdam in Holland. Additional material supplied by Maxine Schackman, Director of the Recorded Sound Archives at FAU Libraries in Boca Raton, FL.